Live Performances

Autumn /Winter Workshops Taiwan

Check out all the workshops for the coming months and scroll down for details.

Dulan Voice Yoga Retreat
Saturday December 19  / 10AM – Tuesday December 22 / 1 PM

 

Shruti Days, Taipei, Saturday/Sunday December 2 and 3.

More info from Julie Chiu: chiuconsult@gmail.com

 

Shruti Nights XII

four  dates 4 Tuesday evenings in December and January

 

RESONANCE REATREAT

2×4 days in January and March

 

As always, there are ongoing weekly Voice Yoga classes you can always join.

Please check with us first as some weeks are cancelled or in another location.

 

THE DETAILS PER EVENT

 

 

 

 

 

Dulan: Voice Yoga Winter Solstice Retreat

Saturday December 19 – Tuesday December 22

Once again the successful Voice Yoga Retreat. Read more about the previous retreats by clicking on the link below:

First Voice Yoga Retreat (full report)

 

In Voice Yoga’s dynamic group process, students go beyond their own habits and expectations. Often, something larger than ourselves emerges: a flow of hidden creative potential. We work with all kinds of sounds without meaning, without emphasizing a beautiful voice. They help us to get beyond common subject-object and mind-body dualities, and bring our unconscious selves and irrational emotions to the surface. The group process becomes a mirror for the self and allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside.

“this is better than sex” (comment by one student)

Designed and taught by Mark van Tongeren, a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts.

 

 

 

**************************************
VOICE YOGA Winter Solstice Retreat
**************************************
Saturday December 19 9 AM until Tuesday 22 13:30 PM
Three and a half days of intense explorations of voice and movement for body-mind balance and creative, vibrant well-being.
+ new teaching partner: Shaun Roos & Hui-Hung Lin from Teal Studios
+ meal upgrade:

https://www.facebook.com/XingFarm11
**************************************
In Voice Yoga’s dynamic group process, you go beyond your habits and expectations. Something larger than yourself emerges: a flow of hidden creative potential.
Grounded in physical exercise such as yoga, we work with all kinds of sounds without meaning, without emphasizing a beautiful voice. They help us to get beyond common subject-object and mind-body dualities, and bring our unconscious selves and irrational emotions to the surface. The group process becomes a mirror for the self and allows us to ‘see’ ourselves more clearly, to hear what’s living deep inside.
BACKGROUNDS
Mark’s Voice Yoga runs for over 8 years and brings together three decades of creative, vocal expression, yogic discipline and contemplative traditions.
Voice Yoga is neither yoga as you see all around you, or music as you hear it every day. It is a personal, artistic synthesis of a wide range of musical, resonant, theatrical, contemplative and physical arts. What binds them together is Mark’s unique synthesis and his vision to create a strong sense of flow, no matter what the activity is. Serious workouts smoothly blend with unforgettable (and unrepeatable!) musical creations, deep breath work morphs into contact improv and vocal exercises into absurdistic theatre.
This retreat will give you a big boost, whether you are a musician, dancer, yoga teacher, actor, or just interested in working on your personal growth through the connections between sound, body and mind. No problem if you’ve never done yoga before!
VOICE YOGA SUMMER RETREAT: FOR WHOM?
Anyone can attend, no experience with yoga or music is necessary. Making sounds and learning about the connections between sound and movement, tones and physical vibrations, and not yoga per se, are the main purpose of this retreat. We are working to create an atmosphere of inclusion and acceptance. We make sure people of different levels of physical, mental, musical and other development feel supported and encouraged to grow and explore. We do our best to accommodate the program to the different levels of the participants and let you decide to skip or tone down certain exercises when you feel they are too demanding.
DATES & TIMES
We start Saturday December 19 at 9 AM and suggest you arrive the evening before.
We finish after lunch on December 22th, around 1:30 PM.
Day 1,2,3; 4(half day):
9:00-12:00 Slow meditative warm up, mild to vigorous exercising, toning, noise making. Once again: restorative (half-)sleep/dream.
12:00-14:00 lunch & siësta
14:00-17:00 Guided movement and sound practices, walking meditations, improvisations and more.
17:00-18:30 tea break & rest
18:30-20:00 Moongazing. Sound searching. Mark’s concert. Yours?! Ours!
PLACE
We hold our sessions in Shufang’s Energy Healing, a gorgeous new yoga studio in Dulan, Taidong, isolated from nearby properties so we can make any sound we need to make. The studio has all utilities we need and is fully air-conditioned of course. There is a big lawn outside for musical workouts in fresh air, giant rocks to repose, and a few shady places.
Have a look here!:

