Oorbeek

Oorbeek’s X-mas 7″

After some years of relative silence, the full seven-piece collective of Oorbeek reunited again this Summer to record in the Electric Monkey Studios in Amsterdam. We did some cool new stuff in those two days, and picked out some of our time-tested game pieces, which are guaranteed to produce music no one has ever heard before (our two motto’s are ‘Oorbeek always starts over again’ and ‘Oorbeek liberates sound’).

 

 

As a band proclaiming to do things differently, every time we play together, we decided to make a fresh rendition of two all-too-familiar Christmas tunes. That’s right, Oorbeek is joining the musical madness of X-mas, where dozens of groups and singers produce scores of iterations of the melodies we know so well. Of course Oorbeek would not be Oorbeek if it did not give that unique … what shall we call it…  New Dutch Swing-twist.

Now hear for yourself if you can recognise these tunes and sing along in your own language. Get the 7″ or listen to the tracks for free at Blowpipe Records.

And look out for more vinyl and downloads from the Electric Monkey sessions to come out in 2019.

If you use Facebook, you surely will like Oorbeek there.

Watch Oorbeek on Youtube.

 

MERRY X-MAS!

 MARK ALICE SERGE

SERGE

MAARTEN

KLAAS

PETER

ARIE

SERGE

MARK

Sound piece for The Fear of Small Numbers

I recently sat down to create a contribution for Serge Onnen‘s exhibition, opening tomorrow at the Kunstfort in Vijfhuizen, called The Fear of Small Numbers. Among the exhibits is a record player for which visitors can change the speed. Our collective of sound makers Oorbeek (where I got to know Serge in the first place) recorded a contribution in the studio this Summer, while recording a new album, and a host of other performers (me included) were asked to contribute. The record contains all these short pieces, one after another, and as a listeners you can play them back as fast or slow as you like. An interesting challenge for which I produced the following short piece, which I think will sound good no matter how slow or fast it is played back. I looped the original track of 22 seconds several times to make it longer. And for lack of a turntable I give you the half and double speeds as a bonus.

 

 

 

 

Here is the whole blurb for the exhibition:

In the fortress Serge Onnen (FR / NL,
1965) constructs an alternative
economy. Hard numbers become
fluid and loose the definite meaning
as we know it. A roulette, a wheel of
fortune, rotoscopes, a phenakistiscope
and a LP spin at high speed.
A party of Chinese shadow puppets
plays a sudoku-like game and looks
with half an eye at Onnen’s newest
animation movie CLOACINAE (2017)*,
which is here shown for the first
time.
Onnen works with drawings and
pre-cinema techniques. He was a
resident at the Rijksakademie and
teaches at the Rietveld Academy.
Onnen lives alternately in Brussels
and Amsterdam.
With sound contributions by i.a.
Jaap Blonk, Li Daiguo, Dick el
Demasiado, Fred Kienhuis, Jonas
Ohlsson, Oorbeek, Yvo Sprey, Mark
van Tongeren and Mariana Ungureanu,
Simon Wald-Lasowski. *I.c.w.
Sverre Fredriksen.
Festive opening on Sunday,
October 14, 15.00 with the artist
present. Opening speech at 15.30,
followed by drinks and music by
DJ Marcelle / Another Nice Mess.
Also on show this Fall at the
Kunstfort:
• Charlott Weise – He at Sea
in the Genieloods.
• Interventions by Yin-Ju Chen,
Roderick Hietbrink, Rachel
de Joode, Lennart de Neef en
Micha Prinsen, Lonneke van
der Palen, Marius Schwarz,
Dan Walwin.
Save the date: Sunday, December
16, 15.00, finissage with Onnen’s
band OORBEEK.
Image © Serge Onnen
Kunstfort bij Vijfhuizen is supported
by the Municipality of Haarlemmermeer
and the Mondriaan Fund.
Fortwachter 1, Vijfhuizen (NH)
www.kunstfort.nl
Tue–Sun 13–17 (Mon / Thu closed)
Check website for Holidays

Makigami Koichi comes to town (TPE)

The second Taiwan International Improvised Music Festival (TIIMF) is in full swing, with many events in Taipei and some in Hsinchu. It is great to be involved again, like two years ago when Jaap Blonk came over from the Netherlands for the kick-off of the festival’s first edition. I played host for Jaap and will do the same now for the guest arriving next week. Even though he lives close by, in Japan, it will be Makigami Koichi ‘s first visit to Taiwan. Friends of Taiwan! After a carreer spanning some 40 years, moving in wildly different directions, here is a chance to finally hear, see and even make music with your charming neighbor!

