vocal practice

Workshop Strange Sounds

 – – For English scroll down – –

Explore the boundaries of your voice
探索你的聲音疆界

數十年來,Mark van Tongeren 持續探索數百種聲音技巧、聲響與噪音,並在他的即興演出與教學中自由運用。究竟他是怎麼做到的?現在,你終於有機會在這位頂尖聲音專家的引導下,讓你的聲音走向前所未見的可能性。
從抒情到歇斯底里,從動物聲到外星語,從新古典到……(幾…乎…聽…不…見!),從極度身體性到深層靈性,Mark 不為自己的聲音設限。邀請你一起來探索:你的聲音能走多遠?
⚠️ 注意:某些練習對部分人來說可能會造成聲帶負擔。請隨時保持警覺並為自己負責,如此你就可以安心探索!

【時間】
2025年8月28日 14:00-18:00


【地點】

活活.聚落 (106台灣台北市大安區敦化南路二段172巷5弄2號)
https://www.esliving.org/about

【課程表】

1345|開門入場
1400|奇異聲音介紹 + 示範
1415|怎麼發出奇怪的聲音?Part 1:簡單的一種聲音
1445|玩一玩:Part 1 簡單的聲音遊戲
1500|怎麼發出奇怪的聲音?Part 2:具挑戰性的一種聲音
1530|玩一玩:Part 2 進階聲音遊戲
1545|— 休息一下 —
1600|怎麼發出奇怪的聲音?Part 3:簡單的聲音組合
1630|玩一玩:Part 3 簡單的組合遊戲
1645|怎麼發出奇怪的聲音?Part 4:強烈對比聲音的並置(進階挑戰)
1715|最後大玩耍!獨奏、雙人組合與自由發揮
1745|問與答 Q&A
1800|課程結束

【工作坊介紹】

2024 年末,TOSA 聯合創辦人兼口譯員 Sunny Chen 問我:「你怎麼做出這麼多奇怪的聲音?能不能舉辦一個工作坊教我們怎麼做?」 我立刻愛上這個主意,也因此忙碌了好幾個月。

現在,我們終於選定一個下午來面對這個挑戰。這次的目標在於學習如何發出各種不同的、非同尋常的聲音──從相對簡單且無害的,到骯髒又危險的,正是那些大多數歌手畏懼嘗試的聲音。我接受這個挑戰,不僅為了能做出奇異的聲音,更希望藉此反思自己是如何做出這些聲音的。這也引發了一連串問題:究竟哪些聲音才是奇怪的?誰能真正做到?這些聲音是否具有可轉換性?是否能被解釋?會不會有風險?我知道這其中可能存在風險,所以我們只以一個下午作為起點。雖然這不足以涵蓋所有奇怪聲音的面向,但對於探索這個迷人領域來說,已經是個極好的開始。
我提到了一些靈感來源:首先是那些我曾分別認識並多次同台演出的歌手,例如牧上晃一(Koichi Makigami)、雅普‧布隆克(Jaap Blonk)、菲爾‧明頓(Phil Minton)、保羅‧達頓(Paul Dutton)以及大衛‧莫斯(David Moss,亦組成名為 Five Men Singing! 的團體),還有陳光海(Tran Quang Hai)。當然,來自圖瓦(Tyva)的 Sainkho Namchylak 也是一個光芒四射的例子,我很榮幸多次欣賞她的演出,並於最近在台北與她合作演出(Sainkho 擔任鼓手,讓我進行主唱)。去年我原本以為終於會有機會目睹那位神秘的荷蘭女神 Greetje Bijma 的絕妙表演,卻因她取消了音樂會而落空。除此之外,還有無數傳統歌手出現在數百張專輯上,提供了無窮無盡、充滿可能性的優質素材。
今天下午,我嘗試以一種較有條理的方法(如何製造奇怪聲音?第一至第四部分)來探索那些看似無系統、雜亂無章的聲音。我們經常在完成一組聲音練習(玩一玩 第一至第四部分)後進行整理與回顧,讓部分聲音能夠休息,而另一些則能比團體練習時走得更深入。

