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Voice Yoga Winter Solstice Retreat

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VOICE YOGA WINTER SOLSTICE RETREAT

December 21- 24 2023

Be timeless in sound

 

Three and a half days of intense explorations of voice and movement for body-mind balance and creative, vibrant well-being.

 

 

 

Scroll down for the Mandarin version

中文見下方

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Voice Yoga Winter Solstice Retreat 2022. Photo: Jackal Mei

 

WHAT IS THIS VOICE YOGA?

WHAT IS THIS RETREAT ABOUT?

In Voice Yoga’s dynamic group process, you go beyond your habits and expectations. Something larger than yourself emerges: a flow of hidden creative potential.

Grounded in physical exercise such as yoga or contact improvisation, we work with all kinds of sounds without meaning and without emphasizing a beautiful singing voice. Pure, direct expressions and sensations of physical resonance and vibration through mouth, limbs, hips, feet, skin and inner organs.

 

We go beyond common subject-object and mind-body dualities, and bring our unconscious selves and sometimes irrational emotions to the surface. The group process becomes a mirror for the self and allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside. The result is often of a surprising clarity and immediacy.

 

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PROGRAM OUTLINE

We start Thursday Dec 21st at 9 AM and suggest you arrive the evening before.
We finish after lunch on Sunday 24th, around 1:30 PM.

Day 1
9:00-12:30 introduction to the program. Light exercising, breathing exercises, start moving, toning, improvising. Deep sleep session is usually included!
12:30-14:30 lunch & siësta
14:30-16:30 Guided movement and sound practices, walking meditations, improvisations

16:30-17:00 Tea time
17:00-18:00 Guided movement and sound practices, walking meditations, improvisations

18:00-19:30 dinner & rest
19:30-21:30 observe and celebrate today’s Winter Solstice

 

Day 2, 3, 4 (half day)
9:00-12:00 Slow meditative warm up, mild to vigorous exercising, toning, noise making. Once again: restorative (half-)sleep/dream.

12:30-14:30 lunch & siësta
14:30-16:30 Guided movement and sound practices, walking meditations, improvisations

16:30-17:00 Tea time
17:00-18:00 Guided movement and sound practices, walking meditations, improvisations
18:00-19:00 dinner

 

On Day 3, our last evening, after the Solstice and before Christmas Eve, we will jointly celebrate the change from darkness to light. Participants can contribute a memory or reflection, a song, a dance, individually, en groupe, as a duo, whatever comes up. Consider to bring an instrument you play, candles to lighten up the atmosphere, a special garment or hat to wear.

 

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PLACE

We hold our sessions in Shufang’s Energy Healing, a gorgeous yoga studio with a big garden in Dulan, Taidong. The studio has all utilities we need and is fully air-conditioned of course. We can use the big lawn outside for musical workouts in fresh air, giant rocks to repose, and shady places to rest.

 

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FOR WHOM?

The workshop attracts young, curious artists; established musicians and performers facing creative obstacles or blockades; yoga and other body-mind workers not very familiar with sound; people familiar with sound but needing a fuller understanding and experience of it; people youna and old looking for physical and spiritual development; practitioners of Buddhism and other contemplative traditions needing deeper breathing and chanting practice; busy people needing a break from work in a relaxed atmosphere. Despite the name, Voice Yoga is not a harsh or demanding yoga camp, quite the contrary: it lets you grow at your own peace and rest and sleep or observe when you want to.

There are no specific requirements to join. Ages frange from early 20s to around 75. Yoga, music or other skills are not required. We strive for a group between 8 and 12 people.

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HOW TO PREPARE?

Bring a yoga mat to exercise and lie down. There are sitting cushions and also chairs if you cannot sit on the floor for long. Bring something to cover yourself when we repose or meditate. Bringing an instrument is a good idea (no need to play it well; a percussive instrument is always good).

 

Voice Yoga Winter Solstice Retreat 2022. Photo: Jackal Mei

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LANGUAGES

English + Chinese

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YOUR TEACHER

Mark van Tongeren is a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has 30 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts. He practices yoga for some twenty-five years and all kinds of voice/music/performance practices for 35 years. His enterprise Fusica was established in 1998 to explore intersections of sound and the arts (music) on the one hand, and science and academica (fusikè, physics) on the other, with .

 

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MEET THE TEAM & CONTACT

This workshop is brought to you by organiser Jackal Mei, translator Sunny Chen and hosted by Shufang Wang.

Administrative assistance by Hsi-Yin Chang.

Jackal, Sunny, Mark

 

For any questions about the contents in English, ask Mark.

mark@fusica.nl

FB: https://www.facebook.com/Paraphony

Phone 0910382749

 

For any questions about the contents in Mandarin, and for lodging, travel and food details, ask Jackal.

Jackal: jackallala@gmail.com

 

For registration and payment issues ask Hsi-Yin.

Hsi Yin: hsiyin724@gmail.com

 

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PRICES

Regular: NT$ 29.500

Early Bird: – 25%. NT$ 22.125. (2 weeks, till October 19)

Early Bird 2: – 15%. NT$ 25.075 (3 weeks, till November 9)

Doubters’ Discount: – 10%. NT$ 26550 (till 1 month before workshop, November 23)

Poor Struggling Artists Early Bird: – 20%. NT$ 23.600. (Register up to November 23).

Mark’s Old students; TOSA members; students (ID card); seniors without sufficient income:  – 20%. NT$ 23.600.

Bring a friend: – 1000 NT$ (can not be combined with early bird discounts or artist price).

 

INCLUDED

– Tuition fee

– All lunches and diners (including Sunday lunch)

– Insurance

NOT INCLUDED

– Transport to Taidong

– Lodging

 

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REGISTRATION

– Please complete your online application form , and transfer application fee.

– online application form: https://forms.gle/WoCuHwKaMbzp7LZm6
– After transferring, please SMS, Line, or email to inform Hsi-Yin with your name, and the last 5 numbers of your bank account
– After receiving your fee, we will send a confirmation email in 5 days, and invite you joining our line group for more event detail.

 

PAYMENT

Bank code: 822.

Name of bank: China Trust

Beneficiary: Mark Christiaan van Tongeren

Account number: 163540306745

Make sure to send an email to Hsi-Yin after your payment. We will confirm reception as soon as possible.

 

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DISCLAIMER

We try to keep prices reasonable. If you cannot make it for some reason, we will return 80% of deposit fees up to 2 weeks before the event, 50% in the second week before starting date, and no refund in the last week leading to the event. In case of proven COVID-19-related problems we can give a refund (minus admin charge) or save the registration and fees for a next workshop.

 

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DISCLAIMER

By signing up you automatically acknowledge your understanding that this retreat sometimes involves strenuous physical exercise, potentially disrupting body-work and emotionally charged sessions with a deep impact on your well-being. It is understood that you yourself best know of any risks (physical, emotional, psychological) and that there is no pressure or obligation to do each and every exercise. By joining this retreat you accept the consequences and state your intention to complete it till the end. You waive all rights to seek or receive compensation in case of injury, loss or damage.

We reserve the right to cancel the retreat in the case we do not reach the minimum number of participants, between 4 and 2 weeks before starting date; in this case all paid workshop fees will be promptly returned. We are not responsible for expenses for the BnB or transport.

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KNOW MORE?

Mark’s Voice Yoga runs for over 10 years and brings together decades of creative, vocal expression, yogic discipline and contemplative traditions.

Voice Yoga is neither yoga as you see all around you, or music as you hear it every day. It is a personal, artistic synthesis of a wide range of musical, resonant, theatrical, contemplative and physical arts. What binds them together is Mark’s unique synthesis and his vision to create a strong sense of flow, no matter what the activity is. Serious workouts smoothly blend with unforgettable (and unrepeatable!) musical creations, deep breath work morphs into contact improv and vocal exercises into absurdistic theatre.

This retreat will give you a big boost, whether you are a musician, dancer, yoga teacher, actor, or just interested in working on your personal growth through the connections between sound, body and mind. No problem if you’ve never done yoga before!

 

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CURIOUS BUT IN DOUBT?

For a taste of this retreat,

come to one of the weekly Voice Yoga

classes in Taipei for a 2-hour session.

Classes will resume again soon, ask for the details.