 

I first met Makigami in Kyzyl (Tuva, Siberia) in 1995 during the International Festival Khöömei. Our paths crossed many times since then, in New Zealand (where we performed with and on the invitation of Phil ‘Dadsonic’ Dadson), New York (where we had a concert the same evening, but in different places; I caught the tail of his performance with John Zorn and others and joined them for a bite afterwards), Germany (where we did a duet which was displayed live on a big screen as a Cymatics graph by Lauterwasser), Amsterdam (for the International Jew’s Harp Festival, where Makigami joined our band Oorbeek) and of course Siberia. More than Jaap Blonk, who sees himself primarily as a composer, Makigami is an improviser at heart.

 

I’ll never forget how Makigami entered the stage in Siberia to deliver his version of Tuvan throat singing in 1995: he walked in firm, big steps towards the mic, effectively starting his performance not after installing himself behind the mic and getting prepared to sing, but at the moment he appeared from the wings. His performance was hilarious, blending throat singing with other theatrical voices.

 

It’s hard to nail down where Makigami belongs musically: better not to even try. In 1979 he received national pop-star fame with a rather experimental, faintly New Wave-inspired song.

 

Shortly before that, he and his friends had formed a rock band called Hikashu (ヒカシュー), even though they started out with an interest in exploring theatre a year earlier. They were not quite interested in staying in the business of producing pop/rock format material and moved in new directions. This can clearly be seen in a documentary from the early 1980s, where we see the band exploring all sorts of absurd, mystical, comic and intellectual ideas and performances. I do not understand Japanese, but anyone can see they explore a huge range of performance techniques.

 

One of these techniques I knew from my studies in ethnomusicology, which included one semester devoted to Japanese music. We discussed the case, and listened to the recordings, of Buddhist monks (if I remember well), who would pursue a state of being where they let go of their ego-bound consciousness in such a way that they would squarely fall on the ground. We listened to the recording (chanting and bells, I presume) and suddenly heard a loud thud of a monk’s body dropping down; and then another one, and another one. I tried hard to understand how to do that without seriously hurting yourself (I pictured them falling forward). It definitely stands out as one of the most intriguing music-theatrical rituals ever invented.

 

Well, I found out one possible way to do it when watching the Hikashu documentary. All the band members let go and drop themselves on the floor, almost without counteracting the crash. If you want to try: the movement goes backward, not forward. It seems a thick mat or padded floor is used, by the sound of it (it still looks like a wooden floor). Painless it wasn’t it, at least not every time, so much is clear. It takes practise and guts.

(for the video link of this fragment, scroll down).

 

 

I knew for a long time I shared many musical passions with Makigami. The first one was obviously throat singing, then we both love the Jew’s harp. Later after I joined Oorbeek, I met probably the biggest fan of Hikashu and Makigami Koichi in The Netherlands, Maarten Hepp. And just at about the same time I did some improv work with Koichi in New Zealand, playing Zorn’s Cobra under his direction. But after viewing this documentary some years ago I see there is a whole range of body work and conceptual experiments he did in the early days.

 

It is therefore a great pleasure to also host a workshop with Makigami, who ignited some of my own improv teaching work when jointly presenting a workshop in New Zealand in 2003. He had a fantastic way of inviting and encouraging people to join in his musical experiments, and this lingered on in my own teaching. Next Sunday, November 26, Taipei residents have a chance to work with an original master of musical invention.

