improvisation

Voice Yoga Summer Sessions

Saturday August 22 / 10AM – Tuesday August 25 / 11AM

Once again the succesful Voice Yoga Retreat.

In Voice Yoga’s dynamic group process, students go beyond their own habits and expectations. Often, something larger than ourselves emerges: a flow of hidden creative potential. We work with all kinds of sounds without meaning, without emphasizing a beautiful voice. They help us to get beyond common subject-object and mind-body dualities, and bring our unconscious selves and irrational emotions to the surface. The group process becomes a mirror for the self and allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside.

“this is better than sex” (comment by one student)

Designed and taught by Mark van Tongeren, a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts.

 

**************************************
2020 聲音瑜珈: 盛夏暑光 療癒假期
**************************************
日期: 8/22(六) 9:00 ~ 8/25 (二)13:30

【報名詳情】
https://forms.gle/Zn1bwfNVFWDDPn6u8

3天半的時間 / 關於聲音與身體的探索/ —
連結你的身心平衡,以及充滿創造力、活力的存在。

**************************************
聲音瑜珈是個動態的團體過程,學員超越自我的慣性跟期望。比自我更廣大的自己開始甦醒: 那些隱藏著的創造力開始顯現,如河水般開始流動。

透過瑜珈等身體訓練的方式,我們回到自己的身體,並且跟各式各樣的聲音工作,不去強調所謂「美麗的聲音」。聲音幫助我們超越日常的主體-客體跟身-心的二元對立,讓我們的下意識的自我跟理性之外的情感開始浮現。團體工作的過程好像是一面鏡子,讓我們每個人都「看見」自己,聆聽我們心底、靈魂的存在。

【聲音瑜伽是什麼?】
Mark的聲音瑜珈系統/課程,已經經過了8年的課程推廣與實踐。聲音瑜珈是Mark融合他在藝術創造、聲音表現、瑜珈練習、哲思傳統的30年經驗的系統。

聲音瑜珈不是我們所熟知的身心運動,也不是日常常聽的音樂、歌唱。它結合了音樂、聲音、戲劇、哲思跟肢體藝術的領域,是Mark個人經驗的藝術綜合體。Mark特殊的綜合能力及視野使得每個活動都有種特殊的流、律動。身體訓練與難忘(但無法被重複的)音樂創造結合、呼吸練習轉化成為接觸即興、聲音即興演化為類劇場表演。

不管你是音樂家、瑜珈老師、舞者、演員,或是對透過探索聲音、身體以及心靈之關聯以追尋自我成長的人, 我們相信療癒假期會是個讓你充電的好機會。

用聲音瑜珈來找到自己的力量吧!

【聲音瑜伽,到底是什麼?歡迎來上課體驗】
★時間: 每週四早上10:15~12:15,滿4人開班
★地點:《肯園香氣私塾教室》,近捷運科技大樓站
台北市復興南路二段151巷3號4樓 。
★費用:單堂400,4堂1500
★報名:請私訊,詢問當週是否會開課。
☆內容和概念,活動頁面:
https://www.facebook.com/events/2342349959402863/

【對象】
任何人都可以參加,不限瑜珈經驗或音樂訓練。發出聲音是種找出動作跟聲音, 聲音音高跟身體震動之間連結的練習,而不是廣義上的瑜珈。課程的重點不是瑜珈練習,而是發出聲音,感覺音調跟身體的震動。我們希望營造包容並接納差異的工作氛圍。我們會確保不同肢體程度、心理階段、音樂訓練以及正在發展身心靈各面向的學員可以在安全,全然被支持的環境下成長並探索。我們會盡其所能來帶領每個獨特的學員。而如果有些練習對你來說太挑戰了,你可以選擇作為觀察者,或是選擇以另一個形式來參與。

【開課人數】:最少8人,最多16人。
【語言】: 英文+中文(全程翻譯)

 

 

【日期】
日期: 8/22(六) 9:00 開始~
8/25 (二) 午餐後約13:30結束

因為第一次在夏天開設工作坊,上課時間上做了一些調整,因應氣候跟團體的能量 (午餐過後有更多休息時間)。

/第一天/
9:00-12:00 [聲音瑜珈 療癒假期 簡介]- 呼吸練習,音調共鳴, 自由即興。半夢半醒歌唱圈: 沉浸式聆聽/ 深度睡眠聲音按摩。
12:00-15:30 午餐 & 午睡
15:30-18:30 [動作與聲音練習]- 走路冥想,結構式即興及其他。
18:30-20:00 晚餐 & 休息
20:00-21:30 [晚間練習]- 動態聲音冥想

/第二、三、四天/ (第四天午餐後就結束)
9:00-12:00 [緩慢的覺知暖身]- 溫柔到劇烈程度的運動,音調共鳴,聲音/聲響玩耍。修復式: 半夢半醒歌唱圈。
12:00-15:30 午餐 & 午睡
15:30-18:30 [動作與聲音練習]- 走路冥想,結構式即興及其他。
18:30-20:00 晚餐 & 休息
20:00-21:30 曬月亮/ 找聲音/ 馬克的演唱會/ 學員們的演唱會/ 我們的演唱會? (視現場發展)

/第二、三、四天/ ***自由參與課程****
7:00-8:00 早起的人可以一起來做瑜珈。這個一小時的純身體練習是這個療癒假期中動態放鬆的好機會。(建議你帶著早餐,課後再吃)

【課程地點】
台東都蘭。台東光之屋(王曙芳 能量屋): 都蘭新社30-18號

【住宿】
請自行選擇都蘭民宿
填報名表後說明推薦名單及相關資訊

【費用】
原價:21,000
舊生價,
(2019 聲音瑜珈: 冬至 療癒假期,一年以上聲音瑜珈舊生, 共鳴、聲音旅程: 總共參加達5個整天時數的學員可享舊生價)
75折: (15.750 NT$) (7/11前報名)
9折: (18.900 NT$) (7/11之後報名)
兩人同行/三人同行: 每人折扣1000元 唯75折學員不可再折抵
學生/年長者/窮藝術家,75折: 15.750 (名額有限,請提早報名)

包含:
*學費
*7餐的伙食(六) (日) (一): 午、晚餐,(二)午餐
*保險

不包含:
* 交通
* 住宿

【報名】
https://forms.gle/Zn1bwfNVFWDDPn6u8

【取消報名】
取消報名收取10%行政費。課程前一個月取消報名,主辦方將保留50%費用;課程前兩週取消,,主辦方將保留80%費用。
如果你找人來替代你來上課,我們將退回10%行政費之外的費用。

【我們的團隊】
帶領者: Mark Van Tongeren
翻譯: Sunny Chen—課程資訊
活動規劃兼攝影: Jackal Mei—負責報名和課程資訊
場地主人: 王曙芳 能量屋

 

【好奇嗎?請來電或來信了解詳情】
報名: Jackal Mei, jackallala@gmail.com /lineID:Jackallala /0936596910
中文: 陳亮伃,ly.sunny.chen@gmail.com / lineID: soleilc77 /0912024285
英文: Mark van Tongeren , info@fusica.nl /0910382749

 

**************************************
VOICE YOGA SUMMER RETREAT
**************************************

Saturday August 22 10 AM until Tuesday 25 2 PM
Three and a half days of intense explorations of voice and movement for body-mind balance and creative, vibrant well-being.