https://www.facebook.com/shufang.energyhealing/
LODGING
Several comfortable options nearby in Dulan, different prices, some at walking distance.
OUR TEAM
This workshop is brought to you by Mark van Tongeren, Shaun Roos & Hui-Hung Lin, Sunny Chen (translator) and Jackal Mei (general manager), and hosted by Shufang Wang.
For any questions about the contents in English ask Mark, in Chinese, ask Sunny or Jackal.
For registration, lodging and food details ask Jackal.
(contact info below)
YOUR TEACHER
Mark van Tongeren is a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has over 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts. He practices yoga for some twenty years and all kinds of voice/music/performance practices for 30 years.
Read more details below or check out www.fusica.nl.
GUEST TEACHING / PARTNER
Teal Studios / Shaun Roos & Hui-Hung Lin
Shaun and Hui-Hung are the creators of an art and dance education center called Teal Studios. The center was founded in 2015 in Taipei, but has since moved to the east coast of Taiwan. Throughout the year, they hold a variety of workshops based on the traditions of Thai Yoga Massage and Contact Improvisation. Their teachings are also influenced by the practices of Tai Chi, Yoga and Mindfulness Mediation. When leading a class, they bring over 15 years of experience in training, developing and teaching in the arts of Contact Improvisation and Thai Yoga Message.
Shaun and Hui-Hung will teach a one-hour block of contact impro every day of the workshop.
PRICES
Regular: 22.500 NT$
Students who joined one year or more of Voice Yoga or the first Retreat , the RESONANCE course or multiple Sound Journeys:
– 25 % (17.250 NT$) (sign up before Oct 20)
– 10 % (20.400 NT$) (after Oct 20)
Bring a friend:
– 1000 NT$ for both (cannot be combined with 25% discount)
CANCELLATION POLICY
If you cannot make it for some reason, we will always keep 10 % admin fees. For cancellation within 4 weeks up to the start of the event , we retain the right to keep 50 % from the total fee. Within 2 weeks up until the starting date, 80%. If you find a new replacement student we will refund except admin fees.
INCLUDED:
+ Tuition
+ All lunches and diners from Saturday till Tuesday lunch
NOT INCLUDED
– Transport to Dulan
– Lodging
CONTACT INFO:
JACKAL MEI:
Phone: 0936596910
Mail jackallala@gmail.com
LINE: Jackallala
SUNNY CHEN
Phone: 0912024285
Mail ly.sunny.chen@gmail.com
LINE: soleilc77
Mark, in English only:
mark@fusica.nl
Phone 0910382749
LINE: 0910382749
TESTIMONIALS
“I felt many sounds inside me first time and I felt there is an inner space inside my body. That was an very powerful experience for me. The body wasn’t what I knew before. I felt peace when you sang… I do have a lot of fun when you want us imitate your voice… Every time when we make sounds together I feel I am decomposing and putting every part of me in one again. ”
– Judith
” Your class shows me the magic of breath and voice. This makes my inner child very happy. ”
– Nancy
” I enjoyed the class very much today. You had everyone engaged and creatively expressed as well as discharging and recharging well. ”
– Tina
” More than ever, it brings back my childhood so I can play again. ”
– Kovida
” Your class shows me the magic of breath and voice. This makes my inner child very happy. ”
– Nancy
” Voice Yoga helps me feel lighter. ”
– Jennifer
” I enjoy a lot and feel relaxed, this is a special course for me. ”
– Judy
” This is better than sex! ”
– Tammy

 

 

 

 

**************************************
2020 聲音瑜珈: 冬至 療癒假期
VOICE YOGA Winter Solstice Retreat
**************************************
今年冬至,來參與這個最短的日/ 最長的夜的團體慶典,
季節由黑暗轉向光明,而我們能夠順從這個自然的時光推移嗎?
3天半的時間 / 關於聲音與身體的探索/ —
連結你的身心平衡,以及充滿創造力、活力的存在。
/活動新亮點/
+ 共同授課師資: 青舎 (藝術舞蹈教育工作室)~
Shaun Roos & Hui-Hung Lin 【接觸即興 + 泰式瑜伽按摩】
+ 升級餐點: 天牛教授的魔法廚房
【日期】12/19(六) 9:00 ~ 12/22 (二)13:30
【課程地點】台東都蘭。
光之屋(王曙芳 能量屋): 都蘭新社30-18號
**************************************
聲音瑜珈是個動態的團體過程,學員超越自我的慣性跟期望。比自我更廣大的自己開始甦醒: 那些隱藏著的創造力開始顯現,如河水般開始流動。
透過瑜珈等身體訓練的方式,我們回到自己的身體,並且跟各式各樣的聲音工作,不去強調所謂「美麗的聲音」。聲音幫助我們超越日常的主體-客體跟身-心的二元對立,讓我們的下意識的自我跟理性之外的情感開始浮現。團體工作的過程好像是一面鏡子,讓我們每個人都「看見」自己,聆聽我們心底、靈魂的存在。
【聲音瑜伽是什麼?】
Mark的聲音瑜珈系統/課程,已經經過了8年的課程推廣與實踐。聲音瑜珈是Mark融合他在藝術創造、聲音表現、瑜珈練習、哲思傳統的30年經驗的系統。
聲音瑜珈不是我們所熟知的身心運動,也不是日常常聽的音樂、歌唱。它結合了音樂、聲音、戲劇、哲思跟肢體藝術的領域,是Mark個人經驗的藝術綜合體。Mark特殊的綜合能力及視野使得每個活動都有種特殊的流、律動。身體訓練與難忘(但無法被重複的)音樂創造結合、呼吸練習轉化成為接觸即興、聲音即興演化為類劇場表演。
不管你是音樂家、瑜珈老師、舞者、演員,或是對透過探索聲音、身體以及心靈之關聯以追尋自我成長的人, 我們相信療癒假期會是個讓你充電的好機會。
用聲音瑜珈來找到自己的力量吧!
【對象】
任何人都可以參加,不限瑜珈經驗或音樂訓練。發出聲音是種找出動作跟聲音, 聲音音高跟身體震動之間連結的練習,而不是廣義上的瑜珈。課程的重點不是瑜珈練習,而是發出聲音,感覺音調跟身體的震動。我們希望營造包容並接納差異的工作氛圍。我們會確保不同肢體程度、心理階段、音樂訓練以及正在發展身心靈各面向的學員可以在安全,全然被支持的環境下成長並探索。我們會盡其所能來帶領每個獨特的學員。而如果有些練習對你來說太挑戰了,你可以選擇作為觀察者,或是選擇以另一個形式來參與。
【開課人數】:最少8人,最多16人。
【語言】: 英文+中文(全程翻譯)
【日期】
日期: 12/19(六) 9:00 開始~
12/22 (二) 午餐後約13:30結束
【日程】 (第四天午餐後就結束)
9:00-12:00 [聲音瑜珈 療癒假期 簡介]- 呼吸練習,音調共鳴, 自由即興。半夢半醒歌唱圈: 沉浸式聆聽/ 深度睡眠聲音按摩。
12:00-14:00 午餐 & 午睡
14:00-17:00 [動作與聲音練習]- 走路冥想,結構式即興及其他。
17:00-18:30 下午茶 & 休息
18:30-20:00 [晚間練習]- 動態聲音冥想
【課程地點】
台東都蘭。台東光之屋(王曙芳 能量屋): 都蘭新社30-18號
【住宿】
請自行選擇都蘭民宿
填報名表後說明推薦名單及相關資訊
【費用】
原價:22,500
舊生價,(聲音瑜珈: 療癒假期,一年以上聲音瑜珈舊生, 共鳴、聲音旅程: 總共參加達5個整天時數的學員可享舊生價)
75折: (17.250 NT$) (10/20前報名)
9折: (20.400 NT$) (10/20之後報名)
兩人同行/三人同行: 每人折扣1000元 唯75折學員不可再折抵
包含:
*學費
*7餐的伙食(六) (日) (一): 午、晚餐,(二)午餐
*保險
不包含:
* 交通
* 住宿
【取消報名】
取消報名收取10%行政費。課程前一個月取消報名,主辦方將保留50%費用;課程前兩週取消,,主辦方將保留80%費用。
如果你找人來替代你來上課,我們將退回10%行政費之外的費用。
【我們的團隊】
帶領者: Mark Van Tongeren
合作帶領者: 青舎 (藝術舞蹈教育工作室)~ Shaun Roos & Hui-Hung Lin
翻譯: Sunny Chen—課程資訊
活動規劃兼攝影: Jackal Mei—負責報名和課程資訊
場地主人: 王曙芳 能量屋
【好奇嗎?請來電或來信了解詳情】
報名: Jackal Mei, jackallala@gmail.com /lineID:Jackallala /0936596910
中文: 陳亮伃,ly.sunny.chen@gmail.com / lineID: soleilc77 /0912024285
英文: Mark van Tongeren , info@fusica.nl /0910382749
聲音瑜伽 在台北的日常開班時間
【聲音瑜伽,到底是什麼?歡迎來上課體驗】
★時間: 每週四早上10:15~12:15,滿4人開班
★地點:《肯園香氣私塾教室》,近捷運科技大樓站
台北市復興南路二段151巷3號4樓 。
★費用:單堂400,4堂1500
★報名:請私訊,詢問當週是否會開課。
☆內容和概念,活動頁面:

https://www.facebook.com/events/2342349959402863/

 

 

 

 

 

Shruti Nights XII

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Singing and shaping techniques for melodic improvisations

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Learn to free your voice using a simple drone instrument.
A series of four classes, starting the first or second Tuesday of the month.

The aim of these four sessions is to learn to improvise melodies with the shruti box. Every month we will take a close look at something else. In most classes there will be all kinds of structural vocal exercises to build up your skills, some structural improvising and some free explorations of your very own musicality.

This month we go back once more to all the basic tools to shape your sound: making your voice more ‘yours’ and more expressive; and looking at how to shape phrases (starting them, ending them, rhythmic variation etc.).

Watch a video of Mark playing shruti box here:
https://youtu.be/BhiMamcPuMw?t=1519

FOR WHOM:
– people who recently bought a shruti box from Mark
– others who already have a shruti box and want to learn more
– others who want to learn to sing better with a drone instrument
– since the aim is to sing melodies, it is preferable if you can keep a tone. If you cannot hold tones (or you are ‘tone-deaf’, to use a terrible expression), you can still join in most of the program, but for some exercises as a passive participant.

WHAT YOU NEED
You can bring your own shruti box but it is not absolutely necessary, we always have several pieces on hand.
If you consider to buy an instrument but not sure what you need, and you join four classes, you can try one out at home between two consecutive classes.

 

DATES & TIMES

Four Tuesday evenings from 19:00 – 21:15.

DECEMBER 8 and 29, January 12 + 26

 

PLACE

Canjune Training Center

4F, #3 , Lane 151, Fuxing S Rd. Sec. 2., Daan, Taipei

 

The Canjune Training Center is a 10 minute walk from MRT Technology Building, and 12 minutes from MRT Daan.

Language: English with Chinese translation.

 

PRICE

Regular: 4 lessons 4000 NT$

Discount: 4 lessons 3600 NT$. Those who bought (or buy) a shruti box from Mark, (old) Resonance students/ Shruti Night regulars (more than 6 months) / Student Identity Card holders and seniors (bring your ID) (請出示學生證).

 

PAYMENT

Payment upon registration by bank or Paypal.

Bank information:

Bank code: 822.

Name of bank: China Trust

Beneficiary: Mark Christiaan van Tongeren

Account number: 163540306745

Make sure to send an email after your payment. We will confirm reception in a few days time.

AVAILABLE NOW! NEW SHRUTI BOXES !!

After a long wait because of Covid 19, our supplier in India finally sent a new batch of shruti boxes, which has just arrived.

The shruti box can be used for all kinds of purposes: playing for yourself or with others, learning more about musical structure and harmony, or free play.

 

REGISTER & INFO

In Mandarin: m10531001@gmcc.tnua.edu.tw

In English: mark@fusica.nl / Facebook / Phone 09 103 827 49

 

 

MIAOLI: RESONANCE RETREAT

8- DAY

R E S O N A N C E

INTENSIVE

MIAOLI

 

with mark van tongeren

 

 

 

 

 

 

MODULE 1 :  4 DAYS. OUTER VOICE – INNER VOICE

Connecting body sound and mind.

January 16-19 (4 days) 2021

 

Day 1   Morning                   Forget everyting! Make a fresh start!

Voice-yoga: warm-up meditations, breathing, listening, resonance, vowels.

Unlearning: excercises to forget what you thought you knew about music, sound and voice.