 

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OTHER UPCOMING EVENTS

https://www.fusica.nl/upcoming-events/

 

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TESTIMONIALS

“I felt many sounds inside me first time and I felt there is an inner space inside my body. That was an very powerful experience for me. The body wasn’t what I knew before. I felt peace when you sang… I do have a lot of fun when you want us imitate your voice… Every time when we make sounds together I feel I am decomposing and putting every part of me in one again. “

– Judith

” Your class shows me the magic of breath and voice. This makes my inner child very happy. “

– Nancy

” I enjoyed the class very much today. You had everyone engaged and creatively expressed as well as discharging and recharging well. “

– Tina

” More than ever, it brings back my childhood so I can play again. “

– Kovida

” Your class shows me the magic of breath and voice. This makes my inner child very happy. “

– Nancy

” Voice Yoga helps me feel lighter. “

– Jennifer

” I enjoy a lot and feel relaxed, this is a special course for me. “

– Judy

” This is better than sex! “

– Tammy

 

聲音瑜伽冬至療癒假期

2023年12月21日至24日 

成為聲音中的永恆

一期一會 人聲與想像力的年終慶典

整整三天半的關於聲音與身體的探索/

連結你的身心平衡，以及充滿創造力、活力的存在。

 

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關於聲音瑜伽 療癒假期

在聲音瑜伽的動態團體過程中，你將超越自己的習慣和期望。看見比自我更廣大的自己開始甦醒: 那些隱藏著的創造力開始顯現，如河水般開始流動。

以瑜伽或接觸即興等體育運動為基礎，我們使用各種沒有意義和不強調美麗歌聲的聲音。純粹、直接的表達，以及通過口、四肢、臀部、腳、皮膚和內臟的共鳴和振動的感覺。

我們超越了常見的主客體和心靈身體的二元對立，將無意識的自我和有時不理性的情感浮出水面。團體過程成為自我的鏡子，使我們能夠更清晰地“看見”自己，聽到深藏內心的聲音。結果通常具有驚人的清晰度和即時性。

 

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工作坊時程表

我們將於12月21日星期四上午9點開始，建議您前一晚抵達。 

我們將在星期日24日午餐後結束，大約下午1:30左右。

 

第1天 

9:00-12:30：計畫簡介。輕鬆的運動，呼吸練習，開始運動，調音，即興。通常包括深層睡眠的部分！ 

12:30-14:30：午餐和午休 

14:30-16:30：引導的運動和聲音練習，行走冥想，即興 

16:30-17:00：茶點時間 

17:00-18:00：引導的運動和聲音練習，行走冥想，即興

18:00-19:30：晚餐和休息 

19:30-21:30：觀察並慶祝今天的冬至

 

第2、3、4天（半天）

9:00-12:00：緩慢冥想式的熱身，輕度至劇烈的運動，調音，製造噪音。再次：恢復性的（半）睡眠/夢境。

12:30-14:30：午餐和午休 

14:30-16:30：引導的運動和聲音練習，行走冥想，即興 

16:30-17:00：茶點時間 

17:00-18:00：引導的運動和聲音練習，行走冥想，即興 

18:00-19:00：晚餐

 

在第3天，也就是我們的最後一個晚上，在冬至和平安夜之間，我們將一起慶祝從黑暗到光明的轉變。參與者可以貢獻一個記憶或反思，一首歌，一支舞蹈，個人，集體，作為一對，無論發生什麼。你可考慮攜帶一個你會演奏的樂器，蠟燭來燈亮氛圍，一件特別的衣物或帽子來穿著。

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地點 

光之屋，距離都蘭主街步行20分鐘上山，背靠都蘭山、眺望太平洋

遠離塵囂、綠意昂然，是擁有大片草原和原生種植物的私人僻靜山莊

工作坊空間專門設計作為聲響體驗、音樂製作、人聲演唱

寬廣舒適、共鳴充滿、能量和諧，一個淨化身心的獨特場域

用心迎接聲音瑜伽士們的滿血回歸，還有什麼比光之屋更好的呢？

 

https://www.facebook.com/shufang.energyhealing/

 

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參加對象

這個工作坊吸引了年輕、充滿好奇心的藝術家；已經在創作中遇到困境或障礙的專業音樂家和表演者；對聲音不太熟悉的瑜伽和其他身心工作者；熟悉聲音但需要更深入了解和體驗的人；年輕和年長的人，尋求身體和精神的發展；佛教和其他冥想傳統的修行者，需要更深層次的呼吸和吟誦練習；忙碌的人需要在輕鬆的氛圍中休息，遠離工作的壓力。

儘管名為Voice Yoga，但這並不是一個嚴格或苛刻的瑜伽營，相反，它讓您按照自己的節奏成長，休息、睡覺或觀察都是可以的。 參加工作坊無需特定要求。年齡從20多歲到約75歲不等。不需要瑜伽、音樂或其他技能。我們希望參加的人數在8到12人之間。

 

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如何準備？ 

請攜帶瑜伽墊用於運動和躺下。如果您不能長時間坐在地板上，我們提供坐墊和椅子。當我們休息或冥想時，請攜帶東西蓋住自己。攜帶樂器是個好主意（不需要演奏得很好；打擊樂器總是不錯的選擇）

 

2021聲音瑜伽 冬至療癒假期。 攝影：Jackal Mei

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語言 

英語 + 中文即席翻譯

[將會是一句句有節奏的翻譯，容易理解]

 

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帶領者

Mark van Tongeren 是一位荷蘭聲音探索家，對藝術、科學和冥想傳統的交互作用深感興趣。Mark 在戲劇、音樂和舞蹈製作方面擁有 30 年的經驗，並獲得萊頓大學創意表演藝術學院的博士學位。他練習瑜伽有約二十五年的經驗，並在聲音、音樂、表演等各種實踐領域已有 35 年的經驗。他的品牌 Fusica 成立於 1998 年，旨在探索聲音和藝術（音樂）以及科學和學術（fusikè，物理學）之間的交集。

認識更多馬克老師  www.fusica.nl。

 

我們的團隊

帶領者: Mark Van Tongeren
翻譯: Sunny Chen
活動規劃兼攝影: Jackal Mei

行政助理：張惜音
場地主人: 王曙芳

 

 

Mark 和惜音

 

  • For any questions about the contents in English, ask Mark: 

mark@fusica.nl

Phone/LINE:  0910382749

FB: https://www.facebook.com/Paraphony

 

  • 課程內容、食宿問題，請聯繫Jackal Mei: 

jackallala@gmail.com

Line ID：jackallala

手機號碼：＋886 936596910

 

  • 報名、匯款問題，請聯繫惜音：

hsiyin724@gmail.com

Line ID：hsiyin724

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責任歸屬


報名此工作坊代表你了解: 

1) 工作坊可能會有劇烈肢體運動，引起身體跟心理的衝擊。

2) 工作坊中的每項活動都不是強制性的，你必須衡量自身狀況(身體/心理/情緒)來決定要不要參與。

3) 你會對自己的身體及心理狀態負責，主辦方不承擔任何相關的傷害、損失及賠償責任。

 

如果在開始日期之前4到2週內我們未能達到最低參加人數，我們保留取消療癒假期的權利；在這種情況下，所有已支付的工作坊費用將迅速退還。我們不對住宿或交通費用負責。

 

報名費用

  • 一般價格：新台幣 29,500元
  • 超早鳥優惠： 75折， 新台幣 22,125元（至10月19日）
  • 早鳥優惠：85折， 新台幣 25,075元（至11月9日）
  • 懷疑者優惠： 9折。新台幣 26,550元（至11月23日）
  • 財務困難的藝術家優惠： 8折。新台幣 23,600元（至11月23日）。
  • 舊生/TOSA會員/學生（持學生證）/無足夠收入的年長者： 8折。新台幣 23,600元。
  • 帶一位朋友： – 1,000新台幣（不可與早鳥優惠或藝術家價格結合使用）。

 

費用包含:

＊學費

＊7餐的台東地方蛋奶舒食餐食[午餐＋晚餐]

＊保險

不包含:

＊ 交通

＊ 住宿

 

【匯款通知手續】

1.請先完成線上登記手續: https://forms.gle/YRaVPaFVxPy1dayX9，並於3天內匯款完畢

2.匯款完畢，請以手機簡訊，Line、Email等其中一種的方式通知惜音（hsiyin724@gmail.com），並提供姓名、金額、匯款帳號後五碼

3.經確認款項後，將在五天內發出報名確認信件，並邀請您進入專屬Line群組，以便活動行前聯絡相關事宜

 

【匯款帳號】

銀行：中國信託敦南分行(代號:822)

帳號：163540306745

戶名：MARK CHRISTIAAN VAN TONGEREN

 

【取消報名】

課程前60天取消報名收取10%行政費。
課程前30-59天取消報名，主辦方將保留80%費用；
課程前29-15天取消報名，主辦方將保留50%費用。 課程1-14天取消報名，主辦方將不退任何費用
如果你找人來替代你來上課，我們將退回10%行政費之外的費用。