**************************************

In Voice Yoga’s dynamic group process, you go beyond your habits and expectations. Something larger than yourself emerges: a flow of hidden creative potential.

Grounded in physical exercise such as yoga, we work with all kinds of sounds without meaning, without emphasizing a beautiful voice. They help us to get beyond common subject-object and mind-body dualities, and bring our unconscious selves and irrational emotions to the surface. The group process becomes a mirror for the self and allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside.

BACKGROUNDS
Mark’s Voice Yoga runs for over 8 years and brings together three decades of creative, vocal expression, yogic discipline and contemplative traditions.
Voice Yoga is neither yoga as you see all around you, or music as you hear it every day. It is a personal, artistic synthesis of a wide range of musical, resonant, theatrical, contemplative and physical arts. What binds them together is Mark’s unique synthesis and his vision to create a strong sense of flow, no matter what the activity is. Serious workouts smoothly blend with unforgettable (and unrepeatable!) musical creations, deep breath work morphs into contact improv and vocal exercises into absurdistic theatre.

This retreat will give you a big boost, whether you are a musician, dancer, yoga teacher, actor, or just interested in working on your personal growth through the connections between sound, body and mind. No problem if you’ve never done yoga before!

*********************
**** WEEKLY VOICE YOGA
**** For a taste of this retreat,
**** come to one of the weekly Voice Yoga
**** classes in Taipei for a 2-hour session.
**** Thursdays 10:15-12:15 AM
**** https://www.facebook.com/events/2197109717082246/
*********************

VOICE YOGA SUMMER RETREAT: FOR WHOM?
Anyone can attend, no experience with yoga or music is necessary. Making sounds and learning about the connections between sound and movement, tones and physical vibrations, and not yoga per se, are the main purpose of this retreat. We are working to create an atmosphere of inclusion and acceptance. We make sure people of different levels of physical, mental, musical and other development feel supported and encouraged to grow and explore. We do our best to accommodate the program to the different levels of the participants and let you decide to skip or tone down certain exercises when you feel they are too demanding.

DATES & TIMES
We start Saturday August 22 at 9 AM and suggest you arrive the evening before.
We finish after lunch on Tuesday 25th, around 1:30 PM.

This is the first time we do this in high Summer and we might adapt the program a bit to accommodate to the needs and energies of the group – and to the weather.

Day 1:
9:00-12:00 introduction to the program. Light exercising, breathing exercises start moving toning, improvising. Deep sleep session included!
12:00-15:30 lunch & siësta
15:30-18:30 Guided movement and sound practices, walking meditations, improvisations and more.
18:30-20:00 diner & rest
20:00-21:30 evening program: active sound meditation.

Day 2, 3, 4 (half day):
9:00-12:00 Slow meditative warm up, mild to vigorous exercising, toning, noise making. Once again: restorative (half-)sleep/dream.
12:00-15:30 lunch & siësta
15:30-18:30 Guided movement and sound practices, walking meditations, improvisations and more.
18:30-20:00 diner & rest
20:00-21:30 Moongazing. Sound searching. Mark’s concert. Yours?! Ours!
Day 2, 3, 4: optional: Early morning yoga sessions: 7-8 AM. For those who rise early anyway or those who would like to get the most out of this retreat of active relaxation, this session of yoga-only is the best start of the day. (we suggest you discuss the option of bringing your breakfast along with your b’n’b host unless you stay in walking distance from our site).

PLACE
We hold our sessions in Shufang’s Energy Healing, a gorgeous new yoga studio in Dulan, Taidong, isolated from nearby properties so we can make any sound we need to make. The studio has all utilities we need and is fully air-conditioned of course. There is a big lawn outside for musical workouts in fresh air, giant rocks to repose, and a few shady places.
Have a look here!:
https://www.facebook.com/shufang.energyhealing/

 

LODGING
Several comfortable options nearby in Dulan, different prices, some at walking distance.

OUR TEAM
This workshop is brought to you by Mark van Tongeren, Sunny Chen (translator) and Jackal Mei (general manager), and hosted by Shufang Wang.
For any questions about the contents in English ask Mark, in Chinese, ask Sunny or Jackal.
For registration, lodging and food details ask Jackal.
(contact info below)

YOUR TEACHER
Mark van Tongeren is a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has over 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts. He practices yoga for some twenty years and all kinds of voice/music/performance practices for 30 years. Read more details below or check out www.fusica.nl.

PRICES
Regular: 21.000 NT$
Students who joined one year or more of Voice Yoga or the first Retreat , the RESONANCE course or multiple Sound Journeys:
– 25 % (15.750 NT$) (sign up before July 11)
– 10 % (18.900 NT$) (after July 11)
Bring a friend:
– 1000 NT$ for both (cannot be combined with 25% discount)
Students, pensioners and poor struggling artists:
– 25 % (15.750 NT$) (limited number of spaces available, earlier sign up is better).

CANCELLATION POLICY
If you cannot make it for some reason, we will always keep 10 % admin fees. For cancellation within 4 weeks up to the start of the event , we retain the right to keep 50 % from the total fee, within 2 weeks up untill the starting date, 80%. If you find a new replacement student we will refund except admin fees.

INCLUDED:
+ Tuition
+ All lunches and diners from Saturday till Tuesday lunch

NOT INCLUDED
– Transport to Dulan
– Lodging

CONTACT INFO:

JACKAL MEI:
Phone: 0936596910
Mail jackallala@gmail.com
LINE: Jackallala

SUNNY CHEN
Phone: 0912024285
Mail ly.sunny.chen@gmail.com
LINE: soleilc77

Or contact Mark directly in English:
mark@fusica.nl
Phone 0910382749
LINE: 0910382749

 

REGISTRATION
https://forms.gle/Zn1bwfNVFWDDPn6u8

TESTIMONIALS
“I felt many sounds inside me first time and I felt there is an inner space inside my body. That was an very powerful experience for me. The body wasn’t what I knew before. I felt peace when you sang… I do have a lot of fun when you want us imitate your voice… Every time when we make sounds together I feel I am decomposing and putting every part of me in one again. ”
– Judith

” Your class shows me the magic of breath and voice. This makes my inner child very happy. ”
– Nancy

” I enjoyed the class very much today. You had everyone engaged and creatively expressed as well as discharging and recharging well. ”
– Tina

” More than ever, it brings back my childhood so I can play again. ”
– Kovida

” Your class shows me the magic of breath and voice. This makes my inner child very happy. ”
– Nancy

” Voice Yoga helps me feel lighter. ”
– Jennifer

” I enjoy a lot and feel relaxed, this is a special course for me. ”
– Judy

” This is better than sex! ”
– Tammy

 

Read more about it by clicking on the link below:

First Voice Yoga Retreat (full report)

 

 

Sound Journey: R E S O N A N C E R e t r e a t

Get into the heart of sound and voice. Four days to explore questions like:

How and what do I resonate through my voice?