 

Day 1   Afternoon                Ear-cleaning & Expanding your Hearing

We have become deaf due to noise pollution and sensory overload.

But we can also learn to hear more than most humans ever heard before. Includes Overtone singing exercise (1).

 

Day 2   Morning                   Music/sound and the body.

Voice-yoga: warm-up meditations, breathing, listening, resonance, vowels.

Ocean exercise: making sounds without boundaries. Re-discover things your body knew, but that you were unaware off.

 

Day 2   Afternoon.               Sound and vibration as tools to go into yourself.

Experiencing yourself/the other through the sense of sound.

Understanding the path of discovery: part searching, part non-doing. Overtone singing exercise (2) en (3).

 

Day 3   Morning.                   Understanding overtones, the DNA of sound

Overtones are in a way the original harmony, underlying every other musical and non-musical harmony.

You yourself cannot change your DNA, but you can get creative with the DNA of all sounds. Includes seeing your voice (#1).

 

Day 3   Afternoon.               Harmonics as/in healing and therapy.

From shamanic wisdom to detox and emotional catharsis. Plenty of group chanting. Confronting fear, developing self-confidence. Sing for yourself. Sing for someone else. Sing together.

 

Day 4   Morning & Afternoon.           Balancing Inner Voice < — >  Outer Voice

How to let the body speak (and tune down the mind) while gaining a deeper understanding (knowledge, intuition) using the physicality of voice and hearing? We exploring questions such as: (1) How can you connect deeper with yourself using your voice? (2) What should the sounds you make be like? (3) What can these sounds tell you, and what can others hear in your voice? And what is the role of silence?

 


 

 

MODULE 2 :  4 DAYS.         BODY MIND AND BEYOND

Spiritual practices, brought back to earth. Channel your beliefs into sonic patterns.

March 20-23 (4 days) 2021

 

Day 1   Morning                   Breath, Prana & Movement

Prana is the beginning of life force. Breath is one such process, and the one that happens to drive our vocal sound too. Workshop practices will target to develop your voice to be a powerful tool for relaxation and transformation, depending on how we use it.

Bringing the ideas and practices from Module One back to life and reviewing your personal development together.

 

Day 1   Afternoon                Technical work

Return to the technical challenges of good resonance, balance of body-mind exercise and good overtone singing skills.

The basis of resonance is hard, concentrated work and a clear understanding of physical and mental processes.

Solid practice to build on during the following days. Seeing your voice (#2).

 

Day 2   Morning                   Spiritual practices and sounds. Christianity.

Immerse yourself in the grand ideas of Christianity and its lyrical musical legacy.

What are Christian songs and styles in the context of overtone singing?

 

Day 2   Afternoon.               Spiritual practices and sounds. Buddhism.

Immerse yourself in the grand ideas of Buddhism and its esoteric musical legacy.

Buddhist chanting and vocal style in the context of overtone singing.

 

Day 3   Morning                   Spiritual practices and sounds: more ancient, more new.

What can we learn from Tuvan people about animism and shamanism.

What from new personal visions such as the one of Michael Vetter?

 

Day 3   Afternoon                Create new spiritual practices and sounds.

Do we need an -ism or a religion? What do we find in music itself? What do we find in ourselves?

Can we take up sound and vibration as tools to go beyond yourself? How? What tools do we need?

 

Day 4   Morning & Afternoon. Quintessence of science sound and self

Bring back the big picture of it all to peacemeal action. Do you follow basic techniques or develop a unique voice of your own?  Can you ‘Catch the spirit of the moment?’ Do you like to create a slow ritual? Today every voice will find a place as we all create a final piece about Sound at the Centre of the Universe. Group sharing.

 

 

 

 

 

I do not heal. I restore the harmony

Joska Soos, 1985

 

 

With Hungarian shaman and sound practitioner Joska Soos

 

 

 

LANGUAGE

The course will be conducted in English. Our interpreter Sunny Chen will be present to summarise or translate entire parts of the course into Mandarin, depending on the needs.

 

SESSION TIMES

Breakfast

Morning sessions: 9:30-12:30

Lunch

Afternoon sessions: 14:30-16:60 + 17:00-18:00.

Diner

Evenings are for resting, self practise, jamming…

 

PLACE

Miaoli, details to be announced.

 

REQUIREMENTS

No previous musical experience is required. For students who have already done one or more workshops of overtone singing there will still be plenty to learn. If you are in doubt contact us with your questions.

 

PRICES

Write us for pricing and registration inquiries.

Included:

  • Tuition
  • Lodging onsite in Miaoli
  • Alll meals are included from breakfast on Day 1 up to and including xxx on Day 4 of both modules..

Not included:

  • Transport to the retreat in Miaoli.
  • Please bring some instruments of your own.
  • It is also possible to pre-order a shruti box or Jew’s harps from Mark to help your own practice during and after the workshop.

REGISTER

Link. 

 

NUMBER OF PARTICIPANTS

To ensure that each student gets personal guidance, there is a maximum of 15 participants.

OUR TEAM
This workshop is brought to you by Mark van Tongeren, Nancy Pune (organiser) and Sunny Chen (translator, organisor). For any questions about the contents in English ask Mark, in Chinese, ask Sunny or Nancy. For registration, lodging and food details ask Sunny. For contact info see below.

YOUR GUIDE

Mark van Tongeren is a Dutch sound explorer with a deep interest in the synergy of arts, sciences and contemplative traditions. Mark has over 25 years of experience in theatre, music and dance productions and holds a PhD from Leiden University’s Academy of Creative of Performing Arts. He practices all kinds of voice/music/performance practices for 30 years, often combined with contemplative practises (meditation, pranayama, yoga).