【誰適合參加?】

任何對用聲音探索新可能感到好奇的人。
最少8人,最多16人

【需要準備什麼?】

你的聲音。持久力。探索的意願。
以及在發現過頭時,能夠停下來的覺察力與意願。

【語言】

英文以及中文即席翻譯

【帶領者介紹】

1992 年起,以及整個 1990 年代期間,Mark van Tongeren 開始以音樂即興演奏者與「拼貼創作者」(bricoleur)的身份,在物件劇場中進行表演。到了 2000 年代,他轉向各種音樂即興形式,與 Fred Frith、牧上晃一(Koichi Makigami)、馬友友(Yo-Yo Ma)及 Oorbeek 等音樂人合作。2010 年代,他與舞蹈的合作愈加頻繁,也讓身體表演在自身的作品中扮演更重要的角色。進入 2020 年代,他多元融合的風格已日漸跨越音樂、文化與學科的邊界。
在台灣,他與原住民、在地與外國藝術家共同演出,並帶領實驗聲音團體漪渦魚 IUooUI。他每週在台北帶領的「聲音瑜伽」課程,也是一種引導式、直覺性的即興聲音練習。

【團隊】

本次工作坊還由即席翻譯兼共同籌辦者Sunny Chen協助;以及宣傳及行政助理張惜音協辦。
報名、詢問工作坊詳情,歡迎聯繫惜音 hsiyin724@gmail.com
或者聯繫馬克 0910-382-749

【報名費用】

[原價:4000元]
2025年8月5日前
●早鳥 / 9折優惠 NT$ 3600 元
●共鳴 / 舊生 /TOSA成員/ 85折優惠 NT$ 3400 元
2025年8月6日起
●全價 NT$ 4000 元

【報名方式】

2.確認報名費用後,請在三天內進行學費匯款
3.匯款完成後,
—————————————–
請以Email 聯繫惜音
—-Email:hsiyin724@gmail.com
——————————————
4.經確認款項後,將在五天內發出報名確認信件,也會與您確認行程詳細事宜

【取消政策】

我們盡量保持合理的價格。如果您在課程開始前15至30天取消報名,我們將退還50%的費用。如果您在課程開始前14天內取消報名,我們將退還20%的費用。如果您找人代替參加,我們只收取10%的行政費。

【有問題嗎?】

請隨時與我們聯繫!

STRANGE SOUNDS
Explore the boundaries of your voice

PROGRAM IN SHORT

For decades Mark van Tongeren explored hundreds of vocal techniques, sounds and noises, from which he freely picks during his performances and classes where he improvises. How does he do it? Finally there is an opportunity to broaden your vocal ability in unforeseen directions with a first class voice expert. From lyrical to hysterical. From animal to extra-terrestrial. From neo-classical to ……………………….. ( n e a r l y i n a u d i b l e ! ). From physical to spiritual. Mark does not like to set any limits to what his voice can do. Join him to find out how far you can go.
WARNING: some exercices may cause voice damage for some people. Be alert and take responsibility at all times, then you will be fine!

This workshop is hybrid: you can join in person or online. We will announce the online conditions after a week. Signing up is only in-person now. We will use a microphone but no amplification. If you do not want to be visible you can choose a spot outside the video frame.

DATES AND TIMES

August 28 Thursday 1400-1800
1345 doors open
1400 Introduction to strange sounds with demos
1415 How to make a strange sound? Part 1. Easy single sounds.
1445 Playing around. Part 1. Easy.
1500 How to make a strange sound? Part 2. Challenging single sounds.
1530 Playing around. Part 2. Challenging.
1545 – – break – –
1600 How to make a strange sound? Part 3. Combinations. Easy.
1630 Playing around. Part 3. Easy combinations.
1645 How to make a strange sound? Part 4. Juxtapositions. Challenging.
1715 Final play with solos, duos and whatever comes up!
1745 Q&A.
1800 End

LOCATION
活活聚落. Essential Living.
near MRT Technology Building.
https://www.esliving.org/classroom