How can I listen and resonate better, to others, and to myself?

How to let the overtones that are naturally present in my voice, sing?

 

For information about the teaser/interactive concert in Taipei early March, see here or click on the flyer:

 

This workshop teaches you the principles of resonance by learning the basics of overtone singing: a special way of listening to and making vocal sounds that has many useful applications for singers and non-singers alike. It requires no previous musical training.

To get an idea of what this workshop is about, listen to Mark’s TEDx talk about listening and singing overtones:

 

Mark speaking at TEDx Taipei in 2016

 

 

EXAMPLES OF THEMES:

° enrich your vocal resonance

° learn to sing overtones

° connect listening and sounding to the body

° connect body and sound to movement in new, interesting and fun ways

° dig deep into your very own creative impulses

° get personal feedback to discover what is unique about your resonance

° applications in meditation, therapy …

° … for yourself, for others

° understand and perceive the subtle sounds of resonance, timbre and overtones

 

TRADITION AND MODERNITY

The workshops is related to various old and new forms of singing and chanting

° contemporary / new / avantgarde music

° Tibetan Buddhist chanting

° Tuvan and Mongolian throat singing

° early and traditional polyphonic singing from Europe

learning from traditions where music is not commercial, not an enterprise, not a staged act, not an ‘artform’

 

 

MIND-SETTING / SOUND ECOLOGY

° break-through your habitual patterns of hearing and making sound

° explore expressions beyond words

° develop a new sound vocabularies

 

LISTENING

° hearing overtones in the colours and timbres of a voice

° listening meditations/concerts

° ‘ear cleaning’: make a new start listening to all sound instead of familiar patterns

 

RESONATING

° zooming into resonance by slowing down the movements of tongue, lips, jaw

° Tongue Rollercoaster: losening up the tongue to move freely

° get to know the basic techniques of overtone singing: NG (gong), RR (bird), LL (sygyt), vowel (ee-uu)

NEW BODY-MIND CONNECTIONS

° Ocean Exercise: unlearn the fixed patterns of the speech and music you know

° Singing while you lie down, walk, stand, sit, close your eyes

 

RESONANT ENCOUNTERS

° guided resonating with one or more voices

° giving feedback to each other’s voices

 

IS IT ART? THERAPY? SPIRITUAL EXERCISE?

° Exploring and discussing the many levels on which sound works

 

 

VOCAL STYLE

The main emphasis is on using / applying / hearing resonance with a relaxed, more occidental voice, and not on the pressed, guttural voices of throat singing, for example Tuvan khöömei. We will learn some pieces by Mark and also create our own pieces, improvisations, soundpaintings, sound choreographies, rituals, etc.

In addition we will use instruments such as singing bowls, bells, lutes and fiddles and you are encouraged to bring your own – the greater the resonant spectrum, the better!

KNOW THE THEORY

Your guide holds a PhD in the field of the voice, resonance, and overtone singing and has thirty years of experience doing performative and academic research. He has decades of experience introducing newcomers to the sometimes strange or difficult principles of sound. Even though those sounds govern our everyday communication, we are profoundly unaware how it works. After these four days you will be enriched with many new ideas about your own voice and those of others.

 

VIDEO LINK

Listen to Mark singing the first sixteen overtones:

Snippet of a throat singing workshop in Washington DC, 2002:

Taipei TEDx talk about listening and singing overtones:

FOR WHOM

No experience is necessary, all levels welcome.

We’ve had office workers, people with speech problems, poets, singing bowl players, linguists, sanyassins, professional singers, dancers, academics in previous R E S O N A N C E courses. Anyone who is curious about developing her or his voice potential, whether professional or amateur or non-singer, will benefit from these lessons.

DATES & TIMES

The course lasts four full days.

Start date and time: Saturday April 10, 9:30 AM

Finish: Tuesday April 13, 4 PM

PLACE

The Rainbow Mountain, Jianshi, Hsinchu

An isolated, quiet haven for concentrated sound work and contemplation deep in the mountains of Hsinchu. And yet easy to reach from Taipei.

Stunning landscape, spectacular floating clouds, great health food.

Stay in-house only in comfortable rooms in several separate chalets.

PRICES

Regular: 23.000 NT$

Early Bird: 10% off (20.700 NT$). Downpayment must be transmitted before 25/2

Bring a friend: 5% off (both 1.150 NT$ off). Can be combined with early bird. Both downpayments must be transmitted before 25/2.

Student/senior with ID card / poor struggling artist: 25% (cannot be combined with other discounts; )

Old students (RESONANCE, multiple Sound Journeys): check your email for extra discounts or ask us.

 

INCLUDED

– Tuition fee

– All meals (Saturday lunch diner up to and including Tuesday lunch)

(if you have special request please let us know)

– Insurance

– transport from Neiwan train station to Rainbow Mountain and back.

Not included:
Transport to Jianshi
Lodging. Lodging is on-site at The Rainbow Mountain, Jianshi, where you can stay all the time, the rooming options differ a bit and are handled separately.

 

YOUR TEACHER

Mark van Tongeren is a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts. Full biography.

 

TEASER / CONCERT

https://www.fusica.nl/event/sound-out-resonance/

We have an event to present to you what previous students did and what you can expect at the RESONANCE retreat. Join us to listen, to start resonating and to ask questions!

Event: SOUND OUT! R E S O N A N C E

March 7, 2020, 2:30-5 PM

Place: Artalley Cafe

Weblink: Accupass (tickets)

 

REGISTER & INFO

In English: mark@fusica.nl / Facebook / Phone 09 103 827 49

 

REGISTRATION LINK

To register, fill in the google form (coming soon) and answer a few questions.

Your registration is confirmed once the downpayment (25% of total fee) is received. Book early to avoid disappointments.

 

PAYMENT

Payment upon registration by bank or Paypal.

Bank code: 822.

Name of bank: China Trust

Beneficiary: Mark Christiaan van Tongeren

Account number: 163540306745

Make sure to send an email after your payment with the last few digits of your bank account.

 

CANCELLATION

If for some reason you cannot join after registering and downpayment, we urge you to try to find a replacement. The administration cost is 10%. With 30 days or less before the workshop, we keep the right to return only 60% of your fee. Within 14 days to the starting date, we keep the right to return only 30% of your fee, within 7 days no refund.

 

First Voice Yoga Retreat (full report)

At the end of 2019, in fact around the Winter Solstice on December 21, we did the first Voice Yoga Retreat here in Taiwan. A wonderful recollection of the best stuff I have done during my 7 seven years of weekly Voice Yoga classes. It was beyond expectation: fantastic weather, great location, wonderful students, and a great three-person-strong core team (Sunny Chen, Jackal Mei, me) to take care of everything.

 

 

Most of all, we all experienced a nice flow between yogic and other exercises, sound and body improvisations, eating cakes and drinking Jackal’s homebrewn coffee, meditating, listening, chanting, learning about my methods and ‘vision.’ People came from all over the place and all walks of life, and most were new to Voice Yoga.