CONTACT INFO

SUNNY CHEN
Phone: 0912024285
Mail: ly.sunny.chen@gmail.com

NANCY PUNE:

Phone 0934-031-389

 

MARK VAN TONGEREN:
mark@fusica.nl
Phone 0910382749
LINE: 0910382749

 

 

 

 

 

The world is not for beholding; it is made for hearing.

Jacques Attali, Noise, 1977

 

  

 

2019 in pix, videos and some stories

NEW WORKSHOP: RHYTHMS & CYCLES

 

Video impresssion: Colours Rhythms & Cycles

 

NEW CLASS: SHRUTI NIGHTS

I began a new class: Shruti Nights, and ran No. I-VIII throughout the year, each with a different theme.

Listen to a nice duet I did with Sunny, translator, co-producer of many of my events, and talented singing student.

 

 

 

RADIOGARDEN BROADCAST

MUSHIMARU’s PHYSICAL POETS

I joined a Butoh workshop and performance by the huge family of Butoh dancer Mushimaru Fujieda and his regular students and collaborators, twenty in total. They came flying in to Taiwan from Japan, Hong Kong and other places, paying from their own pockets. Very dedicated and truly inspiring!

With Hiroyuki Matsuhisa (moham-veena), Shree Katsura (voice and suwarmandar), Mikio Kawasaki (photographer); Sogyu Fukumura, a very famous monk who quit Buddhism decades ago and became activist; Himeko Narumi, whom I visited in her bar in Kyoto a few weeks later; Vinci Mok from Hong Kong, not to mention lots of interesting old and new friends from Taiwan. Our performance UNDER THE TREE OF LIFE  is on Youtube, beginning here with the entry of Mushimaru himself.

Recently many Taiwanese repaid the visit to Japan to collaborate with the same people, and one commented that the same performance turned into a rather hard-edged, noisy, radical performance, completely different from the soft version here in Taiwan. More true to the Butoh spirit, for sure, but I was still impressed with Mushimaru and all the kids who joined the event in Taiwan as very narural, innocent performers.

SANGPUY live IN TAIPEI

LUGANG and its AUTOMATED SONIC SURPRISES

Trip to Lugang, where we were deeply impressed by the Longshan Temple. It is not as famous as some other old temples in Lugang, which are more centra. But by far our favorite. Major reasons: little modernization, no entertainment, quite silent (no tourgroups with amplified guides). However, in both temples I encountered automated percussion devices. There was a procession leading to the very noisy and central Mazu Temple or Tian Hou Temple. I had to get away at some point because of the incredibly loud firecrackers, which I found unbearable, and our dog really got shocked from it.

There was no smoke anywhere, and it turned out the noise was produced by a firecracker machine, which you see at the end of this video.

A little later, in Lungshan Temple, I noticed a drum was playing all the time but I saw no one beating it. It turned out to be another automatic device producing percussive sounds, just like the firecracking machine.

 

PULI, CENTRAL TAIWAN: WORKSHOP

In April I was off to Puli, central Taiwan, for a workshop and another one with Canjune, exploring herbs and plants in the forests. From the roof of a cinnamon producer, a panorama of Puli’s iconic Chung Tai Chan (= Zen) Temple.

 

 

 

After the workshop, re-connect with a nun I got to know in 2004, with a fantastic voice: Guanzu Shi. For all these years she is studying the performance of a specific song in the Huayen Buddhist tradition, for which the way to pronounce many syllables is not exactly known.

SAINKHO and KAZHUHISA ICHIHASHI in JAPAN

First trip to Japan. Too many impression so share, but here’s a few. Basically a family tour but, lucky me, I ran into Sainkho one or two days before she launched her new CD with Kazuhisa Uchihashi in Beijing. Great show together!

 

 

SANGPUY TURNING the NATIONAL THEATRE UPSIDE DOWN

https://tifa.npac-ntch.org/2019/en/music/sangpuy-in-concert/

What a lovely guy, and what a great show he pulled off. The most astounding thing was that after the ‘normal’ stage show, which already featured lots of people from his village Jrben, some girls began singing and dancing in the lobby. The men joined and sure enough hundreds of people began to join the line after a while. The whole thing lasted at least another 45 minutes, with the last part (not in this video) some very high-energy indigenous male dancers/singers promoting their upcoming hot dance show.

 

TAIWAN EASTCOAST TOUR

To Mud Studio in Yilan, Zhishan for workshop in Poco a Poco, my first houseconcert in Taiwan, near Hualien, and another concert in Hualien. See my special blogpost.

WATERPERFORMANCE WITH YEH MING-HWA

Or: how not to breath.

DUTCH CANJUNE STORE IN AMSTERDAM

VISIT to BERNARD KLEIKAMP of PAN RECORDS

Bernard produced a dozen or so throat singing CDS and many other interesting titles from around the world. All from this modest office.

EXCHANGE OF NEW TIBTEAN MUSIC PUBLICATIONS

I bring Pan Records’ new CD Phursang Kelak Lama to Ricardo Canzio on behalf of Bernard Kleikamp. Ricardo gave me his precious new book Sakya Pandita’s Treatise on Music.

WITH TRAN QUANG and BACH YEN in PARIS

See the blogpost.

IN ROME FOR THE CAVE OPERA

WORLD MUSIC FESTIVAL TAIPEI

AROMAJOINT PERFUMANCE

 

 

 

 

VOICE YOGA WINTER SOLSTICE RETREAT

 

THANKS TO THE TEAM!

