I recently sat down to create a contribution for Serge Onnen‘s exhibition, opening tomorrow at the Kunstfort in Vijfhuizen, called The Fear of Small Numbers. Among the exhibits is a record player for which visitors can change the speed. Our collective of sound makers Oorbeek (where I got to know Serge in the first place) recorded a contribution in the studio this Summer, while recording a new album, and a host of other performers (me included) were asked to contribute. The record contains all these short pieces, one after another, and as a listeners you can play them back as fast or slow as you like. An interesting challenge for which I produced the following short piece, which I think will sound good no matter how slow or fast it is played back. I looped the original track of 22 seconds several times to make it longer. And for lack of a turntable I give you the half and double speeds as a bonus.
Here is the whole blurb for the exhibition:
In the fortress Serge Onnen (FR / NL,
1965) constructs an alternative
economy. Hard numbers become
fluid and loose the definite meaning
as we know it. A roulette, a wheel of
fortune, rotoscopes, a phenakistiscope
and a LP spin at high speed.
A party of Chinese shadow puppets
plays a sudoku-like game and looks
with half an eye at Onnen’s newest
animation movie CLOACINAE (2017)*,
which is here shown for the first
Onnen works with drawings and
pre-cinema techniques. He was a
resident at the Rijksakademie and
teaches at the Rietveld Academy.
Onnen lives alternately in Brussels
With sound contributions by i.a.
Jaap Blonk, Li Daiguo, Dick el
Demasiado, Fred Kienhuis, Jonas
Ohlsson, Oorbeek, Yvo Sprey, Mark
van Tongeren and Mariana Ungureanu,
Simon Wald-Lasowski. *I.c.w.
Festive opening on Sunday,
October 14, 15.00 with the artist
present. Opening speech at 15.30,
followed by drinks and music by
DJ Marcelle / Another Nice Mess.
Also on show this Fall at the
• Charlott Weise – He at Sea
in the Genieloods.
• Interventions by Yin-Ju Chen,
Roderick Hietbrink, Rachel
de Joode, Lennart de Neef en
Micha Prinsen, Lonneke van
der Palen, Marius Schwarz,
Save the date: Sunday, December
16, 15.00, finissage with Onnen’s
Image © Serge Onnen
Kunstfort bij Vijfhuizen is supported
by the Municipality of Haarlemmermeer
and the Mondriaan Fund.
Fortwachter 1, Vijfhuizen (NH)
Tue–Sun 13–17 (Mon / Thu closed)
Check website for Holidays
Four days to explore Time through exciting rhythms, solemn melodies and ritualistic cycles.
Repeat repeat repeat.
Refresh refresh refresh.
Four days to reveal the secrets that Time plays with us in our daily lives.
JANUARY 24-27 , 2019, JIANSHI – TAIWAN
In our daily lives we are constantly immersed in cycles and rhythms. Some are natural, some cultural, some personal. Think of the seasons and our biological clock; our annual festivities and celebrations, our workweek; the times we get up, we sleep, we relax with friends or family.
How do cycles, like night and day, circadian rhythms (+/- 24 hours) and the seasonal rhythms influence us? How can we understand these rhythms in a time when we are deeply changed by artificial light, the 24-hour economy and fixed working hours, year-through? How can we play with these influences, use them more consciously, adapt them to our needs and to our actual, real-life rhythms? How can we break through our most stubborn, unhealthy patterns or improve them?
No one seems to escape from frequent feelings of being hurried, being late, being busy. Time seems to be either running after us, or we are running to catch up with Time. Music, meditation, hobbies and ‘spare time’ in general are moments to catch our breath and to not feel the pressure of The Clock. Is life really moving faster nowadays?
Many lucid minds have thought about such questions throughout the ages, and our days are no exception. Using examples from many epochs and insights from East and West, we confront these questions. We will look for and find answers in biology, philosophy and science. But most of all, we will explore answers in and through music.
Can we make a music that reflects all these rhythms? A music that is not just for distraction, fun or entertainment, but a music that is charged with deeper meaning, understanding, and deeper transformative elements? What does that music sound like? Will it work?