One student, Guang Guang, wrote an excellent report in Chinese about everything we did, in Chinese. I reproduce it here, with an autotranslation at the bottom of this page. Jackal Mei made some great photos, and there’s a couple of myself too. Many thanks to Guang Guang and Jackal for the words and images, and to Sunny !

We’ll do another Voice Yoga Retreat later this year on the beautiful, relaxed East Coast of Taiwan, where the pace is slow, weather seems to be nearly always good, birds sing loudly and the ocean is never far away. Get on the maillinglist for updates.

 

 

/聲音瑜伽

因為身旁總是很多優秀的朋友,然後串成一條路徑,一開始是葉子跟我分享聲音,讓我在心裡種下了種子…
於是最近去體驗了一場聲音瑜伽,
授課的老師是教授泛音的馬克
我很喜歡他無私有愛的分享
且關照及感受著每一個我們
當第一堂課說
在這所發出的聲音都是當下要發生的
沒有好壞對錯,每個音都是對的…
讓沒有音感的我感到自在安心
第一個晚上
馬克很自然的就將大家的聲音一起融合在空間裡,讓彼此陌生的夥伴,很快的流動起來,只是短短的兩小時,我全身的細胞都在跳舞

/呼吸練習
在這個練習裡有很多要去感覺的東西,
我也在這個練習去練習感覺
呼吸的快慢,流向哪裡,擴張或收縮…
從沒思考這麼自然發生的事,
但最近這兩次的課程都在提醒著這件事,也就是當下

 

/母音三角形
很喜歡玩母音三角形
但在這裡面會發現自己的氣很短,
也會想配合其他人
在完美與協調之間理出自己的節奏
呼~吸~
烏~啊~一

/聲音的海洋
隨著模仿到自然而然的發聲,
讓自己的聲音丟進海洋裡
腦海會一直出現森林,池塘,水窪,沼澤,穹蒼,萬物,大地之聲
喜歡靜容分享的,她感覺身體自己發亮的地方想出聲,於是就讓那個聲音自己出來…
好有覺察的身體,我還在練習的路上

 

/深度聆聽
在戶外一起發聲,
聆聽空間裡擁有的音,跟隨
聆聽沒有的音,創造
在一來一往之間
做成了一首當代音樂
很喜歡這樣融合的旋律

/驚喜
圍一個圈,跟著馬克發出幾個音,
高高低低,閉上眼睛
幾個音沒有規則的發聲練習
然後由慢漸快,
馬克將桑尼推進圈內
在人圈中閉上眼享受旋律
馬克這時唱的越來越快
越來越具體
開始發現事有蹊蹺
打開眼睛望向馬克
他對我笑著示意
宛珍也早領略到了
沒錯,真的是我想的那樣
學員一個接一個笑開
桑尼終於意識到這一趴的別出心裁
流著淚接受大家獻唱
這一刻好感動
好美~好美~

 

/冬至熄燈
圍著蠟燭一起度過寧靜的夜,閉上眼四週充滿星星的感覺,那些包圍我們的自然之聲,好像墜落在草叢中發亮的星體,發亮的全是萬物的聲音

/薩滿儀式
同學藍師那一夜為大家進行薩滿旅程
第一次體驗儀式,薩滿鼓震出我全身電流,在守護靈的守護之下去感覺這個過程,叢林,速度,黑暗的旋轉,之後竄出來的蛇,最後讓自己慢慢抽離,見到一頭鹿而停止
宛珍被薩滿鼓招喚,以奔跑來流動
阿駱也隨之起舞,整個場域或坐或動
各有各的世界,奇幻世界~

 

/母音九宮格
深度覺察自己的聲音所在
共振的身體裡,聲音去到了哪裡?
馬克說
身體跟聲音會有共振的地方

意念也可以讓聲音去你想要他要去的地方
最後每個人的聲音震動,
都有不同的發現
這讓我覺得聲音太好玩了
每個人的身體感受都如此獨特

/呼吸節奏
呼吸長短的差異,
也能是一首悠揚的曲子
這個章節我也很享受
每個樂器的總和
就是一篇生命的樂章

/泛音獨唱
某個下午,馬克為大家唱歌
坐著,躺著自由
本來是陰天的午後
在一段泛音的旋律不斷繚繞時
我聽見的都是天使的聲音
此時
窗外金色陽光透進粉色的窗簾裡
天使光溫柔的灑在馬克身上發亮
那一個畫面我來不及拍照
但映在我腦海
我全身細胞都在舞蹈

/八部合音
每個人的聲音都好獨特好聽
曙芳的聲音裡有老靈魂的歌唱
想起她的守護靈老奶奶還有愛
輪到發踢卡時
是花神在唱歌吧!!!
清晰亮麗好感動
輪到我的時候,腦袋原本想運作
後來告訴自己算了
讓聲音是什麼就是什麼
雖然知道我聲音都沒到要去的地方
我的聲音之神都在幫我找音階
去了好幾個半音
後來才去到該去的地方
我也是可以說
那是我精準的控制我的半音啦(撥瀏海~

 

經過三天的玩耍
很鬆很慢也很奇妙的身體各種痠
沒意料只是出聲音而已
身體就有各種拉扯
但記得馨勻說的很好
(可我忘記她具體說什麼了XD)
但她說完我就一陣恍然
拉拉也分享了馬克在機械噪音裡
找出它規律的節奏
讓噪音不只是噪音

 

三天收穫很多,
也許我是還在餘震之中再慢慢感受
唯一最明白自己的部份
大概就是我還沒那麼放鬆自己吧
畢竟聲音對我來說太陌生
但經過這些過程
更能丟掉小時候對聲音的既定印象
聲音的顏色如此寬廣無限
告訴自己,就是玩,去玩吧!

聲音瑜伽,是瑜伽也是即興
祂不止是聲音,
是能讓心、靈與身體的合一

謝謝Yu Chih Lin帶我池上玩
謝謝Xiaoying Ye聲音的連結
謝謝Jackal Mei意志的邀約XD
謝謝Mark Van Tongeren
帶領著經驗自己的不可思議
讓我在這場聲音之旅中如此盡興…

#課後筆記
#聲音瑜伽
#樂吉昇天
#已被圈粉
#很好玩還要再玩

 

Autotranslation of the Chinese text.

 

/ sound yoga

Because there are always many good friends around me, then put into a path. at the beginning, the leaves share the voice with me, and let me plant seeds in my heart…
So recently, I went to experience a sound yoga,
The teacher who taught is the mark of the pan-Yin.
I love his selfless and loving sharing
And take care and feel every one of us
When the first class said
The voices made here are all about the moment.
There is no bad right or wrong, every voice is right…
Let me feel free to feel at ease
First night
Mark is very natural to mix everyone’s voices together in space, let each other’s strange partner, quickly flowing, just two hours, my whole body is dancing.

/ breathing practice
A lot of things to feel in this practice,
I am also practicing to practice the feeling
Where to breathe, where to go, expand or shrink…
Never thought about what happened so naturally,
But these two recent courses are reminding this thing, that is the moment.