 

Ting Shuo Hear Say (Tainan): Performance 24 聽說有表演第二十四場

聽說有表演第二十四場 Ting Shuo Has Performance Twenty Four

2020.1.5 Sun. 週日
2 pm (入場 door open), 2:30 pm (開演 start performance)

@聽說 Ting Shuo Hear Say,台南 Tainan
表演票 Performance nt$300 (含一飲品 includes one drink)

\ duo:丁啟祐 Chiyou Ding [電子 electronics] +林育德 Yude Lin [電子 electronics]

\\ trio: 妙工俊陽 Miao Gong Jun Yang [自製樂器 self-built instruments]+Mark Van Tongeren [人聲 voice] + 林惠君 Hui-Chun Lin [大提琴 cello]

\\\ group: 妙工俊陽 – 自製樂器工作坊學員 Miao Gong Jun Yang – instrument building workshop participants [自製樂器 self-built instruments]

<<1/4 1~5pm 妙工俊陽 自製樂器工作坊
https://www.facebook.com/events/2530037220609071/
1/4 1~5pm Miao Gong Jun Yang – Instrument Building Workshop>>

———聽說有表演第二十四場藝術家 Ting Shuo Has Performance Twenty Four Artists———(English below Chinese)

::::丁啟祐 Chiyou Ding::::
https://soundcloud.com/chyod

丁啟祐,台北人,興趣於舞曲、電腦音樂和田野錄音。創作經歷以劇場、裝置為主。前兩個參與的製作: 薛詠之「柏拉圖的洞穴」聲音技術統籌、謝瀞瑩「聲洄」聲音編程。

Chiyou Ding is a sound hobbyist from Taipei. He is interested in the sound or music about rhythmic structure, computer related and field recording. He works mainly in theater and installation. The latest two productions he participated are Yung-Chih Hsueh’s “Plato’s Cave” in sound tech coordination, Olifa Hsieh’s “Sound-whirl” in sound programming.

::::林育德 Yude Lin::::
https://playreclabel.bandcamp.com/album/grgranrurr-playground-15-19

交通大學聲音音樂科技碩士學位學程畢業。擔任劇場、舞蹈、影像配樂,合作對象包括窮劇場、台南人劇團、柳春春劇社等;並為田孝慈舞蹈作品《洞》音樂設計,隨團參加2017亞維儂OFF藝術節、2018深圳當代戲劇雙年展;與鋼琴家李世揚合作、張婷婷獨立製作《抽屜三》、許雅婷《The River》配樂,擔任錄音、聲響設計。

He graduated from National Chiao Tung University with a master’s program of sound and music innovative technologies. Yude also created soundtrack for theater, dance, and video, working with theatre groups “Approaching Theater”, “Tainaner Ensemble”, “Oz Theatre Company”, etc. He soundtracked for Hsiao-Tzu Tien’s dance work “Hole”, and toured with the team in 2017 Avignon OFF and the 2018 Shenzhen Contemporary Theater Biennial. He also collaborated with pianist Shih-Yang Lee and produced the soundtrack for “Drawer Three” by Ting-Ting Chang, and he was the recorder and sound designer for Ya-Ting Hsu’s work “The River”.

::::妙工俊陽 Miao Gong Jun Yang aka 李俊陽 Jun-Yang Li::::

李俊陽自25歲起開始個人創作,至今超過15年,累積的作品包括繪畫(塗鴉水墨彩繪於各式材質)、木雕、鐵線塑型、大小型裝置、現成物改裝、拾得物重組、空間塗鴉、現場行為演出、偶戲編製、實驗戲劇,也參與過一些電視台廣告及戲劇節目的演出,還曾改過廟。俊陽的創作實踐是典型的台灣庶民與民俗養份充足的表現。

Jun Yang Li has been making work since the age of 25 and has been in the art field for more than 15 years. His works include painting (graffiti ink painting on various materials), wood carving, wire molding, large and small installations, modifying ready-made objects, reorganizing found items, graffiti on sites, and site-specific performance art, puppet making and performing, experimental theatre. He has also participated in some TV commercials and dramas, and even temple building. Jun Yang’s art practice is a manifestation of Taiwanese common people fed by folklore traditions.

::::Mark Van Tongeren::::
https://fusica.nl/?language=EN

交匯於科學與藝術範疇的聲音探索者Mark van Tongeren,主要以(荷麥)雙聲 / 泛音唱法聞名。早期的作品受到幾種經驗的影響,在圖瓦共和國的人種音樂學考察、蒙古喉唱與西藏低音唱咒研究、與安姆斯特丹實驗劇團Silo合作時擔任表演-錄音-聲音藝術家。之後,他加入Oorbeek即興樂團,並且與Michael Vetter學習跨媒介藝術。近期的作品包括與Superstingtrio演出的Incognito Ergo Sum, 以他做的曲Zeropoint進行的Overtone Singing馬拉松,以及與作曲家Paul Oomen合作的表演。

Mark van Tongeren is a sound explorer interested in the intersection of science and art. He is best known for his work as an overtone/throat singer. His early work was strongly influenced by ethnomusicological fieldwork trips to Tuva and by studies of Mongolian throat singing and Tibetan chanting, as well as by his role as a performer-recordist-sound artist with the Amsterdam-based experimental group Silo Theatre. He later joined the 7-piece improvisation band Oorbeek, and studied intermedial arts with the late musician and artist Michael Vetter. His recent work includes the performance Incognito Ergo Sum with Superstringtrio, and the Overtone Singing Marathon based upon his cycle of compositions Zeropoint, performed in collaboration with composer Paul Oomen.

::::林惠君 Hui-Chun Lin::::
https://huichunlin.weebly.com

林惠君,大提琴手。出生於台灣高雄,現定居在德國柏林。她從2008年開始製作音樂,從創作世界音樂,結合劇場,舞蹈到多媒體素材表演藝術到爵士樂多接觸。以音樂即興為主軸做作品創作,融合古典,傳統元素開創新的表演題材。活躍地並跨領域是她的專長,她的作品表達許多張力,突破極限,遊走在非主流音樂、實驗聲音領域。大提琴演奏外,人聲與肢體亦是她演出的項目。

Hui-Chun Lin is a musician who moves fluidly among work in avantgarde music, world music, jazz and improvisation and also performance. Her repertoire encompasses traditional, experimental and classical music in equal measure. Her musical work is concerned above all with sounding out the intersections, boundaries and connections among genres, epochs and cultures. Since 2011, she is a musician, performer and cello teacher in Berlin.