如果出現確診的COVID-19的相關情況，我們可以退款（扣除行政費用），或者將報名和費用保存供下一個工作坊使用。

 

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想了解更多？

馬克的聲音瑜伽已實踐超過10年，這個方法匯集了數十年的創造性、聲音表達、瑜伽修行和冥想傳統。

聲音瑜伽既不是你在四周看到的瑜伽，也不是你每天都聽到的音樂。它是一種個人的、藝術性的綜合，融合了廣泛的音樂、共鳴、戲劇、冥想和身體藝術。它們的共同點是馬克的獨特綜合和他的願景，創造出一種強烈的流動感，無論活動是什麼。嚴肅的練習融入令人難以忘懷（並且無法重複！）的音樂創作中，深層呼吸法演變為接觸即興，聲音練習則變成荒謬的劇場。

這個療癒假期將給您帶來很大的提振，無論您是音樂家、舞者、瑜伽老師、演員，還是只是對通過聲音、身體和心靈之間的聯繫來工作於個人成長感興趣。如果你以前從未接觸過瑜伽，也沒問題！

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好奇但有疑問嗎？

每週聲音瑜珈 

想要嘗試一下這個療癒之旅的滋味嗎？ 

歡迎來參加台北每週一次的聲音瑜珈課程， 每堂課為2小時。

課程將很快恢復，詳情請詢問。

 

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更多關於我們的活動

Spring Program 2024

 

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【學員分享】

「第一次我感到內心有許多聲音，我感到我的身體內有一個內在的空間。這對我來說是非常強大的經驗。這個身體不再是我以前所知道的。當你唱歌的時候，我感到平靜…當你要求我們模仿你的聲音時，我覺得非常有趣…每次當我們一起發聲時，我感到自己正在分解，然後再重新組合每個部分。」- Judith

「你的課程向我展示了呼吸和聲音的魔力。這讓我的內在小孩非常開心。」- Nancy

「我非常喜歡今天這堂課。你讓每個人都參與其中，充分表達自己，並且有很好的放鬆和充電。」- Tina

「這比以往任何時候都讓我回想起我的童年，所以我可以再次玩耍。」-  Kovida

「聲音瑜伽幫助我感到更輕盈。」- Jennifer

「我非常享受，感到放鬆，這對我來說是一門特別的課程。」- Judy 

「這比性愛還要棒！」- Tammy

 

O TRIOM remembers Michael Vetter

Artistic Research, Overtone Singing, People, Projects, Workshops, Writings, 中文, , , , , , , , , , , , , , , ,

(中文請見下方）

During one of my concerts in Taucha, Germany, last month, I asked the audience who knows the name Michael Vetter. Several people raised their hands. But as I expected, many people at the Ancient Trance Festival don’t know his name. Of course, quite a few more may have heard his music in the Age of Spotify: you listen but don’t know what album is playing, now that a physical relationship to the medium (as in the time of LPs, CDs) is outdated. Besides, Ancient Trance is not exactly overlapping with Vetter’s artistic direction. He was much more avant-garde, with musical influences from Baroque to Dada and Fluxus, and a host of visual influences, from mediaeval religious painting and Chinese calligraphy to comics.

In the next few weeks O TRIOM is looking back at the life and work of the instrumentalist, vocalist, painter, poet, pedagogue and ordained Zen master Michael Vetter (1943-2013). We will be showing how his legacy continues to inspire, inform and transform our performing today in several concerts, a lecture and workshops. Why? Certainly not because Vetter was such a fine overtone singer. There are and have been many fine overtone singers, and Vetter’s style of singing and performing was one of many – not ‘just’ one of many, but a very influential one, to be sure. In the 1980s, anyone wanting to do something with overtone singing went to Vetter’s workshops and bought his albums, at least in very active German-speaking areas (and The Netherlands too). Vetter set certain standards for overtone singing, for a certain period of time, and those standards hardly changed.

 

Michael Vetter making Indian ink drawings, Academia Caparaia, Italy, 2009. (Photograph Mark van Tongeren under protection of Creative Commons CC BY-NC-ND)

The interest of O TRIOM in Vetter also started with overtone singing, but soon branched out in many other directions. For example: Vetter as a typical Zen Buddhist. He insists again and again that one should give undivided attention to what one is doing when making music (or anything else, though he would not talk about anything, but about art). And he applied this attitude in all his music, and all his other creative work, as well as his cooking and everyday life. When I read and re-read his texts, or when I go through the conversations we had and the interviews I did with him, I frequently stumble upon contradictions (literally: ‘counter-speaking’) concerning his spiritual or religious outlook. You may be looking to clarify his positions towards spiritual questions, and find that he has much to say about that. Many people felt he was a very religious person and his biography testifies to that. Certainly a believer! But then you will sooner or later find a remark in which he warns for overzealous religious interpretations. “Here and there one learns about the connection between overtones and Our Lord. That is far removed from me!” And yet, many of his art and music works bear very clear Christian (and not just Zen) elements.

It seems that it does not make sense. And that is exactly what we can take away from Michael Vetter (or maybe from Zen in general), and what keeps me coming back to him for fresh insights: there is no single, or final way to talk about or do anything. There are only temporarily, or partially ‘true’ or ‘convincing’ arguments to believe, or positions to take. As soon as one clings too much to certain truths, it is time to let it go again and look for yet another perspective .

In the weeks to come we will prepare ourselves with this in mind: try as best as you can to follow certain aesthetic and creative paths, and be always willing to throw them overboard again and replace them with something new. I am excited about this moment in our O TRIOM collaboration, which began in early 2022, if I remember well. And I salute the brilliant artist who bridged so many visions and visuals, sounds and musics, thoughts and dreams in a lifetime bursting with creative output.

 

Read an earlier post about why we should remember Michael Vetter here.

 

 

PROGRAM

 

Lecture Transverbal

Time: 6th October (Friday) 2023, 19:00-21:30

Location: Guling Street Avant-garde Theatre, 2rd floor

Speaker: prof. CHUNG Mingder (Department of Theatre Arts, TNUA), Mark van Tongeren, LU Qi Chung, LEE Wei Lin

 

Workshop Michael Vetter’s Overtone Singing Methods

Time: 13th October (Friday) 2023, 10:00-17:00

Location: Guling Street Avant-garde Theatre, 3rd floor

Facilitator: LU Qi Chung, LEE Wei Lin

 

Workshop OKYO

Time: 17th October (Tuesday) 2023, 10:00-17:00

Location: Guling Street Avant-garde Theatre 3rd floor

Facilitator: Mark van Tongeren

​

REGISTER HERE FOR WORKSHOPS AND LECTURE

Overtone Singing Concert for Michael Vetter

21st October (Saturday) 2023, 19:00

22nd October (Sunday) 2023, 14:00

Location: Dreamphony Hall (No. 59, Lane 97, Guangrong Rd, Luzhou District, New Taipei City, Taiwan 247)

FOR CONCERT TICKETS

CLICK HERE

 

 

O TRIOM Artists

LEE Wei Lin

LU Qi Chung

Mark van Tongeren

Production

Organizer| Taiwan Overtone Singing Association TOSA
Executive Producer  | Lee Chichen
Visual Design  | Bai Chi Hao
Image source | Michael Vetter

Lecture| prof. CHUNG Mingder

Taiwan Overtone Singing Association is also on Facebook.