/ vowel triangle
Love to play with the vowel triangle
But I will find myself very short in this,
Will also want to work with other people
Make your own rhythm between perfection and coordination
Oh ~ suck ~
Oh ~ Ah ~ one

/ the ocean of sound
With the imitation of a natural voice,
Let your voice be thrown into the ocean
The Forest, the pond, the water, the swamp, the swamp, the sky, everything, the sound of the earth.
Who likes to share quietly, she feels like she’s shiny, so let the voice come out on her own…
So conscious body, I’m still on my way to practice

/ deep listening
Voice together in the outdoors,
Listen to the sound of the space and follow
Listen to the sound of not, create
In the way.
Made a contemporary music
I love this fusion melody.

/ surprise
Surround a circle and make a few voices with Mark,
Close your eyes and close your eyes
A few sounds without rules
Then slowly,
Mark puts the nissan into the circle
Close your eyes in the circle and enjoy the melody
Mark is singing faster and faster
Getting more and more specific
Starting to find something wrong
Open your eyes and look at mark
He smiled at me
She has already learned it early.
Yes, it’s really what I thought
The students laugh at one after one.
Mulberry finally realized the chú le of this party
I am in tears to accept everyone’s singing
This moment is so touching
So beautiful ~ so beautiful ~

/ Winter Solstice Lights out
Surround the candles with a peaceful night, close your eyes with the feeling of stars, the sound of nature that surround us, like the stars that have fallen in the grass, the sound of everything.

/ sana ceremony
Classmate Blues on the night for you all the night
First experience ceremony, the sana drum burst out my whole body current, under the protection of the guardian spirit, I felt the process, the jungle, the speed, the dark spin, then the snake that came out, finally let myself slowly pull away, see one Deer stop
Lithuania was called by the drum of the drum to run
It also dance, the whole field, sitting or moving.
Every world, fantasy world ~

/ vowel
I am deeply aware of my voice.
Where did the sound go in the resonance body?
Mark said
Where the body and the sound will be resonance
But but
Ideas can also let the voice go where you want him to go
At the end everyone’s voice shakes,
All have different discoveries
This makes me think the voice is so funny
Everyone’s body feels so unique

/ breathing rhythm
The difference in the length of breathing,
Can also be a beautiful song
I’m enjoying this chapter too
The sum of each instrument
It’s a movement of life.

/ Pan-voice solo
One afternoon mark singing for everyone
Sitting and lying free
It was a cloudy afternoon.
While a pan-Tone Melody keeps on the these
All I hear is the voice of an angel
Right now
The Golden sunshine outside the window goes through the pink curtains
Angel Light gentle on mark
I didn’t have time to take pictures of that one
But in my mind
My whole body is dancing

/ eight sound
Everyone’s voice is so unique and nice
There is the singing of the old soul in the voice of the old soul
Thinking of her guardian spirit grandma and love
It’s my turn to kick the card.
Is the flower God singing!!!
Clear and beautiful, so touching
When it was my turn, my head wanted to work
Later I told myself to forget it
What makes the voice is what is
Even though I know my voice is not even where I’m going
My Voice God is helping me find the level
Went for a couple of semitone
I just went to the place where I should go.
I can say too
That’s my precision in control of my semitone (allocated ~

After three days of playing
Very Loose, slow and amazing body all kinds of sour
I didn’t expect it. It was just a voice.
The body has all kinds of pull
But remember that Xin Xin said very well
(but I forgot what she said XD)
But after she said, I just had a moment.
Lala also shared mark in mechanical noise
Find out the rhythm of its regular rhythm
Make noise not just noise

Harvest a lot in three days,
Maybe I’m still in the aftershocks and feel slowly
The only part that knows what I know most
Probably I’m not that relaxing myself yet
The voice is too strange to me after all
But after these process
It’s better to lose the established impression of the voice in my childhood
The Color of the voice is so wide and infinite
Tell yourself, it’s just to play, go play!

Sound Yoga is yoga and impromptu
He is more than a voice,
Is the one that makes the heart, spirit and body

Thank you Yu Chih Lin for taking me on the pool
Thank you Xiaoying Ye for the link
Thank you Jackal Mei for the invitation XD
Thanks Mark Van Tongeren
Leading the experience of my experience
Had me so much fun on this sound tour…

 

 

2019 in pix, videos and some stories

NEW WORKSHOP: RHYTHMS & CYCLES

 

Video impresssion: Colours Rhythms & Cycles

 

NEW CLASS: SHRUTI NIGHTS

I began a new class: Shruti Nights, and ran No. I-VIII throughout the year, each with a different theme.

Listen to a nice duet I did with Sunny, translator, co-producer of many of my events, and talented singing student.

 

 

 

RADIOGARDEN BROADCAST

MUSHIMARU’s PHYSICAL POETS

I joined a Butoh workshop and performance by the huge family of Butoh dancer Mushimaru Fujieda and his regular students and collaborators, twenty in total. They came flying in to Taiwan from Japan, Hong Kong and other places, paying from their own pockets. Very dedicated and truly inspiring!

With Hiroyuki Matsuhisa (moham-veena), Shree Katsura (voice and suwarmandar), Mikio Kawasaki (photographer); Sogyu Fukumura, a very famous monk who quit Buddhism decades ago and became activist; Himeko Narumi, whom I visited in her bar in Kyoto a few weeks later; Vinci Mok from Hong Kong, not to mention lots of interesting old and new friends from Taiwan. Our performance UNDER THE TREE OF LIFE  is on Youtube, beginning here with the entry of Mushimaru himself.

Recently many Taiwanese repaid the visit to Japan to collaborate with the same people, and one commented that the same performance turned into a rather hard-edged, noisy, radical performance, completely different from the soft version here in Taiwan. More true to the Butoh spirit, for sure, but I was still impressed with Mushimaru and all the kids who joined the event in Taiwan as very narural, innocent performers.

SANGPUY live IN TAIPEI

LUGANG and its AUTOMATED SONIC SURPRISES

Trip to Lugang, where we were deeply impressed by the Longshan Temple. It is not as famous as some other old temples in Lugang, which are more centra. But by far our favorite. Major reasons: little modernization, no entertainment, quite silent (no tourgroups with amplified guides). However, in both temples I encountered automated percussion devices. There was a procession leading to the very noisy and central Mazu Temple or Tian Hou Temple. I had to get away at some point because of the incredibly loud firecrackers, which I found unbearable, and our dog really got shocked from it.

There was no smoke anywhere, and it turned out the noise was produced by a firecracker machine, which you see at the end of this video.

A little later, in Lungshan Temple, I noticed a drum was playing all the time but I saw no one beating it. It turned out to be another automatic device producing percussive sounds, just like the firecracking machine.

 

PULI, CENTRAL TAIWAN: WORKSHOP

In April I was off to Puli, central Taiwan, for a workshop and another one with Canjune, exploring herbs and plants in the forests. From the roof of a cinnamon producer, a panorama of Puli’s iconic Chung Tai Chan (= Zen) Temple.