FULL DESCRIPTION

Late 2024 TOSA co-founder and interpreter Sunny Chen asked me: how do you make all these strange sounds? Can’t you give a workshop showing us how to do them? I immediately loved the idea and it kept me busy all these months. Now finally we picked an afternoon to tackle this problem. The goal will be to learn how to make a number of unusual, strange sounds. From the relatively easy and harmless down to the dirty and dangerous: the things that most singers shy away from. I pick up this challenge to not only make strange sounds, but also to reflect upon how I make them. And this will lead to questions such as: which sounds are strange? Who can actually make them? Are they transferrable? Explainable? Is this going to be risky? I am aware that it may be, so we start with just a single afternoon. Never enough to cover a substantial of strange sounds, but great as a start to map this fascinating area.
I mention a few inspirations: first of all the vocalists that I met separately, and in quite a few cases performed with: Koichi Makigami, Jaap Blonk, Phil Minton, Paul Dutton and David Moss (who also assemble as a group called Five Men Singing!), and Tran Quang Hai. Of course, Sainkho Namchylak from Tyva is a shining example I have had the pleasure of witnessing many times, and perform with in Taipei recently (Sainkho taking to the drumkit and letting me do the vocals). Last year I thought I would finally have a chance to witness our elusive, Dutch diva extraordinary, Greetje Bijma – but she cancelled the concert. Then there are numerous traditional singers on hundreds of albums: it’s some of the best stuff with endless possibilities.
This afternoon I try to present a sort of orderly way (How to make a Strange Sound? Part 1-4) to approach what is really without system or order. We frequently take stock after going through a set of sounds (Playing Around Part 1-4), allowing some voices to rest and others to go deeper than we can go as a group.

FOR WHOM?
Anyone curious to make new sounds with the voice.
The maximum is 10 people on-site. More people can join online, we will announce the details within a week.

WHAT YOU NEED
Your voice. Stamina. Willingness to explore.
Readyness to stop when you go too far.

Please bring a drink or snack for the break-time.

LANGUAGES
English + Chinese

YOUR TEACHER
In 1992 and throughout the 1990s, Mark van Tongeren began performing as a musical improviser and bricoleur in object-theatre. In the 2000s he switched to all kinds of musical improv, playing with the likes of Fred Frith, Koichi Makigami, Yo-Yo Ma and Oorbeek. The 2010s saw more dance collaborations and also a greater role for the performing body in his own work. In the 2020s, his polystylistic approach transcends musical, cultural and disciplinary borders ever more. In Taiwan, he performs with indigenous, Taiwanese and foreign artists and leads his vocal experimental group IUooUI. His weekly Voice Yoga class in Taipei is a guided, intuitive improv-session of sorts.

SUPPORTING TEAM & CONTACT
This workshop is also brought to you by interpreter and co-organiser Sunny Chen, who interprets for sound workshops and is inspired by sound to continue the exploration; by administrative assistant Hsi-Yin Chang, who is a sound healing practitioner and also creates music.
▲ For any questions about the contents, and to register please contact Hsi-Yin (speaks Chinese and English):
Email: hsiyin724@gmail.com or call Mark: 0910 382 749

PRICING
Full price NT$ 4000
Up to Tuesday August 5 only
Early Bird / 10% off NT$ 3600
Resonance / Old students / TOSA members 15% off 3400
After this date:
Full price NT$ 4000

REGISTRATION
1.Sign up through this form: https://form.jotform.com/242682423145353
2. Make a transfer within 3 days and contact Hsi-Yin via email (hsiyin724@gmail.com)
3. We will confirm with you within 5 working days that you have completed the registration!

PAYMENT
Please check out the form to sign up. Make a transfer within three days to:
Bank code: 822
Name of bank: China Trust
Beneficiary: Mark Christiaan van Tongeren
Account number: 163540306745
Send an email to Hsi Yin (hsiyin724@gmail.com) including your name, the last 5 digits of your account number and the transferred amount after your payment. We will confirm reception within 3 working days.