 

I asked him for the requirements of those who are going to join.

He dryly replied “no technique”.

Any styles people should know or play?

“No styles”.

 

That will be on Sunday November 26, 13:30-17:00, in Reykjavik Lab /

愛雷克雅維克實驗室, 台北市濟南路一段7號B1, Taipei. Full details and registration: on Accupass and at the bottom of this post.

 

 

LIVE APPEARANCES OF MAKIGAMI KOICHI in TAIPEI

Friday November 24

Concert “National Song beyond the Voice”

with Makigami Koichi (JP, voice, theremin, Jew’s harp, shakuhachi), Lin Chien-Chun (soprano), Lee Shih-Yang (piano), Mark van Tongeren (voice, sruti box, Jew’s harp), Hsing Tian Kong Library, Taipei, 19:00

 

Saturday November 25

Closing concert of the Taiwan International Improvised Music Festival

With Porta Chiusa; and Makigami Koichi (JP, voice, theremin, Jew’s harp, shakuhachi), Tung Chaoming (guzheng), Mark van Tongeren (voice, sruti box, Jew’s harp), and others.

Zhongshan Hall, Taipei, 19:30

 

 

Tuesday November 28

Improvisation music/dance with Makigami Koichi and Mark van Tongeren and one female dancer.

HORSE · No.24, Lane 28, Sec.1 Daguan Rd., · Banchiao District · New Taipei City 220 · Taiwan

20:00.

– SOLD-OUT –

 

Wednesday November 29

A lecture-demo in Fu Jen University, Taipei

13:40-15:30

Details upon request.

 

HIKASHU VIDEOS: FALLING BACKWARDS, 1981

 

 

This film also includes their hit song:

Hikashu ヒカシュー | プヨプヨ

 

For which the single version is here.

 

 

WORKSHOP DETAILS

中文請往下>>>

This afternoon is for anyone interested in improvising with sound and music, from professionals (voice/instruments) to absolute beginners. Makigami Koichi is one of the special international guests for the second Taiwan International Improvisation Music Festival, doing several gigs around Taipei in this week.

Mr. Koichi is a master at manipulating groups of musicians, from absolute beginners to the most experienced professionals, and to let them create something never heard or seen before.

Powerful yet playful, with a body-language that is at once authorative and disheartening, Makigami Koichi could even turn a group of meek lambs into a fantastic bleeting-orchestra.

This man is breathing music and you cannot help breathing along with him, so that music, noise and theatrical antics will start to pour out of every pore of your skin.

As a (former) avant-rock star, an extremely versatile vocalist, the bandleader of Hikashu for almost 40 years, and as a multi-instrumentalist, Makigami has steered through numerous Japanese musical landscapes. He redefined the horizon of music in Japan, and far beyond.

Most of all, he understands group dynamics and, with few words, can guide people who never met before through a diverse musical landscape.

Musicians, non-musicians:
it’s Mr. Koichi’s first visit to Taiwan.
Join this unique event.
You will not regret it.

【卷上公一即興工作坊】

https://www.accupass.com/event/1710270829532029014404

這個下午是給所有對聲音跟音樂即興有興趣的人,開放給所以有專業(聲音或樂器)音樂家及初學者。卷上公一是第二屆台灣國際即興音樂節邀請的國際特別來賓之一,這週,他在台北帶來了一些演出。

卷上公一是一位帶領團體的音樂大師,能夠同時帶領初學者和最有經驗的專業音樂人一起創造,讓他們創出從來沒聽過或看過的音樂。

充滿能量卻又有玩耍的跳躍的性格,加上他的肢體語言中的權威和份量,卷上公一可以使一群害羞的羔羊變成一個狂響的交響樂團。

這個人的呼吸就是音樂,而你會不得不開始跟著他一起呼吸。如此,音樂、聲響跟戲劇性的表現會開始由你的每個毛孔開始傾到而出。

作為一個(前)前衛搖滾歌星,歌藝精湛歌者,Hikashu近40年的團長,以及熟悉多種樂器的音樂家,卷上公一經歷了日本音樂界的很多風景。他重新畫設了日本音樂的地平線,而他的影響力也遠遠超過了日本的地理範疇。

最重要的是他對團體的理解,而可以用幾個字就讓從未見面的一群人跨越許多不同的音樂風景。

當我們問他參與學員的條件時?
他直說了「不需要技巧」。
關於風格的問題?
「不用風格」。

這是卷上公一第一次來台灣開課!
加入吧,你絕不會後悔!