 

 

 

After the workshop, re-connect with a nun I got to know in 2004, with a fantastic voice: Guanzu Shi. For all these years she is studying the performance of a specific song in the Huayen Buddhist tradition, for which the way to pronounce many syllables is not exactly known.

SAINKHO and KAZHUHISA ICHIHASHI in JAPAN

First trip to Japan. Too many impression so share, but here’s a few. Basically a family tour but, lucky me, I ran into Sainkho one or two days before she launched her new CD with Kazuhisa Uchihashi in Beijing. Great show together!

 

 

SANGPUY TURNING the NATIONAL THEATRE UPSIDE DOWN

https://tifa.npac-ntch.org/2019/en/music/sangpuy-in-concert/

What a lovely guy, and what a great show he pulled off. The most astounding thing was that after the ‘normal’ stage show, which already featured lots of people from his village Jrben, some girls began singing and dancing in the lobby. The men joined and sure enough hundreds of people began to join the line after a while. The whole thing lasted at least another 45 minutes, with the last part (not in this video) some very high-energy indigenous male dancers/singers promoting their upcoming hot dance show.

 

TAIWAN EASTCOAST TOUR

To Mud Studio in Yilan, Zhishan for workshop in Poco a Poco, my first houseconcert in Taiwan, near Hualien, and another concert in Hualien. See my special blogpost.

WATERPERFORMANCE WITH YEH MING-HWA

Or: how not to breath.

DUTCH CANJUNE STORE IN AMSTERDAM

VISIT to BERNARD KLEIKAMP of PAN RECORDS

Bernard produced a dozen or so throat singing CDS and many other interesting titles from around the world. All from this modest office.

EXCHANGE OF NEW TIBTEAN MUSIC PUBLICATIONS

I bring Pan Records’ new CD Phursang Kelak Lama to Ricardo Canzio on behalf of Bernard Kleikamp. Ricardo gave me his precious new book Sakya Pandita’s Treatise on Music.

WITH TRAN QUANG and BACH YEN in PARIS

See the blogpost.

IN ROME FOR THE CAVE OPERA

WORLD MUSIC FESTIVAL TAIPEI

AROMAJOINT PERFUMANCE

 

 

 

 

VOICE YOGA WINTER SOLSTICE RETREAT

 

THANKS TO THE TEAM!

 

Ting Shuo Hear Say (Tainan): Performance 24 聽說有表演第二十四場

聽說有表演第二十四場 Ting Shuo Has Performance Twenty Four

2020.1.5 Sun. 週日
2 pm (入場 door open), 2:30 pm (開演 start performance)

@聽說 Ting Shuo Hear Say,台南 Tainan
表演票 Performance nt$300 (含一飲品 includes one drink)

\ duo:丁啟祐 Chiyou Ding [電子 electronics] +林育德 Yude Lin [電子 electronics]

\\ trio: 妙工俊陽 Miao Gong Jun Yang [自製樂器 self-built instruments]+Mark Van Tongeren [人聲 voice] + 林惠君 Hui-Chun Lin [大提琴 cello]

\\\ group: 妙工俊陽 – 自製樂器工作坊學員 Miao Gong Jun Yang – instrument building workshop participants [自製樂器 self-built instruments]

<<1/4 1~5pm 妙工俊陽 自製樂器工作坊
https://www.facebook.com/events/2530037220609071/
1/4 1~5pm Miao Gong Jun Yang – Instrument Building Workshop>>

———聽說有表演第二十四場藝術家 Ting Shuo Has Performance Twenty Four Artists———(English below Chinese)

::::丁啟祐 Chiyou Ding::::
https://soundcloud.com/chyod

丁啟祐,台北人,興趣於舞曲、電腦音樂和田野錄音。創作經歷以劇場、裝置為主。前兩個參與的製作: 薛詠之「柏拉圖的洞穴」聲音技術統籌、謝瀞瑩「聲洄」聲音編程。

Chiyou Ding is a sound hobbyist from Taipei. He is interested in the sound or music about rhythmic structure, computer related and field recording. He works mainly in theater and installation. The latest two productions he participated are Yung-Chih Hsueh’s “Plato’s Cave” in sound tech coordination, Olifa Hsieh’s “Sound-whirl” in sound programming.

::::林育德 Yude Lin::::
https://playreclabel.bandcamp.com/album/grgranrurr-playground-15-19

交通大學聲音音樂科技碩士學位學程畢業。擔任劇場、舞蹈、影像配樂,合作對象包括窮劇場、台南人劇團、柳春春劇社等;並為田孝慈舞蹈作品《洞》音樂設計,隨團參加2017亞維儂OFF藝術節、2018深圳當代戲劇雙年展;與鋼琴家李世揚合作、張婷婷獨立製作《抽屜三》、許雅婷《The River》配樂,擔任錄音、聲響設計。

He graduated from National Chiao Tung University with a master’s program of sound and music innovative technologies. Yude also created soundtrack for theater, dance, and video, working with theatre groups “Approaching Theater”, “Tainaner Ensemble”, “Oz Theatre Company”, etc. He soundtracked for Hsiao-Tzu Tien’s dance work “Hole”, and toured with the team in 2017 Avignon OFF and the 2018 Shenzhen Contemporary Theater Biennial. He also collaborated with pianist Shih-Yang Lee and produced the soundtrack for “Drawer Three” by Ting-Ting Chang, and he was the recorder and sound designer for Ya-Ting Hsu’s work “The River”.

::::妙工俊陽 Miao Gong Jun Yang aka 李俊陽 Jun-Yang Li::::

李俊陽自25歲起開始個人創作,至今超過15年,累積的作品包括繪畫(塗鴉水墨彩繪於各式材質)、木雕、鐵線塑型、大小型裝置、現成物改裝、拾得物重組、空間塗鴉、現場行為演出、偶戲編製、實驗戲劇,也參與過一些電視台廣告及戲劇節目的演出,還曾改過廟。俊陽的創作實踐是典型的台灣庶民與民俗養份充足的表現。

Jun Yang Li has been making work since the age of 25 and has been in the art field for more than 15 years. His works include painting (graffiti ink painting on various materials), wood carving, wire molding, large and small installations, modifying ready-made objects, reorganizing found items, graffiti on sites, and site-specific performance art, puppet making and performing, experimental theatre. He has also participated in some TV commercials and dramas, and even temple building. Jun Yang’s art practice is a manifestation of Taiwanese common people fed by folklore traditions.