Photos from a 2014 concert by O TRIOM

 

 

 

 

 

O TRIOM 紀念米歇爾·費特大師 系列泛音講座、工作坊暨音樂會

 

【講座】《Transverbal穿越言語》與大師相遇

時間 2023/10/6（五） 19:00-21:30

地點 牯嶺街小劇場二樓藝文空間

講者 鍾明德教授（北藝大戲劇系）、Mark van Tongeren、呂啓仲、李維琳

與談者將說談泛音音樂在台灣發展的故事，從當年北藝大邀請國外泛音音樂家來台傳藝及演出，到《OM泛唱作為藝乘》一書的誕生，泛音藝術家米歇爾・費特大師的生平創作故事，及至往後泛音音樂在台灣生根2022年台灣泛音詠唱協會TOSA的成立。

＊同場放映呂啓仲拍攝之泛音藝術家費特大師來台紀錄片《Transverbal穿越語言的相遇》。

 

 

 

【工作坊】「米歇爾．費特的泛音詠唱法門」

時間 2023/10/13（五） 10:00-17:00

地點 牯嶺街小劇場三樓排練場

講師 呂啓仲、李維琳

｜工作坊內容｜

介紹「泛音唱法」，引領學員如何唱和體驗泛音，藉由唱出和聽到泛音，踏上精神的探險之旅。

 

 

 

【工作坊】「大師OKYO唱誦」工作坊

時間 2023/10/17（二） 10:00-17:00

地點 牯嶺街小劇場三樓排練場

講師 Mark van Tongeren

 

本工作坊將概述 Michael Vetter 的創作生涯，觀察他的作品中音樂/聲音和禪宗幾個主題，以及 20 世紀 90 年代及之後歐洲對禪宗日益增長的興趣如何與費特的作品呼應，以及他如何自由地採用“okyo”並對其進行改造。並一起唱送費特的okyo以及馬克本身創作的365則向費特致敬的 okyo。

點此報名工作坊＆講座

O TRIOM 米歇爾‧費特大師 紀念音樂會

 

時間：

2023/10/21  六 19:00

2023/10/22 日  14:00

 

地點：

夢響廳 Dreamphony Hall

新北市蘆洲區光榮路97巷59號

**捷運蘆洲站步行約5分鐘**

演出者：Mark van Tongeren．呂啓仲．李維琳

三位聲音表演者以跨越言語的表達探索人聲表現的邊界，以他們的人聲演唱以及器樂聲響，延展意義能夠被接收及傳達的邊界，每位聽者能以個人的想像穿越這場聲音表情與意義的互動。

人聲聲音的深深冥想，耳朵為覺察細緻的泛音而內在油然寧靜下來。

踏上一場聲音旅程，深入聲響的世界以及內在生命。人聲與物質物件的探索，不停變化的聲音風景，多層次且豐富，人聲騎乘在器樂的聲響上遨遊，深入潛出，引領聽者進入集體聽覺意識的深處。人聲的合聲搭建起一個強力的通道，彷彿直通天廳的音柱，他們聲音的通道能讓聽者通往似曾相識又聞所未聞得疆域。

OKYO詩文唱誦，極簡而留白，這是泛音音樂傳承的其一精神支脈。本演出亦是對開創性的德國藝術家、作家、教育家米歇爾·費特（Michael Vetter，1943-2013）的生平及創作致敬，他將所有作品的總體概念命名為《Transverbal》—穿越言語。

 音樂會購票點此 

 

 

 

O TRIOM 演出者

李維琳
呂啓仲
Mark van Tongeren 馬克・范・湯可鄰

製作團隊

主辦單位| |台灣泛音詠唱協會

執行製作  | 李紀辰

視覺設計 |  白濟豪

圖片來源 | Michael Vetter

講座講者| 鍾明德教授

台灣泛音詠唱協會Facebook

 

 

 

Read an earlier post about why we should remember Michael Vetter here.

 

First Voice Yoga Retreat (full report)

People, Sound Journeys, Weekly Voice Yoga Class, Workshops, 中文, , , , , , , , , , , , , , , , , ,

At the end of 2019, in fact around the Winter Solstice on December 21, we did the first Voice Yoga Retreat here in Taiwan. A wonderful recollection of the best stuff I have done during my 7 seven years of weekly Voice Yoga classes. It was beyond expectation: fantastic weather, great location, wonderful students, and a great three-person-strong core team (Sunny Chen, Jackal Mei, me) to take care of everything.

 

 

Most of all, we all experienced a nice flow between yogic and other exercises, sound and body improvisations, eating cakes and drinking Jackal’s homebrewn coffee, meditating, listening, chanting, learning about my methods and ‘vision.’ People came from all over the place and all walks of life, and most were new to Voice Yoga.

One student, Guang Guang, wrote an excellent report in Chinese about everything we did, in Chinese. I reproduce it here, with an autotranslation at the bottom of this page. Jackal Mei made some great photos, and there’s a couple of myself too. Many thanks to Guang Guang and Jackal for the words and images, and to Sunny !

We’ll do another Voice Yoga Retreat later this year on the beautiful, relaxed East Coast of Taiwan, where the pace is slow, weather seems to be nearly always good, birds sing loudly and the ocean is never far away. Get on the maillinglist for updates.

 

 

/聲音瑜伽

因為身旁總是很多優秀的朋友，然後串成一條路徑，一開始是葉子跟我分享聲音，讓我在心裡種下了種子…
於是最近去體驗了一場聲音瑜伽，
授課的老師是教授泛音的馬克
我很喜歡他無私有愛的分享
且關照及感受著每一個我們
當第一堂課說
在這所發出的聲音都是當下要發生的
沒有好壞對錯，每個音都是對的…
讓沒有音感的我感到自在安心
第一個晚上
馬克很自然的就將大家的聲音一起融合在空間裡，讓彼此陌生的夥伴，很快的流動起來，只是短短的兩小時，我全身的細胞都在跳舞

/呼吸練習
在這個練習裡有很多要去感覺的東西，
我也在這個練習去練習感覺
呼吸的快慢，流向哪裡，擴張或收縮…
從沒思考這麼自然發生的事，
但最近這兩次的課程都在提醒著這件事，也就是當下

 

/母音三角形
很喜歡玩母音三角形
但在這裡面會發現自己的氣很短，
也會想配合其他人
在完美與協調之間理出自己的節奏
呼~吸~
烏~啊~一

/聲音的海洋
隨著模仿到自然而然的發聲，
讓自己的聲音丟進海洋裡
腦海會一直出現森林，池塘，水窪，沼澤，穹蒼，萬物，大地之聲
喜歡靜容分享的，她感覺身體自己發亮的地方想出聲，於是就讓那個聲音自己出來…
好有覺察的身體，我還在練習的路上

 

/深度聆聽
在戶外一起發聲，
聆聽空間裡擁有的音，跟隨
聆聽沒有的音，創造
在一來一往之間
做成了一首當代音樂
很喜歡這樣融合的旋律

/驚喜
圍一個圈，跟著馬克發出幾個音，
高高低低，閉上眼睛
幾個音沒有規則的發聲練習
然後由慢漸快，
馬克將桑尼推進圈內
在人圈中閉上眼享受旋律
馬克這時唱的越來越快
越來越具體
開始發現事有蹊蹺
打開眼睛望向馬克
他對我笑著示意
宛珍也早領略到了
沒錯，真的是我想的那樣
學員一個接一個笑開
桑尼終於意識到這一趴的別出心裁
流著淚接受大家獻唱
這一刻好感動
好美~好美~

 

/冬至熄燈
圍著蠟燭一起度過寧靜的夜，閉上眼四週充滿星星的感覺，那些包圍我們的自然之聲，好像墜落在草叢中發亮的星體，發亮的全是萬物的聲音

/薩滿儀式
同學藍師那一夜為大家進行薩滿旅程
第一次體驗儀式，薩滿鼓震出我全身電流，在守護靈的守護之下去感覺這個過程，叢林，速度，黑暗的旋轉，之後竄出來的蛇，最後讓自己慢慢抽離，見到一頭鹿而停止
宛珍被薩滿鼓招喚，以奔跑來流動
阿駱也隨之起舞，整個場域或坐或動
各有各的世界，奇幻世界~

 

/母音九宮格
深度覺察自己的聲音所在
共振的身體裡，聲音去到了哪裡？
馬克說
身體跟聲音會有共振的地方
但
意念也可以讓聲音去你想要他要去的地方
最後每個人的聲音震動，
都有不同的發現
這讓我覺得聲音太好玩了
每個人的身體感受都如此獨特

/呼吸節奏
呼吸長短的差異，
也能是一首悠揚的曲子
這個章節我也很享受
每個樂器的總和
就是一篇生命的樂章

/泛音獨唱
某個下午，馬克為大家唱歌
坐著，躺著自由
本來是陰天的午後
在一段泛音的旋律不斷繚繞時
我聽見的都是天使的聲音
此時
窗外金色陽光透進粉色的窗簾裡
天使光溫柔的灑在馬克身上發亮
那一個畫面我來不及拍照
但映在我腦海
我全身細胞都在舞蹈

/八部合音
每個人的聲音都好獨特好聽
曙芳的聲音裡有老靈魂的歌唱
想起她的守護靈老奶奶還有愛
輪到發踢卡時
是花神在唱歌吧！！！
清晰亮麗好感動
輪到我的時候，腦袋原本想運作
後來告訴自己算了
讓聲音是什麼就是什麼
雖然知道我聲音都沒到要去的地方
我的聲音之神都在幫我找音階
去了好幾個半音
後來才去到該去的地方
我也是可以說
那是我精準的控制我的半音啦（撥瀏海~

 

經過三天的玩耍
很鬆很慢也很奇妙的身體各種痠
沒意料只是出聲音而已
身體就有各種拉扯
但記得馨勻說的很好
（可我忘記她具體說什麼了XD）
但她說完我就一陣恍然
拉拉也分享了馬克在機械噪音裡
找出它規律的節奏
讓噪音不只是噪音

 

三天收穫很多，
也許我是還在餘震之中再慢慢感受
唯一最明白自己的部份
大概就是我還沒那麼放鬆自己吧
畢竟聲音對我來說太陌生
但經過這些過程
更能丟掉小時候對聲音的既定印象
聲音的顏色如此寬廣無限
告訴自己，就是玩，去玩吧！

聲音瑜伽，是瑜伽也是即興
祂不止是聲音，
是能讓心、靈與身體的合一

謝謝Yu Chih Lin帶我池上玩
謝謝Xiaoying Ye聲音的連結
謝謝Jackal Mei意志的邀約XD
謝謝Mark Van Tongeren
帶領著經驗自己的不可思議
讓我在這場聲音之旅中如此盡興…

#課後筆記
#聲音瑜伽
#樂吉昇天
#已被圈粉
#很好玩還要再玩

 

Autotranslation of the Chinese text.