CANCELLATION POLICY
We try to keep prices reasonable. we will return 90% of the fee if you cancel 31 – 60 days prior to the workshop.
We will return 50% of the fee if you cancel 30 – 15 days prior to the workshop.
We will return 20% of the fee if you cancel within 14 days prior to the workshop.
If you find a substitute for your spot, we will keep 10% of the administration fee.
DISCLAIMER
By signing up you automatically acknowledge your understanding that this workshop may involve potentially disrupting body-work and emotionally charged sessions with a deep impact on your well-being. It is understood that you yourself best know of any risks (physical, emotional, psychological) and that there is no pressure or obligation to do each and every exercise.

 

 

Starting December 10: weekly Voice of Dao classes

I am happy to announce that from December onwards you can join a weekly session based on my 25 years of working with the voice. I call it Voice of Dao.

Here is the idea, in English and Chinese.

(You can also find this information and more in Chinese-only on http://hansuna.blogspot.tw/)

DESCRIPTION OF VOICE OF DAO /  聲音之道

What is ‘Voice of Dao’?  何謂”聲音之道” ?
In the Voice of Dao exercises, sound is used as a powerful tool to experience the present, to live (in) it, and to transcend commonly perceived dichotomies (like mind and body; I and other). There are no technical requirements for these simple exercises: anyone can join anytime. The four starting points are familiar to everyone, but few people use these resources to the full. They are

在”聲音之道”的修練中,聲音被當作一個體驗當下、感受存在、與超越身心、人我對立的有力工具。進行這種單純的修練並不需要具備特別的技能,任何人都可以在任何階段加入學習。這種修練由眾所周知但罕見深入的四條門徑展開,它們分別是:

  1. breath
  2. resonance/harmonics
  3. focused attention
  4. silence

1.呼吸  2.共鳴/和聲  3.集中凝神  4.靜默

What will I learn?
You will learn how to let these four elements help you achieve a deeper sense of self. Like tai-chi or yoga, the benefit of the exercises is gradual. By repeating exercises time and again, their ‘resonance’ builds up and slowly penetrates deeper through the surface layers of the self.

我能學到什麼 ?
你將學會運用這四個元素達到對自我的深層覺知。如同太極或瑜珈,這種修練的好處是累積而成的。藉著反覆練習,它們的共振效果逐漸放大,慢慢穿透表象而觸及自我的深處。

What are the benefits of this practice?
Voice of Dao may have a number of effects. You will experience and learn to use new aspects of your voice, which is your primary tool for communication. By extension, you will experience yourself more as sound – even as music. By tapping into creative undercurrents of being human (be they of a ‘rhythmic’, a ‘resonant’ or even a silent nature), fixed perceptions about the self, the world and about music and sound loosen up. This process enables new feelings, thoughts, ideas and connections to appear and to grow.

這種修練的益處為何?
”聲音之道” 有多種效益。聲音本是溝通的原始工具,你將體驗並發展出自己聲音的新風貌。藉著這樣的延伸,你的自我將如實由聲音傳達出來,甚至宛若音樂。找到生而為人的創造性潛能(無論他是一種旋律,一種共振,還是滿腔靜默),將會鬆動我們原本對自己、對世界、對音樂和聲音的成見。這個過程能引進新的感受、思想、意念,與連結,使自我彰顯與茁壯。

What does it cost?
After an introductory class, you can write-up for four sessions each time. An  introductory  is 400 NT$ and can be paid in cash. Then you can decide to register for four classes a time, and pay NT$ 1500 when you come for the first of four classes. You may skip classes and spread your attendance over a longer period. Classes will sometimes be interrupted when Mark travels abroad, which will be announced to the mailinlist of the participants.

To register send an email to Una Kao: unakao@yahoo.com.tw.

課程的費用如何?
在第一堂的導引課之後,你可以登記每次共四堂的演練課。導引課為台幣 400元,當日現金支付。如欲參加後續的演練課,每次請預付1500元。四堂課可依個人方便隨時參與,無須連續進行。

Where and when?
Sessions are held first at the training Centre of Can June or in the concert stage/theatre of Daan park. Starting time is 10 o’ clock and the class is finished at 12 o’ clock.