限制條件:

時間:
11/26 星期日,14:00-17:00
13:30開門,14:00開始

地點:
愛雷克雅維克實驗室
100 台北市濟南路一段7號

學費
單人    每人1500 NT$
六人團體票 每人1200 NT$
學生/長者 每人1000NT$
https://www.accupass.com/event/1710270829532029014404

DATE/TIME:
Sunday November 26, 14:00-17:00
Doors open at 13:30, workshop starts at 14:00.

PLACE:
Reykjavik Lab
No. 7, Section 1, Jinan Road, Zhongzheng District, Taipei City, 10051

PRICE AND TICKETS:
100, 1200, 1500 NT$
https://www.accupass.com/event/1710270829532029014404

BIOGRAPHICAL
Makigami Koichi is a renowned vocal performer and multi-instrumentalist who has been playing around the world for years. He rose to fame as the singer of the New Wave/rock band Hikashu in 1979. Soon thereafter the band sought more freedom, incorporating elements of spontaneity and improvisation into their music.

With some changes, Koichi and his collective continue to play a significant role in the cross-over field of rock-jazz-improvisation in Japan and around the world, with recent tours in Europe, Australia and the US.

Besides solo work, Makigami played with prominent jazz/experimental/avant-garde musicians like Derek Bailey, John Zorn, Ikue Mori and Fred Frith. He has visited Tuva/Siberia since the early 1990s and organised many tours and published CDs of Tuvan and Altai music in Japan. He is also a co-producer and the main curator of the avant-garde jazz festival Jazz Art Sengawa in Tokyo.

 

 

MORE MAKIGAMI

What happened after 1981 and recently, just check out Makigami’s websites.

https://koichimakigami.tumblr.com/

And his website, proudly maintained by the artist himself since 1995 with the ancient but still working hypertext content. Proof of Makigami’s dedicated DIY spirit.

http://makigami.com/bio.html

 

4 concerts this week (NL/PL)

dear listeners,

I’d like to announce a couple of concerts in The Netherlands and in Poland in the coming week:

IMG_3788

Monday 18 november, AMSTERDAM, Het Poortgebouw, 1st Floor, Tolhuisweg 2: Oorsprong Curator Series, start at 20 o’ clock. Free-improvisation with flutist Mark Alban Lotz and guitarist Bram Stadhouders and vocalist Mark van Tongeren, and several other exciting music/dance impro-combinations in two other sets that same night.
Link: http://oorsprong.wordpress.com/

Thursday 21 November, AMSTERDAM, Mediamatic/Fabriek – Echokamer, 20:30, Superstringtrio (Rollin Rachele, Mark van Tongeren) and Daphne van Tongeren (light/performance).
Echokamer is a series of events during which composers, musicians and other sound-makers experiment with sound at, and with the sound of, Mediamatic Fabriek. The giant industrial hall reverberates and erodes, and produces quite a bit of sound all by itself. The perfect place for noisy experiments. Read more details about Superstringtrio’s sonic excursion next Thursday on this link: http://www.mediamatic.net/357851/en/echokamer-12-superstringtrio

Sunday 24 November, KRAKOW (Poland), Audio Art Festival/Bunkier Sztuki, 19 o’clock, Superstringtrio. We have been invited by Marek Choloniewski, founder of Audio Art Festival, one of the most long-standing festivals dedicated to Sound Art in all its beautiful, radical and weird manifestations, to join the ranks of many artists who have performed there in past decades. Superstringtrio will present an updated version of its performance Incognito Ergo Sum, premiered in Amsterdam earlier this year at the occasion of the PhD-defense of Mark van Tongeren’s Thresholds of the Audible- thesis at Leiden University. See a short clips of it on Vimeo: http://vimeo.com/64866998. For the full program of the festival, which has already started yesterday and continues next week, check this link: http://www.audio.art.pl/
(with our thanks to Horst Rickels, who gives a workshop and concert in Krakow tomorrow with his Lesley-speakersystem, together with Robert Pravda).