Music happens to be a powerful messenger of a deeper sense of time. It unlocks secrets of time – and then again it makes the mystery bigger. In these three days we listen to examples of music based on the movements of planets, on the heartbeat, and learn to create our own original musics along similar lines. We create our own music based on the rhythms of cells and planetary movements (can you attune your voice to your cells or to Jupiter?). We look and listen into the rhythms and pulses of our individual ‘bodysphere’, and make them audible. We enact slow rituals to catch Time in its tracks, as it unfolds – as gesture, or dance – in our limbs and escapes – as sound – from our lips. In between we pause, reflect and discuss the ongoing game that Time plays with us. All with the aim to connect more deeply and more wisely with the manifold rhythms of the life forms inside and outside ourselves.
Program day to day
Every day we explore one of the cycle forms with which we want to make music that day.
We start Thursday from the ‘median’ rhtyhms that we can feel and test most easily: those of our own lifecycle and the longer biorhythms such as breath and hearbeat.
We continue Friday with the Circadian rhythms (day-night), expanding to the largest cycles of planets and other heavenly bodies.
Saturday we finish with a focus on the rhythms of cells and organs and also of other species, and look at the full picture of Cycles and Rhythms.
By Sunday we have a more complete picture of time cycles, with attached problems, as well as a picture of the solutions: the rhythms and tones that help us tune-in to the real world.
For each day we review some of the theories, we make our own observations and discuss the problems attached to it. At various stages, we create our own musical responses: sometimes more intuitively, sometimes in the shape of simple compositions that anyone can take part in. Gradually we will get closer to revealing the complex web of time cycles in which our life unfolds, and find answers to the question what we can do to adjust our pace to the unfolding of Time.
Dates, times, prices
OPTION ONE: FULL WORKSHOP.
The full workshop lasts 3,5 days, from Thursda, January 24, noon (+ evening) to Sunday January 27, afternoon 4 PM. On Friday and Saturday we have a program for all day (including evening), with longer breaks to let everything sink in.
The price for the 3,5 day workshop is NT$ 12.000.
Early bird (till November 5) and R E S O N A N C E students price: NT$ 10.800.
OPTION TWO: 2, 5 DAYS
For those who are short of time (it happens), it is possible to join from Friday, January 25, evening – let us know when you can arrive so we can inform you about the reduced price.
All meals are included. Transport and lodging are not included. Lodging is on-site at The Rainbow Mountain, Jianshi, where you can stay all the time. The rooming options differ a bit and are handled separately by Sunny Chen.
Registration: through the form or write us:
Sunny Chen: ly.sunny.chen at gmail dot com / lineID: soleilc77
Mark van Tongeren: mark at fusica dot nl
Please send a clear proof of your payment (bank transfer) by email to Mark or Sunny.
Max. 12 students.
This workshop is in English with Mandarin translation.
Mandarin registration link (write us for English registration).
【帶領者】 Mark van Tongeren 德蘇
馬克．范．湯格鄰（Mark van Tongeren）是一位在藝術與科學疆界耕耘的聲音表演家，擁有二十五年音樂與多媒體表演資歷，為荷蘭萊登大學民族音樂學研究博士。為向大師習藝，他的足跡遍及阿爾泰地區、地中海、以及西藏寺院。在國際上，他是泛唱表演與研究著作的權威。曾任教於台北藝術大學戲劇學系（2003-2004客座講師)，政治大學Ｘ書院（2012-2014) ，肯園香氣私塾「聲音瑜珈」（2013-)。合作對象包含作曲家、即興創作者、原民音樂家、與台灣舞蹈團體。肯園科西嘉島芳香之旅領隊。2018年帶團前往圖瓦（西伯利亞）進行深度的音樂之旅。 目前與其妻溫佑君以及他們的兩位孩子定居於台灣。
早鳥優惠（至11月5日）/ R E S ON A N CE折扣：NT $ 10,800。
[開課人數]: 最少8人- 最多12人
– 學生8折 (請帶學生證)
– Resonance 舊生: 10,800
中文： firstname.lastname@example.org / lineID: soleilc77 陳亮伃
英文： email@example.com Mark van Tongeren