 

/ sound yoga

Because there are always many good friends around me, then put into a path. at the beginning, the leaves share the voice with me, and let me plant seeds in my heart…
So recently, I went to experience a sound yoga,
The teacher who taught is the mark of the pan-Yin.
I love his selfless and loving sharing
And take care and feel every one of us
When the first class said
The voices made here are all about the moment.
There is no bad right or wrong, every voice is right…
Let me feel free to feel at ease
First night
Mark is very natural to mix everyone’s voices together in space, let each other’s strange partner, quickly flowing, just two hours, my whole body is dancing.

/ breathing practice
A lot of things to feel in this practice,
I am also practicing to practice the feeling
Where to breathe, where to go, expand or shrink…
Never thought about what happened so naturally,
But these two recent courses are reminding this thing, that is the moment.

/ vowel triangle
Love to play with the vowel triangle
But I will find myself very short in this,
Will also want to work with other people
Make your own rhythm between perfection and coordination
Oh ~ suck ~
Oh ~ Ah ~ one

/ the ocean of sound
With the imitation of a natural voice,
Let your voice be thrown into the ocean
The Forest, the pond, the water, the swamp, the swamp, the sky, everything, the sound of the earth.
Who likes to share quietly, she feels like she’s shiny, so let the voice come out on her own…
So conscious body, I’m still on my way to practice

/ deep listening
Voice together in the outdoors,
Listen to the sound of the space and follow
Listen to the sound of not, create
In the way.
Made a contemporary music
I love this fusion melody.

/ surprise
Surround a circle and make a few voices with Mark,
Close your eyes and close your eyes
A few sounds without rules
Then slowly,
Mark puts the nissan into the circle
Close your eyes in the circle and enjoy the melody
Mark is singing faster and faster
Getting more and more specific
Starting to find something wrong
Open your eyes and look at mark
He smiled at me
She has already learned it early.
Yes, it’s really what I thought
The students laugh at one after one.
Mulberry finally realized the chú le of this party
I am in tears to accept everyone’s singing
This moment is so touching
So beautiful ~ so beautiful ~

/ Winter Solstice Lights out
Surround the candles with a peaceful night, close your eyes with the feeling of stars, the sound of nature that surround us, like the stars that have fallen in the grass, the sound of everything.

/ sana ceremony
Classmate Blues on the night for you all the night
First experience ceremony, the sana drum burst out my whole body current, under the protection of the guardian spirit, I felt the process, the jungle, the speed, the dark spin, then the snake that came out, finally let myself slowly pull away, see one Deer stop
Lithuania was called by the drum of the drum to run
It also dance, the whole field, sitting or moving.
Every world, fantasy world ~

/ vowel
I am deeply aware of my voice.
Where did the sound go in the resonance body?
Mark said
Where the body and the sound will be resonance
But but
Ideas can also let the voice go where you want him to go
At the end everyone’s voice shakes,
All have different discoveries
This makes me think the voice is so funny
Everyone’s body feels so unique

/ breathing rhythm
The difference in the length of breathing,
Can also be a beautiful song
I’m enjoying this chapter too
The sum of each instrument
It’s a movement of life.

/ Pan-voice solo
One afternoon mark singing for everyone
Sitting and lying free
It was a cloudy afternoon.
While a pan-Tone Melody keeps on the these
All I hear is the voice of an angel
Right now
The Golden sunshine outside the window goes through the pink curtains
Angel Light gentle on mark
I didn’t have time to take pictures of that one
But in my mind
My whole body is dancing

/ eight sound
Everyone’s voice is so unique and nice
There is the singing of the old soul in the voice of the old soul
Thinking of her guardian spirit grandma and love
It’s my turn to kick the card.
Is the flower God singing!!!
Clear and beautiful, so touching
When it was my turn, my head wanted to work
Later I told myself to forget it
What makes the voice is what is
Even though I know my voice is not even where I’m going
My Voice God is helping me find the level
Went for a couple of semitone
I just went to the place where I should go.
I can say too
That’s my precision in control of my semitone (allocated ~

After three days of playing
Very Loose, slow and amazing body all kinds of sour
I didn’t expect it. It was just a voice.
The body has all kinds of pull
But remember that Xin Xin said very well
(but I forgot what she said XD)
But after she said, I just had a moment.
Lala also shared mark in mechanical noise
Find out the rhythm of its regular rhythm
Make noise not just noise

Harvest a lot in three days,
Maybe I’m still in the aftershocks and feel slowly
The only part that knows what I know most
Probably I’m not that relaxing myself yet
The voice is too strange to me after all
But after these process
It’s better to lose the established impression of the voice in my childhood
The Color of the voice is so wide and infinite
Tell yourself, it’s just to play, go play!

Sound Yoga is yoga and impromptu
He is more than a voice,
Is the one that makes the heart, spirit and body

Thank you Yu Chih Lin for taking me on the pool
Thank you Xiaoying Ye for the link
Thank you Jackal Mei for the invitation XD
Thanks Mark Van Tongeren
Leading the experience of my experience
Had me so much fun on this sound tour…

 

 

Late 2019 Hong Kong workshops cancelled

Overtone Singing, Workshops, 中文, , , , , , , ,

Due to all the uncertainties in Hong Kong, the Soundtherapy Hong Kong team decided it is not a good time to run my regular Hong Kong workshop Outer Voice – Inner Voice. So we cancel the workshop. Here is the original post with announcement and some photos from the workshops 2014-2018.

If you want to learn overtone singing with me but do not need a Chinese translation, then the workshops in Hong Kong may be something for you. Most workshops in Taiwan are with translation, which means we lose some time for interpretation. This November workshop in Hong Kong is the next opportunity to do an English-only workshop, other opportunities in Winter and Spring 2020 will be announced here soon.

(Link to Chinese version)

 

First workshop location in Hong Kong, 2014

I have had such fantastic experiences during the Hong Kong workshops over the past six years and would like to look back through some photos. The first workshop I did was during the Umbrella Revolution in 2014 – though the umbrellas you see in the first photo were not related to the protest. The previous visit (late 2018) was just days after a violent typhoon struck Hong Kong, locking people in their homes with the wind bashing on their windows and rains creeping in through the windowposts. On the beach (last photo) we found the remains of shops that were completely destroyed. In between you will find mostly happier moments shared with students and Jennifer and Jasmine. And at the bottom my ‘Courage!’ statement for the many friends in Hong Kong.

 

With Jasmine Hui of Soundtherapy Hong Kong at the workshop location, a comix and animation center.

 

The fantastic Soundtherapy Hong Kong team and me have revamped the annual Outer Voice ~ Inner Voice workshop to make it a bit more accessible and diverse. At the same time old students will find some new themes to progress further in their exploration of overtone singing and the endless possibilities of the colours of the human voice.

 

The general idea is for starters to come to Part One ~ Outer Voice (day one) and from there to continue with Part Two ~ Inner Voice (day two and three). Old students can directly come to Part Two ~ Inner Voice, if they wish. Within these two blocks there are still six  themes to chose from – or you can do them all.

 

PART I ~ OUTER VOICE

THE RESONATING BODY

DAY 1. SOUND IS MOVEMENT

Session 1. Breath, Prana & Movement

Breath is one process in the totality of prana / life force, and the one that drives our vocal sound too. We slowly build up our vocal practise from the breath and from movements. From relaxation we start a journey to learn new ways of sounding and moving. Familiar, everyday patterns become tools for transformation. Plenty of group chanting and toning, too.