In a couple of hours I am leaving Taiwan. If all goes well I might join Oorbeek tomorrow, Saturday 16 November at the opening of The New Institute in ROTTERDAM. Set 1 at 17 o’ clock, set 2 at 17:45. 6th floor, Museumpark 25, 3015 CB Rotterdam,
Link: http://www.hetnieuweinstituut.nl/nieuwnew

Hope to see you somewhere!

Best wishes,

mark van tongeren

歐瑟之 與 溫馬克 2012年四月七日星期六在北京雜家的演出

敬告諸君:本週六,我將和老朋友歐瑟之一起在北京演出。歐瑟之目前在北京做駐村藝術家,持續他環繞”影子”這個主題的各種創作,我倆隸屬的歐貝克實驗樂團,也在他的影響下做了不少有關”影子”的演出。既是寄居於北京心臟地區的胡同,歐瑟之自然也把握機會浸淫在中國傳統的皮影藝術中。

過去幾個禮拜,我和歐瑟之藉著skype跨越兩岸,各自從台灣和北京交流這次演出的構思,我也已經看過演出中會用到的圖像、畫作與燈光道具,表演中甚至會出現傳統工匠依歐瑟之設計所特製的皮影戲,而那延續幾百年的半透明乾皮偶,想當然耳會在歐瑟之的筆下顯現不同的風情。

至於我的部分,則是召集了眾多好夥伴 : 各種樂器、發聲物件、以及老字號的第二代聲音特效器。雖然從荷蘭運回台北造成一些損傷,但他們卻能跟我的歌聲共奏一曲 ”和諧的亂彈 ”。如果你對這種新和音感到好奇,可以點擊此處先聽為快。

我們的劇目叫 “ 釘恩鍍恩”,這是荷蘭語,意為 “ 幹活兒 “。在那一個鐘頭的時間裡,雜家坐落的那個古意盎然小寺院,將被我們轉化為一個既寫實又超現實的新奇空間。

眼下只能言盡於此。

如果你恰巧人在北京,不妨過來瞧瞧。

Zajia Lab announce

http://www.douban.com/event/16197356/

http://wwww.onnen.com

http://www.oorbeek.net

Onnen/van Tongeren @ ZaJialab, Beijing, 7•apr•2012

Proudly presenting: this Saturday’s performance in Beijing, together with my old friend, artist Serge Onnen. Serge currently resides in Beijing where he is producing the follow-up of his extensive work on shadow/performance, much of which was done with the collective Oorbeek that we are both part of. With a residency in a hutong in the heart of Bejing, Serge is now immersing himself in the ancient art of shadowplay in China.

During the past few weeks we have exchanged ideas about our ZaJialab performance from our respective homes in Beijing and Taiwan. Through skype, Serge has shown me sketches and drawings of objects he will use, and several of his new lamps and lighting set-ups. He has even enlisted the help of some traditional puppetmakers to realise his own designs in the slightly transparent, dried leather that has been used for centuries.

I have dug out the remainder of my musical instruments and sound objects, and an old companion, the second-generation Korg Kaoss Pad (the first generation gave up many years ago). After a break due to moving, it is exciting to find out that my instruments, voice and Kaoss Pad are capable—again—to create a nicely organised chaos when all used together.

The title of our performance is Dingen Doen, which is Dutch for ‘doing things.’ For an hour or so, we are going to transform the small, atmospheric temple that nowadays is ZaJialab into a place that is both real—and surreal.

That’s all we can say for now!

Come and check us out if you happen to be around.

For details:

http://www.douban.com/event/16197356/