The first session was held on Monday December 10, 2012. Check the latest post for the latest dates.

Please let us know if you would like to come, but are not available on monday mornings, and tell us your preferred dates. Send an email to Mark van Tongeren (mark@fusica.nl) or Una Kao (unakao@yahoo.com.tw).

Here at the blog of Hans and Una, you can find details and more in Chinese.

上課的時間與地點
原則上都是周一早上在師大附近進行,未來有機會依需求調整時間與日期。出席請簽到,每次的演練是一小時,十點開始,結束後還會有15分鐘的靜躺放鬆時間。

Do I learn overtone singing?
This practice is beneficial if you want to learn overtone singing, but it is not the place to receive direct instructions in this vocal technique. Please refer to the Overtone Singing workshops for more information on learning to sing overtones.

我會學到泛音的技巧嗎 ?
“聲音之道 “的演練將有助於學習泛音,但這個演練本身並不進行泛音技巧的指導。如果對學習泛音感興趣,可以參考泛音學習營的相關資訊。

And who is the teacher?
For twenty-five years Mark van Tongeren has studied music, sound and voice, constantly seeking to enrich his activities as a performer with fresh insights from academic research, and vice versa. He travelled extensively in Siberia and Europe studying vocal sound and music with a variety of teachers, most notably Tuvan throat singers and the German musician and zen-teacher Michael Vetter. He worked many years with Silo Theater, is part of the seven-piece collective for musical improvisation Oorbeek, and most recently founded the vocal laboratory Paraphonia, with Rollin Rachele and others. He holds an MA in ethnomusicology (University of Amsterdam) and expects to receive a PhD in practice-based artistic research in 2013 (at University of Leiden). His methods for Voice of Dao are derived from music and theatre training techniques, chanting, singing and improvisation from many traditions, Buddhist meditation, music therapies, yoga and so on. They are informed by in-depth studies of disciplines like acoustics, science of sound and the singing voice, music anthropology, musicology and so on.

老師簡介
馬克范湯可鄰在音樂、聲音、與人聲方面有25年的研究經歷,他持續以學術研究和多元性的表演活動來滋養彼此的深度和廣度。他還深入西伯利亞與歐洲各地,師從人聲與民族音樂的各類能人專家,例如吐瓦的喉唱歌手,以及德國的前衛音樂家暨禪學大師米歇爾‧費特。他曾與物件劇場「筒倉劇團」共事多年,也是七人即興音樂團體「歐貝」的成員之一,近年還與羅林拉契里成立了人聲實驗團體「泛聲」。他在阿姆斯特丹大學取得民族音樂學的碩士學位,並將在2013年於萊登大學獲致表演藝術博士學位。他自創的“聲音之道 “訓練方法 ,融合了他在音樂與劇場方面的專業訓練,以及佛教冥想、音樂治療、瑜珈等等身體經驗。這個方法背後的理論基礎,包括音響學、聲音與演唱的科學、音樂人類學、音樂學等等。

Disclaimer
It is understood that this practice allows you, the student, to work on yourself with the help of a teacher. No guarantees for any effect whatsoever can be expected. It is the student’s responsibility to judge whether any exercise or all of them are beneficial or not and to skip exercises that seem unfitting.

 聲明
“聲音之道 “的練習可以讓學生在老師的協助下對自身進行工作。但這種練習並不擔保任何「功效」。其中的練習使否適用於個別的學生,或應予略過,必須由學生自身評估。

Practicalities
We appreciate if you can send an email that you wish to come, or reply to our regular mails/posts. Write to unakao@yahoo.com.tw (in Chinese or English) or to mark@fusica.nl (English only).

The open-air theatre of Daan Park is in the Northwest of the park and well indicated. The Training Centre of Canjune is at number 3, fourth floor, Lane 151, Fuxing South Road, Section 2, just 20 meters from the corner of FuXing South Road. The nearest MRT station is Technology Building.

We start at 10, so come a bit earlier! Call Una at 0953 157 815 if you have trouble finding it. You can find all this information and more on http://hansuna.blogspot.tw/