照片攝影 Photo credit: Mark by 蔡詩凡 / Shi-Fan Tsai。

贊助單位:財團法人國家文化藝術基金會
Sponsor: The National Culture and Arts Foundation

TingShuoHearSay Performance 24

 

 

The Ouroboros Concert

Voor nederlands even naar beneden skrollen.

Here is a letter I wrote earlier this year when I was about to turn 50 (want to get on the mailinglist too? let me know!):

I love the number 49 and its symbolism. Much better than 50. So I prefer to send out a shout to everyone on the last day of my 49th year in which I am walking on this strange and wonderful place called earth, rather than on the first day of the 50th year. My dear sister Daphne somehow knew I wanted to celebrate while I was still 49, when she organised a surprise party for me several months ago. I completely and totally bought it, even after my mom and two friends showed up in a park where you would not expect that. What a great present!

And then the Tuvans, for whom 49 is a special number, play their magic on me too. Tuva and its inhabitants have shaped my life in many ways. When I was halfway on to this point of my life and getting close to 25 years old, I first visited Tuva and fell in love with the place forever. 12 Years later I visited Tuva with June Wen, and it was then and there that we found out that we are destined for each other. That led to our marriage, to our kids, to me moving to Taiwan. Life-changing experiences in which Tuva seemed to play a role.

And right now, guess what? Earlier this year I began organising several Tuvan concerts here in Taiwan, and I was asked to curate two different acts for the Asian Pacific Traditional Arts Festival. And today (last day of 49) the first Tuvan group, a young quartet called Ezengi, has just finished their job (which they did very well) and returns to Tuva. And tomorrow (first day of 50) four fine senior musicians arrive from Tuva to Taiwan for this weekend’s performances: Shonchalai and Nachyn Choodu, Andrei Öpei and Valerii Mongush. Coincidence?

 

And then, there was this other coincidence this year. When I fist visited Tuva I learned about a Scythian ornament found during archaeological excavations, consisting of a panther biting its own tail. A wonderful symbol of infinity and the ever-repeating cycles of events. “Ma fin est mon commencement” (“my end is my beginning’) as mediaeval poets and musicians such as Guillaume de Machaut knew so well. This spring a very noble and inspiring friend, the philosopher Fons Elders, sent around a message with his view about this symbol, which is known as the ouroboros in the western world. A little later I performed in the Oosterkerk in Amsterdam with the wonderful Turkish ney player Sinan Arat, a concert I had arranged to be filmed so that I could share it with everybody. In the background of our stage happened to be . . . an ouroboros. So a few days ago, while working on the video I decided to call it “The Ouroboros Concert”. The next day I took the Tuvans to the Pacific Ocean – Tuva being very far removed from any sea or ocean. They decided to try surfing and that’s how I noticed the Scythian ouroboros tattooed on the arm of Anchy Damdyn. What a great idea! The first time ever I imagined I could have a tattoo too.

So by way of celebration and to express the gratitude I feel for being a human amidst so many wonderful human beings I share this Ouroboros concert video with you.

 

Nederlands

Hier is een brief die ik onlangs rondstuurde, toen ik op het punt stond 49 te worden (ook op de mailinglijst? laat het weten!):

49 Is een prachtig getal met een prachtige symboliek. Veel beter dan 50. Dus stuur ik een groet aan iedereen op de laatste dag van de 49 jaar dat ik op deze vreemde, wonderlijke planeet rondloop, in plaats van de eerste dag van mijn 50e. Mijn lieve zus Daphne voelde kennelijk al aan dat ik liever even stil sta bij mijn leven op mijn 49e, toen ze een surprise party voor me oganiseerde enkele maanden geleden. Ik stonk er totaal in, zelfs nadat mijn moeder en enkele vrienden spontaan opdoken in een park waar je hen toch niet 1-2-3 samen verwacht. Wat een geweldig cadeau!

En de Toevanen, voor wie het getal 49 ook speciale betekenis heeft, duiken ook weer op haast magische wijze op. Zoals jullie weten hebben Toeva en haar inwoners mijn leven op allerlei manieren vorm gegeven. Toen ik halverwege het punt was waar ik nu ben, dus bijna 25 jaar oud, bezocht ik Toeva voor het eerst en raakte voorgoed verslingerd aan deze plek. 12 Jaar later ging ik naar Toeva met June en we ontdekten, toen en daar, dat we voorbestemd waren voor elkaar. Dat leidde dus tot ons huwelijk, kinderen en tenslotte mijn verhuizing naar Taiwan. Nog een levenswending waar Toeva haast een sturende hand in leek te hebben.

En wat is er nu aan de hand? Ik begon eerder dit jaar een aantal Toevaanse concerten te organiseren hier in Taiwan, en werd onder andere verzocht twee programma’s in te vullen voor het Asian Pacific Traditional Arts Festival. En vandaag (de laatste dag dat ik 49 ben) vertrekt de eerste Toevaanse groep, een jong kwartet genaamd Ezengi (nadat ze zich trouwens uitstekend gekweten hebben van hun taak). En morgen (de eerste dag dat ik 50 ben) arriveren er vier geweldige senior musici uit Toeva: Shonchalai en Nachyn Choodu, Andrei Öpei en Valerii Mongush. Toeval?