Session 2.        Sounds and music to lose and find yourself

We continue our exploration by shaking up things a bit more. Going wild and extreme one moment, contemplating sound and self another. Focus and un-focus. By doing less than we normally do, we notice more. We return to a primary knowledge that sits at the centre of the body-mind-division: sonic phenomenology. Musical games/meditations/dances. Serious fun. Anything is possible, and nothing too!

 

Projecting vowels into the body

 

PART II. INNER VOICE

INTO THE HEART OF SOUND

 

DAY 2. THE HARMONIC UNIVERSE

Session 3. Cosmic Listening

After some energising Voice Yoga we dive into the subtler realms of vowels, resonance and overtones. You take your first steps in The Art of Listening 2.0. Break through your habitual patterns of sounding and hearing. Expand your awareness of voice physiology. Cosmic listening to overtone singing with the sruti box and hear your own harmonics. Getting back to the more vigorous shake-ups of the day before whenever needed.

Session 4. Your Voice, Your Resonance, Your life

Overtone singing is not easy and pursuing mere technique in itself can be a burden. Armed with new understandings and experiences of the hidden dimensions of the human voice, we ask ourselves where we want to go with it. How do you resonate? What makes your voice unique? Love it or hate it? Every voice and every path is different. Pushing our vocal limits, we collectively embrace failure. And return to soothing vibrant sonic meditations.

 

Holland Street

DAY 3. CREATIVE IMAGINATION as a SOURCE OF LIFE

Session 5. Mantras, Chants and Sound poems

In an age of media technologies we have silenced ourselves and forgotten our ancestors’ songs. Mantras are among the most ancient sound tools around and we can still learn from them. The repetitive vibrations of chants also awake slumbering resonances in our body-mind. Add to that 21st century Sound Poems flavored with overtones and we have a complete palette of tools to revive the lost sonic core of our selves.

Session 6. Paraphony

Paraphony means: there is no such thing as objective sounds. Sound is shaped by your ears, your awareness, your mood … always in flux. In our last session, we throw ourselves into the creative process of making music by and for ourselves and each other. The more we live by our creative impulses—be they noisy and chaotic or contemplative and balanced—the deeper we get to know ourselves and the world around is. Resonating together, we attune ourselves to ever subtler sounds of tones, overtones and elusive acoustic realms. Grasping these phenomena, we manifest our own voice, bring it out in its own unique glory.

 

PART I ~ Session 1 and 2:

Date: 22 Nov 2019 (Fri). Time: 10am – 1pm + 2:30pm – 5:30pm

PART II ~ Session 3 /4 and 5/6: 23-24 Nov 2019 (Sat – Sun), Time: 10am – 5:30pm
To register Session 3-6 (Part II), you’re required to register for either Session 1 or 2 first. Past students can directly register for Part II without taking Session 1 or 2.

Venue (All Sessions): Sound Therapy Hong Kong

For registration go to the Soundtherapy Hong Kong website here and on Facebook.

 

Awaken your potential:

  • –     >    to listen better
  • –     >    to hear and sing the natural overtones in your voice
  • –     >    to understand your inner drives better
  • –     >    to diversify your voice

After this 3 days workshop, you will go home with a renewed sense of self through a fresh look and ‘a fresh ear’ at your voice. You will have a fuller understanding of its complex vibratory mechanisms, and get many new ideas how these operate at the point where body and mind are merged in a greater whole.  You learn techniques to better hear the world around you and inside you. These tools help you to gradually increase your musical/sound awareness, to know what needs to be healed and how to do that.

For whom?

No previous musical or vocal experience is required. Just bring a healthy dosage of curiosity and willingness to explore. The starting point is your own path as a speaker, as a communicator, as a person who enjoys music. Or simply as a human being. This workshop is beneficial for musicians and artists, for healers and therapists, and for anyone looking for more direction, meaning and depth in their lives.

 

 

Improvising theatre director Ho Ying Fung and Wu Wentsui brought me to this fantastic streetperformance in January 2018

Courage, Hong Kong!

It is my sincere wish that Hong Kong remains as much as possible as it is now:

  • a relatively free space within the larger Chinese boundaries
  • a place where Cantonese people with a democratic inclination determine the political, economic, cultural course of their unique region
  • a peaceful and culturally diverse hotspot where people from around the world live and work together without an over-active state apparatus encroaching upon their lives

My prayers go out to my Hong Kong friends and everyone else suffering from the human violence and psychological pressure. I pray too for the perpretators because it is, in my point of view, them who need to find peace of mind more than anyone else.

 

After the violent typhoon of September 2018

RESONANCE course 2017-2018

Overtone Singing, Workshops, 中文, , , , , , ,

For English scroll down, or ask for digital brochure by mailing us.

 

聲音的共鳴　年度工作坊
2017 – 2018
探索人類聲音隱藏的淺能—用泛音跟新的音質來創造音樂; 以新的方式傾聽世界以及自己的聲音; 用自己的聲音作為轉變與進行更有效的表達的工具。

「透過呼吸與聆聽身體及環境中的共鳴我們展開一段不可思議的巡禮，發掘創新與治療的潛能。」
馬克．范．湯格鄰

「最令我們感動的是老師的帶領方式…不著痕跡、有洞見地、循序漸進、有創意、好玩且即時。滿心誠摯的感謝。」
Ｕna Kao

【自己，自己的聲音，與自己的存在】
要如何找到自己的聲音? 要怎麼做自己? 要如何不再做自己，而成為另一個人? 另一個你想成為的人?

要如何感覺自己整個存有共鳴，活著的，完整的……對自己的存在感到自在，可以在他人面前展現真正的自己? 和其他可以做自己的人相會；不用特別有禮貌或是維持外表的和諧?

在德蘇(Mark van Tongeren)的聲音的【共鳴】課程中，音樂—特別是人聲—會是幫助你達到以上目標的工具。探入你的靈魂深處，顛覆你的心思跟想法，甚至改變你的物質身體。把「一個人自身」不同的「部份」重新結合，化為一個能夠共振的整體；成為一個震動、脈搏和頻率的交響樂。

泛音演唱技巧是本門課的訓練基礎。泛音就像是你的聲音音色中，自成一格的小世界。你會浸淫於基礎泛音序列的音樂性聲音。我們會一次次的改變我們聆聽以及發聲的方式，以開啟泛音和泛音序列隱藏的層面。實際訓練方法將以帶實驗性和個人化的方式進行、使你能夠更自由地表達自我，運用你聲音中本自俱足的豐富音色。

《招收對象》
我們歡迎各種背景的人來參加【共鳴】課程。前學員有上班族、老師、藝術學校的學生跟創意工作者；也有電腦專家、瑜珈老師跟對聲音有障礙的人；也還有熱愛蒙古與圖瓦呼麥的男歌者，和受古典訓練的女高音。這個課程開立給任何對聲音的創造性有興趣；在生活中尋求平衡的現代人。不須任何音樂背景。不過，已經參加過幾個泛音課程的學生也還有很多可以學。如果你還在猶豫，歡迎聯繫我們來問問題。

【授課語言】
本門課老師以英語授課，你的中文翻譯，陳亮伃，會依照需求重點式或整段翻譯。

【收費、折扣、與優惠說明】
【共鳴】工作坊（十堂課）學費總計17,500 NT$。
請於開課前完成繳費報名。

符合以下條件者得享優惠方案（折扣不重複）
＊在學生與超過65歲年長者享75折優惠。
＊早鳥優惠: 85折，請於10/20前報名

時間： 2017年12月 ~ 2018年4月
每月間的星期六10:00 am~17:00 pm，共十堂課。
詳細日期請見FUSICA官網行事曆 https://www.fusica.nl/

免費試聽課程: 2017年11月3日
星期五晚上19:00pm~21:30pm

地點：肯園香氣私塾教室
台北市復興南路二段151巷3號4樓（近捷運「
科技大樓站」)

CanjuneGymnasium
課程對象：音樂人，演員，講者；治療師，療癒工作者；任何在生活中尋求平衡的現代人。

好奇嗎？請來電或來信了解詳情、索取課程簡章、日程＆學費說明。

中文報名請洽： ly.sunny.chen@gmail.com / 0912-024-285 陳亮伃
英文報名請洽： info@fusica.nl / 0910-382-749 Mark van Tongeren

講師：

德蘇（Mark van Tongeren）是一位聲音探險家，長期關注藝術與科學領域之間的協同作用。作為一位自學而成的音樂家，他參與多項戲劇、音樂與舞蹈製作和錄音。為荷蘭萊登大學表演藝術學博士。現任國立政治大學講師。
www.fusica.nl/biography