::::Mark Van Tongeren::::
https://fusica.nl/?language=EN

交匯於科學與藝術範疇的聲音探索者Mark van Tongeren,主要以(荷麥)雙聲 / 泛音唱法聞名。早期的作品受到幾種經驗的影響,在圖瓦共和國的人種音樂學考察、蒙古喉唱與西藏低音唱咒研究、與安姆斯特丹實驗劇團Silo合作時擔任表演-錄音-聲音藝術家。之後,他加入Oorbeek即興樂團,並且與Michael Vetter學習跨媒介藝術。近期的作品包括與Superstingtrio演出的Incognito Ergo Sum, 以他做的曲Zeropoint進行的Overtone Singing馬拉松,以及與作曲家Paul Oomen合作的表演。

Mark van Tongeren is a sound explorer interested in the intersection of science and art. He is best known for his work as an overtone/throat singer. His early work was strongly influenced by ethnomusicological fieldwork trips to Tuva and by studies of Mongolian throat singing and Tibetan chanting, as well as by his role as a performer-recordist-sound artist with the Amsterdam-based experimental group Silo Theatre. He later joined the 7-piece improvisation band Oorbeek, and studied intermedial arts with the late musician and artist Michael Vetter. His recent work includes the performance Incognito Ergo Sum with Superstringtrio, and the Overtone Singing Marathon based upon his cycle of compositions Zeropoint, performed in collaboration with composer Paul Oomen.

::::林惠君 Hui-Chun Lin::::
https://huichunlin.weebly.com

林惠君,大提琴手。出生於台灣高雄,現定居在德國柏林。她從2008年開始製作音樂,從創作世界音樂,結合劇場,舞蹈到多媒體素材表演藝術到爵士樂多接觸。以音樂即興為主軸做作品創作,融合古典,傳統元素開創新的表演題材。活躍地並跨領域是她的專長,她的作品表達許多張力,突破極限,遊走在非主流音樂、實驗聲音領域。大提琴演奏外,人聲與肢體亦是她演出的項目。

Hui-Chun Lin is a musician who moves fluidly among work in avantgarde music, world music, jazz and improvisation and also performance. Her repertoire encompasses traditional, experimental and classical music in equal measure. Her musical work is concerned above all with sounding out the intersections, boundaries and connections among genres, epochs and cultures. Since 2011, she is a musician, performer and cello teacher in Berlin.

照片攝影 Photo credit: Mark by 蔡詩凡 / Shi-Fan Tsai。

贊助單位:財團法人國家文化藝術基金會
Sponsor: The National Culture and Arts Foundation

TingShuoHearSay Performance 24

 

 

Focus on Holland concert Taipei

Excited about playing with some great Taiwanese and Dutch improvisers next week here in Taiwan.

Wilbert de Joode, Felicity Provan, Mark Alban Lotz, Onno Govaerts, and Rogier Hornman come over from The Netherlands, and from the local scene we have Lee Shih-Yang, Dawang Yifang Huang, Tung Chao-Ming, and Min-Yen Terrie Hsieh. Oh and myself as well, in a category of your choice. More info here.

Bodies Performing Sound

I see improvisation as much more than a musical technique. While watching the performance of Joëlle Landrée, solo and with Lee Shih-Yang (November 4, Nankang Theatre, Taipei), half of my attention goes to the mimicry, body language and theatrical techniques of Landrée, who is ‘acting with’ her double bass as much as she is playing it. She talks through it, of course, but also to it. She treats it sometimes as a human being, or perhaps an animal, as she feigns anger or joy towards it. At one moment she gently kicked the lower part of her bass with her foot, as if kicking a dog bothering her.

INTERCONNECTED CIRCUITS

Joëlle Léandre responds visibly to her own music: almost as if it is not her making that music, but player and played are two; and she responds visibily to Lee Shih-Yang’s music and stage persona. In this way she sets up some sort of loops or interconnected circuits with the following elements:

  • a body performing, producing sound
  • a body responding to its own sound
  • a body playing with and for another performer in/through sound and in/through bodily gestures, facial expressions
  • a body listening and responding to that other performer in/through sound and in/through bodily gestures, facial expressions
  • and also, a body playing music and acting out the music for an audience
  • and responding to the audience (although rarely, in this case).

 

The music is the central theme of all these actions, it pervades it, surrounds it, generates it, steers it. But looking at the music alone would greatly limit our understanding of what is going on.

Joëlle Léandre’s performance was full of humor in more ways than music only can convey. Music in itself can certainly convey humor (I think of Dutch conceptual artist Wim T. Schippers playing a well-known Bach piece on piano, making all sorts of mistakes, trying to correct himself, repeating phrases, moving faster and slower, in the music-theatre piece Hoogwater voorheen Laagwater, 2016). But sometimes the musician herself becomes not just the medium of the music or sound, but something more like an actor or performer, aware of the fact that she is also playing a role onstage. She might exaggerate musical gestures in more than simply practical ways, she might use the body and facial expressions to convey messages that go far beyond what musicians express ‘as music’.

 

Léandre’s face showed some sort of running commentary to her own music and to the interaction with Lee Shih-Yang and at times made the audience laugh. By doing that, she puts the musician’s efforts between brackets, distances herself from it, provides some sort of criticism even as she is making music. It enhances the important idea in improvisation that the music itself, too, can be a running commentary on what the performers do.

 

You could say that some (in fact: many) musicians provide this commentary more discreetly, by only responding in music and not or not clearly in gesture, face, or body. Léandre on the other hand chose to enlarge her response through these means, making it less discrete, less hidden, less vague to the audience. Yet there were also moments when her playing, and her playing only, was a comment: this is one of the most common patterns in improvisation, and certainly so in jazz, where the musicians ‘comment’ on each other, ‘talk’ to each other. They build and exchange phrases, affirm and challenge each other, take the point of one musician further by moving on with it. This too was happening Saturday in Nankang theatre: rhythms, melodic patterns, noises and clusters going back and forth between Léandre and Lee, without obvious physical expression going along with it.

 

Intense music that requires concentrated listening, and where we can hardly be sure that what I hear is what the musicians intend, but where we still try to figure out what Lee is doing with Léandre’s ideas, and vice versa (of course, a perfectly valid alternative is not to care about this at all, but ‘simply enjoy’ the music, without figuring things out that you cannot know for sure anyway).

 

Music itself naturally triggers all sorts of physical, facial and other expressions, fitting to the roles of dedicated, serious musicians. We see it all the time, in video clips, classical performances, jazz: any music style has a number of ways in which the musician seeks ways to express music’s manifold qualities. Just some musicians, more than others, go way beyond the musical language itself. One can debate if this contributes to the music or distracts from it: purists might be bothered and uninterested in musicians acting out their performance too much. There are plenty of examples of exaggerated and silly theatricality in musical performance. One that comes to mind is many modern, female pipa players (a Chinese type of lute held upright in front of the player), who excessively sway their bodies and heads. I mostly prefer the old pipa practice where the music does not need all that visual display; it usually sounds better. Certain kinds of theatricality add nothing to the music but commercial value; it sometimes only serves to cover up a lack of genuine musical quality.

 

If the music still comes first, though, the expansion of the performative language can add many layers of meaning and expression to an already rich, interesting performance, instead of peeling off those layers. In rare cases, performers truly and convincingly embody multiple languages, fluently blending the musical performance mode with other ones, like dance, movement, facial expressions. In India, earlier this year, I had a chance to see a live performance if singer Venkatesh Kumar. He is an absolute master of of his raga improvisations and also of his body. In several long drawn-out pieces he used his arms, hands and facial expressions to express his journey through the dense network of musical connections that makes up a raga. Fascinating stuff!