 

En dan was er nog iets dit jaar. Toen ik Toeva voor het eerst bezocht leerde ik een Scythisch ornament kennen, dat bij archeologische opgravingen gevonden was en dat bestaat uit een panter die in zijn staart bijt. Een prachtig symbool van oneindigheid en de eeuwigdurende cycli van gebeurtenissen. “Ma fin est mon commencement” zoals middeleeuwse dichters en musici als Guillaume de Machaut heel goed wisten. Dit voorjaar stuurde vriend en inspiratiebron Fons Elders een bericht rond met daarin zijn visie op dit symbool, dat bekend staat als oeroboros in de westerse wereld. Iets later trad ik op in de Oosterkerk in Amsterdam met een geweldige Turkse ney-speler, Sinan Arat, een concert dat ik liet opnemen op video (en waarvoor je de link onderaan vindt). Juist achter ons podium bevond zich . . . een mooie uit hout gesneden oeroboros. En dus besloot ik een aantal dagen geleden toen ik met de video bezig was om ons optreden Het Oeroboros Concert te noemen. De volgende dag (afgelopen zaterdag) nam ik de Toevaanse musici mee naar de oceaan (waar de Toevanen verder van verwijderd zijn dan zo’n beetje wie dan ook ter wereld). Ze wilden graag gaan surfen en zo ontdekte ik de tatoeage van zo’n Scytische oeroboros op de arm van Anchy Damdyn. Wat een geweldig idee! Nooit eerder had ik ook maar een seconde de gedachte gekoesterd dat een tatoeage voor mij zelf ook best interessant kon zijn.


Dus om even stil te staan bij dit bijzondere moment in mijn leven en uitdrukking te geven aan de dankbaarheid om een mens te zijn te midden van allerlei fantastische mensen met wie ik mij omringd weet, deel ik nu deze Oeroboros concertvideo met jullie.

 

Focus on Holland concert Taipei

Excited about playing with some great Taiwanese and Dutch improvisers next week here in Taiwan.

Wilbert de Joode, Felicity Provan, Mark Alban Lotz, Onno Govaerts, and Rogier Hornman come over from The Netherlands, and from the local scene we have Lee Shih-Yang, Dawang Yifang Huang, Tung Chao-Ming, and Min-Yen Terrie Hsieh. Oh and myself as well, in a category of your choice. More info here.

Concert with Sinan Arat in Oosterkerk, Amsterdam

Over enkele weken doe ik een dubbelconcert met Sinan Arat in de Oosterkerk in amsterdam. Hij is vooral bekend van zijn ney spel, zijn hoofdinstrument. Ik heb hem nog niet ontmoet maar we hebben wel overlegd hoe we het willen gaan doen. Vanwege ons beider voorliefde voor improvisatie hebben we besloten te proberen om niet twee solo-blokken te spelen met een beetje overlap, maar de uitwisseling aan te gaan. Ik ben al langer op zoek naar samenwerking met een goede fluitspeler. In Taiwan zijn die dun gezaaid, zeker spelers die een dergelijke rijke, luchtige klank produceren. Dat heb je natuurlijk in Japan met de shakuhachi en in India met de bansuri (die Sinan ook bespeelt). Maar ik werd helemaal stil van het spel van Sinan toen ik gisteren onderstaande video van hem bekeek. Van die prachtige, lange, rustige tonen, waarin de adem steeds doorklinkt, en daarmee de ziel van de speler – of van de muziek zelf zo je wilt.

 

 

Sinan bespeelt naast de ney rietfluit ook lijsttrommels en zingt, en hij heeft Indiase muziek bestudeerd. En aangezien ik de laatste jaren ook experimenteer met fluiten en met de Marrokaanse bendir lijsttrommel én omdat ik ook al jaren met Indiase muziek bezig ben, hebben we aardig wat overlap. Ik ben heel benieuwd hoe dat gaat uitpakken, zijn voornamelijk traditionele spel met mijn meer experimentele benadering.

 

Het concert is op zondag 15 juli en begint om 12:00

Gratis toegankelijk (donaties welkom).

Adres: Oosterkerk, Kleine Wittenburgerstraat 1, Amsterdam.

 

De dag ervoor doe ik een eendaagse workshop boventoonzang, ook in de Oosterkerk in Amsterdam, voor wie wil kennismaken met deze techniek.

 

Beluister ook het mooie interview met Sinan rondom de VPRO sessie.

“Sinan Arat uit Turkije speelt en improviseert op de ney (Turkse fluit) en laat zich inspireren door de Ottomaanse en Anatolische traditie. Hij wordt begeleid door Alper Kekeç op percussie. In het interview met Giovanca vertelt Sinan hoe hij kennis leerde maken met de ney.”

 

 

 

Taiwan Tour 聽舞觀聲/Lending Ear to Dance, Eye to Sound

Taipei Dance Circle (光環舞集) continues to bring their piece Lending Ear to Dance, Eye to Sound to theatres across Taiwan. I will join them in one of the three choreographies. Read more about our collaboration and co-founder Liu Shaolu in a previous post here.

 

TaipeiDanceCircle宣傳圖(大石頭)

 

Program:     “Lending Ear To Dance, Eye To Sound” 聽舞觀聲

Dancers:

姚凱蕾 Yao Kai-Lei
蕭靈鳳 Siew Lin-Fong
王憲彬 Wang Hsien-Pin
陳英豪 Chen Ying-Hao

Tour to:

Taidong

Saturday 3/5    19:30
Performance Hall of Taitung County Government Bureau of Cultural Affair

Taichung

Wednesday 3/23     19:00
Providence University Zhi Shan Hall Stadium

Tamshui (Saturday May 1, to be confirmed)

Hsinchu
Saturday 5/27     19:30
Performance Hall of Cultural Bureau, Hsinchu County

Sanxia

Saturday 6/18    19:30
Performing hall of Xinzhuang Culture and Arts Center

Yingge

Friday 9/23  13:00

Yingge Technical High School

 

Read a Taipei Times article about the program here.

Taipei Times 2