「與聲音同在為我帶來這麼多的喜悅。我在這裡找到我的自我。我應該要唱出來，為你而唱，讓你知道你帶給我有多少。」
新竹的Sky

「很喜歡聲音自由地、自發地流出的狀態。我雖是唱者，同時我也是聽者。我聽著聲音從我的口中流出～自然的流出～聲音是靈魂的語言，有些東西無法用語言和文字來表達。我覺得泛唱可以打開許多未知和不可知。」
三重的Amano

「這兩年接觸了聲音瑜伽和共鳴，老師的溫和及不急不徐，讓我願意嘗試，運用這個身體和聲音，可以打開一個更大的世界，而吵雜的噪音也可能變得有趣。只要用老師引導的方式，回到身體、進入呼吸之流，不費力的，緊張逐漸卸下。一旦人放鬆了，心也開始變得自由，遊戲本能甦醒，就讓自己的聲音成為聽見自己的陪伴。老師的無為而為又溫柔堅定的帶領，讓我碰觸對喉嚨和身體的緊縮，於是知道怎麼讓它再度打開。」
台北的Nancy

Explore the hidden dimensions of the human voice.
Make music with overtones and new timbres.
Listen to the world and to yourself with new ears.
Learn how to use your voice as a powerful tool for transformation and better communication.

By taking time to breathe and to listen to all the ways in which the body and the world resonates, we open up an amazing path of discovery and creative, therapeutic learning. – Mark van Tongeren

What impressed us is the way of your teaching … subtle, perceptual, respective, creative, fun and updated. Thank you sincerely. – Una Kao

YOU, YOUR VOICE, AND YOUR BEING
How to find your own voice? How to be who you are? How not to be who you are, but to become someone else? Someone you wish to be?

How to feel your whole being resonating, alive, complete …. to feel at ease with yourself, and to be completely YOU while in the presence of others? To meet others around you who can also be themselves, without acting nicely, or keeping up appearances?

In Mark van Tongeren’s R E S O N A N C E course, music, and most of all, the human voice, is the foremost instrument to achieve precisely that goal. To reach into the greatest depths of your soul, to stir your mind and your thinking, even to change your physical body. To bring all these disparate ‘parts’ of ‘a single self’ together in a fully resonating whole, a symphony of vibrations, pulses, frequencies.

The backbone of this training program is the overtone singing technique. Overtones are like a world of their own residing within the timbres of your voice. You will deeply immerse yourself in the fundamental harmonic laws of musical sound We will come back again and again to change the way we listen and vocalise, opening up to the hidden dimension of overtones, the harmonics that our voices and ears know well but our minds know not. In an experiential and personalised way you will learn to express yourself better, using a fuller range and spectrum of your voice.

 

FOR WHOM?
We have welcomed all kinds of people in the R e s o n a n c e course, from white-collar workers and school teachers to art students and creative professionals, from computer experts to yoga teachers and people with voice problems, from male afficionadoes of Mongolian and Tuvan khöömei to classically trained soprano’s.
This course is aimed at anyone with an interest in or sensitivity for sound as a creative principle. and those seeking more balance in their live.
No previous musical experience is required. For students who have already done one or more workshops of overtone singing there will still be plenty to learn. If you are in doubt, contact us with your questions.

 

LANGUAGE
The course will be mostly conducted in English. Your interpreter Sunny Chen will summarise or translate entire parts of the course into Mandarin, depending on the needs.

PRICES, DISCOUNTS and BENEFITS
The price per participant is 17.500 NT$ for ten classes. The following discounts apply (only one per person):
* Students and seniors with valid identity cards for the duration of the course: 25 %.
* Early birds: 15 % if you register before October 20. Extended to November 5!
* Payment in smaller increments is possible.

TESTIMONIALS
So much happiness and joy of being with you.
And it’s where I find ME.
I should sing it. Sing it for you.
To let you know how much you give me.
Sky from Hsinchu

I really enjoy sound flowing out freely and impulsively. Although I am the singer, I am also the listener, I hear sound coming out of my mouth, naturally flowing.
I feel sound is the language of the soul, something language cannot express.
I really wish to learn overtone singing.
I feel overtone singing opens up some unknown and unfathomable territories.
Amano from Hsinchu


YOUR GUIDE
Mark van Tongeren is a vocal performer working at the intersection of art and science. He has 25 years of experience in music and intermedial performance and holds a PhD in artistic research. He has traveled to the Altai, Mediterranean isles and Tibetan monasteries to learn from established masters. He is an international authority on the technique of overtone singing, both as a performer and author. He has taught at TNUA’s Music and Theatre Departments (2003-2004), National Chengchi University’s X-Lab (2012 – now) and at Canjune. He frequently collaborates with composers, improvisers, musicians and dancers in and outside Taiwan. He teaches and co-leads tours for Canjune and will lead the second musical tour to Tuva (Siberia) in Summer 2018.

Full biography: www.fusica.nl/biography

10 days from December 24, 2017 to April 2018
10 AM – 17:30 PM.
Place: CanJune Training Centre, Daan Area.
4F, #3 , Lane 151, Fuxing S Rd. Sec. 2.

Registrations for the course or requests for the digital brochure:
In Chinese: ly.sunny.chen@gmail.com/ 0912-024-285 CHEN Sunny
In English: info@fusica.nl / 0910 382 749 Mark van Tongeren

 

Photo credit: Yi Ching Juan, Mark van Tongeren, Jiji Liu

 

Improvise! With Koichi Makigami

People, Workshops, 中文, , , , ,

中文請往下>>>

This afternoon is for anyone interested in improvising with sound and music, from professionals (voice/instruments) to absolute beginners. Makigami Koichi is one of the special international guests for the second Taiwan International Improvisation Music Festival, doing several gigs around Taipei in this week.

Mr. Koichi is a master at manipulating groups of musicians, from absolute beginners to the most experienced professionals, and to let them create something never heard or seen before.

Powerful yet playful, with a body-language that is at once authorative and disheartening, Makigami Koichi could even turn a group of meek lambs into a fantastic bleeting-orchestra.

This man is breathing music and you cannot help breathing along with him, so that music, noise and theatrical antics will start to pour out of every pore of your skin.

As a (former) avant-rock star, an extremely versatile vocalist, the bandleader of Hikashu for almost 40 years, and as a multi-instrumentalist, Makigami has steered through numerous Japanese musical landscapes. He redefined the horizon of music in Japan, and far beyond.

Most of all, he understands group dynamics and, with few words, can guide people who never met before through a diverse musical landscape.

We asked him for the requirements of those who are going to join.
He dryly replied “no technique”.
Any styles people should know or play?
“No styles”.

Musicians, non-musicians:
it’s Mr. Koichi’s first visit to Taiwan.
Join this unique event.
You will not regret it.

【卷上公一即興工作坊】

https://www.accupass.com/event/1710270829532029014404

這個下午是給所有對聲音跟音樂即興有興趣的人，開放給所以有專業(聲音或樂器)音樂家及初學者。卷上公一是第二屆台灣國際即興音樂節邀請的國際特別來賓之一，這週，他在台北帶來了一些演出。

卷上公一是一位帶領團體的音樂大師，能夠同時帶領初學者和最有經驗的專業音樂人一起創造，讓他們創出從來沒聽過或看過的音樂。

充滿能量卻又有玩耍的跳躍的性格，加上他的肢體語言中的權威和份量，卷上公一可以使一群害羞的羔羊變成一個狂響的交響樂團。

這個人的呼吸就是音樂，而你會不得不開始跟著他一起呼吸。如此，音樂、聲響跟戲劇性的表現會開始由你的每個毛孔開始傾到而出。

作為一個(前)前衛搖滾歌星，歌藝精湛歌者，Hikashu近40年的團長，以及熟悉多種樂器的音樂家，卷上公一經歷了日本音樂界的很多風景。他重新畫設了日本音樂的地平線，而他的影響力也遠遠超過了日本的地理範疇。

最重要的是他對團體的理解，而可以用幾個字就讓從未見面的一群人跨越許多不同的音樂風景。

當我們問他參與學員的條件時?
他直說了「不需要技巧」。
關於風格的問題?
「不用風格」。

這是卷上公一第一次來台灣開課!
加入吧，你絕不會後悔!