 

So far for the non-musical gestures. I guess some of this can be gleaned also from a brand new book that I hope to read soon. It will certainly interest those who want to know more about the why’s and how’s of improvising: Marcel Cobussen’s The Field of Musical Improvisation, an e-book that is free for download since a few weeks.

 

Last night was the first concert with Makigami Koichi. Tonight is the closing concert of the TIIMF here in Taipei.

 

Saturday November 25

Zhongshan Hall, Taipei, 19:30

Closing concert of the Taiwan International Improvised Music Festival

With Porta Chiusa; and Makigami Koichi (voice, theremin, Jew’s harp, shakuhachi), Tung Chaoming (guzheng), Mark van Tongeren (voice, sruti box, Jew’s harp), and others

 

Sunday November 26

Reykjavik Lab /愛雷克雅維克實驗室, Taipei

13:30-17:00, workshop Improvise!

Details and tickets on Accupass, or send a message to 0910382749

Improvise! With Koichi Makigami

中文請往下>>>

This afternoon is for anyone interested in improvising with sound and music, from professionals (voice/instruments) to absolute beginners. Makigami Koichi is one of the special international guests for the second Taiwan International Improvisation Music Festival, doing several gigs around Taipei in this week.

Mr. Koichi is a master at manipulating groups of musicians, from absolute beginners to the most experienced professionals, and to let them create something never heard or seen before.

Powerful yet playful, with a body-language that is at once authorative and disheartening, Makigami Koichi could even turn a group of meek lambs into a fantastic bleeting-orchestra.

This man is breathing music and you cannot help breathing along with him, so that music, noise and theatrical antics will start to pour out of every pore of your skin.

As a (former) avant-rock star, an extremely versatile vocalist, the bandleader of Hikashu for almost 40 years, and as a multi-instrumentalist, Makigami has steered through numerous Japanese musical landscapes. He redefined the horizon of music in Japan, and far beyond.

Most of all, he understands group dynamics and, with few words, can guide people who never met before through a diverse musical landscape.

We asked him for the requirements of those who are going to join.
He dryly replied “no technique”.
Any styles people should know or play?
“No styles”.

Musicians, non-musicians:
it’s Mr. Koichi’s first visit to Taiwan.
Join this unique event.
You will not regret it.

【卷上公一即興工作坊】

https://www.accupass.com/event/1710270829532029014404

這個下午是給所有對聲音跟音樂即興有興趣的人,開放給所以有專業(聲音或樂器)音樂家及初學者。卷上公一是第二屆台灣國際即興音樂節邀請的國際特別來賓之一,這週,他在台北帶來了一些演出。

卷上公一是一位帶領團體的音樂大師,能夠同時帶領初學者和最有經驗的專業音樂人一起創造,讓他們創出從來沒聽過或看過的音樂。

充滿能量卻又有玩耍的跳躍的性格,加上他的肢體語言中的權威和份量,卷上公一可以使一群害羞的羔羊變成一個狂響的交響樂團。

這個人的呼吸就是音樂,而你會不得不開始跟著他一起呼吸。如此,音樂、聲響跟戲劇性的表現會開始由你的每個毛孔開始傾到而出。

作為一個(前)前衛搖滾歌星,歌藝精湛歌者,Hikashu近40年的團長,以及熟悉多種樂器的音樂家,卷上公一經歷了日本音樂界的很多風景。他重新畫設了日本音樂的地平線,而他的影響力也遠遠超過了日本的地理範疇。

最重要的是他對團體的理解,而可以用幾個字就讓從未見面的一群人跨越許多不同的音樂風景。

當我們問他參與學員的條件時?
他直說了「不需要技巧」。
關於風格的問題?
「不用風格」。

這是卷上公一第一次來台灣開課!
加入吧,你絕不會後悔!

限制條件:

時間:
11/26 星期日,14:00-17:00
13:30開門,14:00開始

地點:
愛雷克雅維克實驗室
100 台北市濟南路一段7號

學費
單人    每人1500 NT$
六人團體票 每人1200 NT$
學生/長者 每人1000NT$
https://www.accupass.com/event/1710270829532029014404

REQUIREMENTS:
None

DATE/TIME:
Sunday November 26, 14:00-17:00
Doors open at 13:30, workshop starts at 14:00.

PLACE:
Reykjavik Lab
No. 7, Section 1, Jinan Road, Zhongzheng District, Taipei City, 10051

PRICE AND TICKETS:
NT$ 1000 (group ticket), 1200 (discount), 1500 (normal)
https://www.accupass.com/event/1710270829532029014404

BIOGRAPHICAL
Makigami Koichi is a renowned vocal performer and multi-instrumentalist who has been playing around the world for years. He rose to fame as the singer of the New Wave/rock band Hikashu in 1979. Soon thereafter the band sought more freedom, incorporating elements of spontaneity and improvisation into their music.

With some changes, Koichi and his collective continue to play a significant role in the cross-over field of rock-jazz-improvisation in Japan and around the world, with recent tours in Europe, Australia and the US.

Besides solo work, Makigami played with prominent jazz/experimental/avant-garde musicians like Derek Bailey, John Zorn, Ikue Mori and Fred Frith. He has visited Tuva/Siberia since the early 1990s and organised many tours and published CDs of Tuvan and Altai music in Japan. He is also a co-producer and the main curator of the avant-garde jazz festival Jazz Art Sengawa in Tokyo.

OTHER EVENTS with KOICHI MAKIGAMI
2nd Taiwan International Improvised Music Festival
https://www.facebook.com/pg/tiimf2015/events/

Concerts Luc Houtkamp in Taiwan

In a few days composer/improviser Luc Houtkamp is arriving from the Netherlands. He is a much respected music personality in The Netherlands with a string of accomplishments. Right now, besides playing/composing, he is best known for his work with the POW Ensemble, which he founded over a decade ago. He is the recipient of the most important Jazz Prize, the Boy Edgar Prize. Very honoured to have him as a guest in our house for a few days! Then he moves on for his Taiwan tour. I will join him two times.

6 March 2015, 12:30 Taishin Bank, Taipei, Luc Houtkamp (sax), Chao-Ming Tung (guzheng), Mark Van Tongeren (voice)

14 March 2015, 19:00 Hsing Tian Kong Library, Taipei, Luc Houtkamp (sax) Chao-Ming Tung, (guzheng) Mark Van Tongeren (voice), Shih-Yang Lee (piano)

Other performances by Luc and Taiwanese musicians:
9 March 2015 Lecture at Shih Chien University, Taipei
11 March 2015 Lecture and Workshop at Chiao Tung University, Hsinchu
11 March 2015 concert in Hsinchu, place and line up tba
12 March 2015, 19:30 Tainan University of the Arts, Tainan, Taiwan with Shih-Yang Lee (piano) Fang-Yi Liu (musical saw & voice)
13 March 2015 Lacking Sound Festival Solo concert.

Here is a preview of Luc’s new piece, based on a 1914 novel of Gertrude Stein. Looks very promising!