限制條件:
無

時間:
11/26 星期日，14:00-17:00
13:30開門，14:00開始

地點:
愛雷克雅維克實驗室
100 台北市濟南路一段7號

學費
單人　　　　每人1500 NT$
六人團體票　每人1200 NT$
學生／長者　每人1000NT$
https://www.accupass.com/event/1710270829532029014404

REQUIREMENTS:
None

DATE/TIME:
Sunday November 26, 14:00-17:00
Doors open at 13:30, workshop starts at 14:00.

PLACE:
Reykjavik Lab
No. 7, Section 1, Jinan Road, Zhongzheng District, Taipei City, 10051

PRICE AND TICKETS:
NT$ 1000 (group ticket), 1200 (discount), 1500 (normal)
https://www.accupass.com/event/1710270829532029014404

BIOGRAPHICAL
Makigami Koichi is a renowned vocal performer and multi-instrumentalist who has been playing around the world for years. He rose to fame as the singer of the New Wave/rock band Hikashu in 1979. Soon thereafter the band sought more freedom, incorporating elements of spontaneity and improvisation into their music.

With some changes, Koichi and his collective continue to play a significant role in the cross-over field of rock-jazz-improvisation in Japan and around the world, with recent tours in Europe, Australia and the US.

Besides solo work, Makigami played with prominent jazz/experimental/avant-garde musicians like Derek Bailey, John Zorn, Ikue Mori and Fred Frith. He has visited Tuva/Siberia since the early 1990s and organised many tours and published CDs of Tuvan and Altai music in Japan. He is also a co-producer and the main curator of the avant-garde jazz festival Jazz Art Sengawa in Tokyo.

OTHER EVENTS with KOICHI MAKIGAMI
2nd Taiwan International Improvised Music Festival
https://www.facebook.com/pg/tiimf2015/events/

6 Hong Kong workshops in January 2018

Overtone Singing, Workshops, 中文, , , , , , , ,

(Link to Chinese version)

 

In January I will be visiting the great team of Soundtherapy Hong Kong again to teach various workshops around the theme “hidden dimensions of the human voice.” There are 6 themes to chose from – or you can do them all:

Workshop 1: Breath, Prana & Movement

Workshop 2: Sound Journey, Ocean of Voices 

Workshop 3: Art of listening

Workshop 4: Polyphony of the body

Workshop 5&6 : Inner Voice & Outer Voice

 

All workshops are either morning (10 am – 1 pm) or afternoon (2:30-5:30 pm), in Causeway Bay / WanChai.

More details + registration on the Soundtherapy Hong Kong website here and on Facebook.

 

 

Hong Kong Vertical Horizon by RJL

Hong Kong image Vertical Horizon by Romain Jacquet-Lagrèze, who published the photobook Vertical Horizon.

Singing with the Bunun

(ethno)musicology, About sound, People, Workshops, Writings, , , , , , , , , ,

Recently my Resonance students – plus a few guests – joined the second Sound Journey. The first Sound Journey was about the Art of Listening, in Hsinchu. This time, we delved into musical traditions in an outdoor camping/guesthouse site in Puli, with fantastic views of the valleys and mountains of Nantou. The central event was a visit to the Bunun village of Mingder, now called Naihunpu (formerly Naifubo) in the Bunun vernacular. Here we were warmly received by mainly elder people (mostly 50+) of this small community. I visited them for the first time in 2005, when I stayed there for a few days, talking to them and recording their songs on audio and video. I was introduced to them at that time by Dr. Wu Rung Shun, the well-known expert on Taiwanese indigenous music and a recordist/compiler of the most extensive collection of published recordings from Taiwan, The Music of the Aborigines on Taiwan Island Vol. 1-9.

The Music of the Aborigines on Taiwan Island, Vol. 1: The Bunun

The Music of the Aborigines on Taiwan Island, Vol. 1: The Bunun

 

BununPasiButBut2005

Recording the Bunun of Naihunpu in 2005 (they gave me their dress to wear for the occasion).

In 2005 I was struck by the Bunun’s music, their hospitality and their willingness to share their music, dance and wisdom with me. But I had no opportunity to follow up on my visit for a long time. Last year I finally returned, meeting some familiar faces  and quite a few new ones too. I wasn’t just interested to learn more about their music for myself; I thought it would also be great if my students had a chance to experience their music. After all this music is always polyphonic, and it is more interesting to learn it together. So I asked the Bunun leaders if we could come over one afternoon to learn from them, and they agreed. They pointed out that they had Wu Rung Shun’s students visiting and that it was not easy to learn their songs. We were slightly uncertain as to how satisfying this would be for both parties. They had never worked with a group like ours, that is, a group of students that did not study music at the academic level. Perhaps we would not be able to make much of their music ourselves?

We came prepared: all of us had listened to the CD the Bunun from this village had recently produced, with a selection of their repertoire. And the evening before I had talked about different vocal styles and techniques and practised these with the group. We had also tried a Kyrie from Corsica, a polyphonic Christian song that I deemed appropriate to learn during this Easter weekend.
BununSeated

We were warmly received by a large group of about twenty people who were all introduced to us, and we all introduced ourselves to them. They were clearly very willing and eager to teach us about their music and perform for us. They insisted to change to their full traditional regalia of dresses, pants, headbands, earrings and carry-on bags, so they looked fabulous. Surprisingly, what seemed to be newly-made handwoven vests, turned out to be actually quite old, and worn for many occasions throughout the years. They took great care to maintain it.
BununFullRegalia
After watching several pieces performed by them, I asked if we could mingle and spread out between them, men between men, women between women. That would allow my students to better hear that each individual sings something different. After all, in a recording you hear many voices, but you are not really able to find out how one particular voice moves around in the polyphonic network. They readily agreed and so we could hear at close range what different voices do: a completely different experience than hearing the whole song, played back from a CD. Ten years ago I also recorded Amis songs this way, moving between the singers so as to get a clear picture of different individual voices. It was very revealing! Suddenly the chords jump to life all around you, like some kind of enhanced-dolby-5.1-stereo – much better than that in fact.

BununMixedWithUs

The meeting continued with more singing, sitting between the Bunun, absorbing the richnes of their musical patterns and imitating them. They asked us to sing our Corsican Kyrie for them, which my students dared to do, even though they had only learned it the day before. It was an approriate thing to do, as the Bunun are Christians and were actually very busy this time of year preparing for next day’s Easter Sunday celebrations (later that night they still went to church to prepare for it).
BununKyriePresentation
Later on, we saw and heard the men sing the Pasi But But: the most famous of Bunun vocal pieces. It is so unique in the world of music that it is hard to come up with any parallel. When I first heard a recording of the Pasi But But some 20 years ago, I thought of the music of György Ligeti, the contemporary Hungarian composer whom I listened to quite a bit at that time. The slow, draggingly-ascending lines, curled up into each other, make up for a  confusing sound experience, unlike most other types of polyphony (I also listened to hundreds of music traditions around the world, but the Bunun piece resembled none of them).

Thanks – again – to Wu Rung Shun’s PhD thesis of 1995, the mystery of this piece was revealed in all its fantastic detail, including all the meanings, terms, spiritual messages and other practices associated with it. With him and his colleague Dr. Chung Mingder and students at the Taipei National University of Arts we tried the piece many times. We often got lost in the steadily increasing flow of microtonal changes; sometimes we had some degree of succes; it was always intense and exhausting.

PasiButBut2ndSinger

Singing the Pasi But But

We were lucky enough – at least the four males of our group – to be invited to join their Pasi But But after they had done it. Again, each man of our group was surrounded by other men, and each in one of the four pitch-groups, holding hands and twisting arms firmly behind our backs. With the guidance of the experienced Bunun men’s strong, certain voices, there was little risk of messing this piece up, and indeed the three other men who never did it before got through it alright.
Finally, we shared more food, excited talk and some wine, as well as some Jew’s harp and mouth-bow playing to conclude our acquaintance.

BununPestlePlaying
Later that night, after we returned to the house on the mountain slope where we stayed, our group members unanimously rejoiced in this learning experience. Each for themsleves, they had made very different discoveries. One heard new songs that she had never heard before from the Bunun. Another said it was revealing to sing while being surrounded by several elders. A third was thrilled to feel the powerful voice of an aged, yet virile singer next to her. Another found out that the Bunun do not simply hit some notes here and there, but make certain patterns and still structure their pieces even though they improvise. Yet another marvelled at hearing the Pasi But But at close range, which is so different form a concert performance at a distance. One of the men of our group understood much better how this song worked after being taught to sing it with them.

BununSaniSuglumanBununOfferingDiang Nangavulan BununBilingDemuSq

My thanks to all the Bunun participants in the workshop, especially chief/chairman Diang Nangavulan (centre), Biling Demu (right) and Sani Sugluman (left).